Chinese language


Chinese is a family of East Asian analytic languages that form the Sinitic branch of the Sino-Tibetan languages. Chinese languages are spoken by the ethnic Han Chinese majority and many minority ethnic groups in China. About 1.2 billion people speak some form of Chinese as their first language.
The varieties of Chinese are usually considered by native speakers to be regional variants of ethnic Chinese speech, without consideration of whether they are mutually intelligible. Due to their lack of mutual intelligibility, they are generally described as distinct languages by linguists who sometimes note that they are more varied than the Romance languages. Investigation of the historical relationships among the Sinitic languages is just getting started. Currently, most classifications posit 7 to 13 main regional groups, based on often superficial phonetic developments, of which the most populous by far is Mandarin, followed by Min, Wu and Yue. These groups are unintelligible to each other and generally many of their subgroups are mutually unintelligible as well. There are, however, several transitional areas, where languages and dialects from different branches share enough features for some limited intelligibility between neighboring areas. Examples are New Xiang and Southwest Mandarin, Xuanzhou Wu and Lower Yangtze Mandarin, Jin and Central Plains Mandarin and certain divergent dialects of Hakka with Gan. All varieties of Chinese are tonal to at least some degree and largely analytic.
Standard Chinese is a standardized form of spoken Chinese based on the Beijing dialect of Mandarin. It is an official language of China, similar to one of the national languages of Taiwan and one of the four official languages of Singapore. It is one of the six official languages of the United Nations. The written form of the standard language, based on the logograms known as Chinese characters, is shared by literate speakers of otherwise unintelligible dialects.
The earliest Chinese written records are Shang dynasty-era oracle inscriptions, which can be traced back to 1250 BCE. The phonetic categories of Archaic Chinese can be reconstructed from the rhymes of ancient poetry. During the Northern and Southern dynasties period, Middle Chinese went through several sound changes and split into several varieties following prolonged geographic and political separation. Qieyun, a rime dictionary, recorded a compromise between the pronunciations of different regions. The royal courts of the Ming and early Qing dynasties operated using a koiné language based on Nanjing dialect of Lower Yangtze Mandarin. Standard Chinese was adopted in the 1930s and is now an official language of both the People's Republic of China and the Republic of China on Taiwan.

Classification

Linguists classify all varieties of Chinese as part of the Sino-Tibetan language family, together with Burmese, Tibetan and many other languages spoken in the Himalayas and the Southeast Asian Massif. Although the relationship was first proposed in the early 19th century and is now broadly accepted, reconstruction of Sino-Tibetan is much less developed than that of families such as Indo-European or Austroasiatic. Difficulties have included the great diversity of the languages, the lack of inflection in many of them, and the effects of language contact. In addition, many of the smaller languages are spoken in mountainous areas that are difficult to reach and are often also sensitive border zones. Without a secure reconstruction of proto-Sino-Tibetan, the higher-level structure of the family remains unclear. A top-level branching into Chinese and Tibeto-Burman languages is often assumed, but has not been convincingly demonstrated.

History

The first written records appeared over 3,000 years ago during the Shang dynasty. As the language evolved over this period, the various local varieties became mutually unintelligible. In reaction, central governments have repeatedly sought to promulgate a unified standard.

Old and Middle Chinese

The earliest examples of Chinese are divinatory inscriptions on oracle bones from around 1250 BCE in the late Shang dynasty. Old Chinese was the language of the Western Zhou period, recorded in inscriptions on bronze artifacts, the Classic of Poetry and portions of the Book of Documents and I Ching. Scholars have attempted to reconstruct the phonology of Old Chinese by comparing later varieties of Chinese with the rhyming practice of the Classic of Poetry and the phonetic elements found in the majority of Chinese characters. Although many of the finer details remain unclear, most scholars agree that Old Chinese differs from Middle Chinese in lacking retroflex and palatal obstruents but having initial consonant clusters of some sort, and in having voiceless nasals and liquids. Most recent reconstructions also describe an atonal language with consonant clusters at the end of the syllable, developing into tone distinctions in Middle Chinese. Several derivational affixes have also been identified, but the language lacks inflection, and indicated grammatical relationships using word order and grammatical particles.
Middle Chinese was the language used during Northern and Southern dynasties and the Sui, Tang, and Song dynasties. It can be divided into an early period, reflected by the Qieyun rime book, and a late period in the 10th century, reflected by rhyme tables such as the Yunjing constructed by ancient Chinese philologists as a guide to the Qieyun system. These works define phonological categories, but with little hint of what sounds they represent. Linguists have identified these sounds by comparing the categories with pronunciations in modern varieties of Chinese, borrowed Chinese words in Japanese, Vietnamese, and Korean, and transcription evidence. The resulting system is very complex, with a large number of consonants and vowels, but they are probably not all distinguished in any single dialect. Most linguists now believe it represents a diasystem encompassing 6th-century northern and southern standards for reading the classics.

Classical and literary forms

The relationship between spoken and written Chinese is rather complex. Its spoken varieties have evolved at different rates, while written Chinese itself has changed much less. Classical Chinese literature began in the Spring and Autumn period.

