Manaqib


Manāqib is a genre in Arabic, Turkish, and Persian literature, broadly encompassing "biographical works of a laudatory nature", "in which the merits, virtues and remarkable deeds of the individual concerned are given prominence" and particularly hagiographies. The principle goal of such works "is to offer to the reader a moral portrait and information on the noble actions of the individuals who constitute their subject or on the superior merits of a certain group". Such texts are valuable sources for the socio-political and religious history of early and medieval Islam.

Etymology and usage

The usage of the word manāqib has varied over time and from one author to another, which is reflected in medieval Arabic scholarship by diverse opinions about the word's etymological meaning. The main possible explanations are:
Because the term manāqib came to be closely associated with Sufi saints, it later also came to mean "miracles".
Like many genre terms, the term manāqib is not neatly defined, and the usage of the term overlaps with a wide range of other Arabic genre terms. Some are fairly neutral in tone: tarjama, taʿrīf, akhbār, sīra. Others are more expressive: faḍāʾil , maʾāt̲h̲ir and mafākhir, and akhlāq.

Subject matter

The earliest texts labelled as manāqib have generally not survived, and their existence is known only from bibliographic lists made by medieval scholars.
From the 4th/10th century onwards, manāqib were produced focusing on biographies of the imams who founded different schools of Islamic thought about shariʿa, primarily: Abū Ḥanīfa, al-Awzāʿī, Mālik b. Anas, al-S̲h̲āfiʿī, and Aḥmad b. Ḥanbal. These were intended to edify the communities associated with these schools of thought, encouraging people to emulate their founders' virtues. The fashion extended to biographical dictionaries of the disciples of each school, and sometimes biographies of particular disciples, primarily: Ibn Taymiyya, Saḥnūn, al-Ḳābisī, and Abū Bakr Aḥmad ibn ʿAbd al-Raḥmān.
From this time too, however, manāqib were increasingly produced in praise of people who achieved the status of saints in some varieties of Islam, distinguished particularly by their miracles. This trend pertained particularly to the Maghrib, with key subjects of manāqib including: Abū Yazīd, al-Rabīʿ ibn al-Qaṭṭān, al-Mammasī, al-Sabāʾī, al-Jabanyānī, and the patron saint of Tunis, Sīdī Maḥrez. The genre then spread to Arab Africa more generally and onto the Turkic- and Persian-speaking worlds. Production of such texts declined around the seventeenth century CE.