Rise of northern dialects

After the fall of the Northern Song dynasty, and during the reign of the Jin and Yuan dynasties in northern China, a common speech developed based on the dialects of the North China Plain around the capital.
The Zhongyuan Yinyun was a dictionary that codified the rhyming conventions of new sanqu verse form in this language.
Together with the slightly later Menggu Ziyun, this dictionary describes a language with many of the features characteristic of modern Mandarin dialects.
Up to the early 20th century, most of the people in China spoke only their local variety.
As a practical measure, officials of the Ming and Qing dynasties carried out the administration of the empire using a common language based on Mandarin varieties, known as Guānhuà.
For most of this period, this language was a koiné based on dialects spoken in the Nanjing area, though not identical to any single dialect.
By the middle of the 19th century, the Beijing dialect had become dominant and was essential for any business with the imperial court.
In the 1930s a standard national language Guóyǔ was adopted.
After much dispute between proponents of northern and southern dialects and an abortive attempt at an artificial pronunciation, the National Language Unification Commission finally settled on the Beijing dialect in 1932. The People's Republic founded in 1949 retained this standard, calling it pǔtōnghuà. The national language is now used in education, the media, and formal situations in both Mainland China and Taiwan. In Hong Kong and Macau, because of their colonial and linguistic history, the language used in education, the media, formal speech, and everyday life remains the local Cantonese, although the standard language has become very influential and is being taught in schools.

Influence

The Chinese language has spread to neighbouring countries through a variety of means. Northern Vietnam was incorporated into the Han empire in 111 BCE, marking the beginning of a period of Chinese control that ran almost continuously for a millennium. The Four Commanderies were established in northern Korea in the first century BCE, but disintegrated in the following centuries. Chinese Buddhism spread over East Asia between the 2nd and 5th centuries CE, and with it the study of scriptures and literature in Literary Chinese. Later Korea, Japan, and Vietnam developed strong central governments modeled on Chinese institutions, with Literary Chinese as the language of administration and scholarship, a position it would retain until the late 19th century in Korea and Japan, and the early 20th century in Vietnam. Scholars from different lands could communicate, albeit only in writing, using Literary Chinese.
Although they used Chinese solely for written communication, each country had its own tradition of reading texts aloud, the so-called Sino-Xenic pronunciations. Chinese words with these pronunciations were also extensively imported into the Korean, Japanese and Vietnamese languages, and today comprise over half of their vocabularies. This massive influx led to changes in the phonological structure of the languages, contributing to the development of moraic structure in Japanese and the disruption of vowel harmony in Korean.
Borrowed Chinese morphemes have been used extensively in all these languages to coin compound words for new concepts, in a similar way to the use of Latin and Ancient Greek roots in European languages. Many new compounds, or new meanings for old phrases, were created in the late 19th and early 20th centuries to name Western concepts and artifacts. These coinages, written in shared Chinese characters, have then been borrowed freely between languages. They have even been accepted into Chinese, a language usually resistant to loanwords, because their foreign origin was hidden by their written form. Often different compounds for the same concept were in circulation for some time before a winner emerged, and sometimes the final choice differed between countries. The proportion of vocabulary of Chinese origin thus tends to be greater in technical, abstract, or formal language. For example, in Japan, Sino-Japanese words account for about 35% of the words in entertainment magazines, over half the words in newspapers, and 60% of the words in science magazines.
Vietnam, Korea, and Japan each developed writing systems for their own languages, initially based on Chinese characters, but later replaced with the Hangul alphabet for Korean and supplemented with kana syllabaries for Japanese, while Vietnamese continued to be written with the complex Chữ nôm script. However, these were limited to popular literature until the late 19th century. Today Japanese is written with a composite script using both Chinese characters and kana. Korean is written exclusively with Hangul in North Korea, and supplementary Chinese characters are increasingly rarely used in South Korea. Vietnamese is written with a Latin-based alphabet.
Examples of loan words in English include "tea", from Hokkien , "dim sum", from Cantonese dim2 sam1 and "kumquat", from Cantonese gam1gwat1.

Varieties

estimated that there are hundreds of mutually unintelligible varieties of Chinese. These varieties form a dialect continuum, in which differences in speech generally become more pronounced as distances increase, though the rate of change varies immensely. Generally, mountainous South China exhibits more linguistic diversity than the North China Plain. In parts of South China, a major city's dialect may only be marginally intelligible to close neighbors. For instance, Wuzhou is about upstream from Guangzhou, but the Yue variety spoken there is more like that of Guangzhou than is that of Taishan, southwest of Guangzhou and separated from it by several rivers. In parts of Fujian the speech of neighboring counties or even villages may be mutually unintelligible.
Until the late 20th century, Chinese emigrants to Southeast Asia and North America came from southeast coastal areas, where Min, Hakka, and Yue dialects are spoken.
The vast majority of Chinese immigrants to North America spoke the Taishan dialect, from a small coastal area southwest of Guangzhou.

Grouping

Local varieties of Chinese are conventionally classified into seven dialect groups, largely on the basis of the different evolution of Middle Chinese voiced initials:
The classification of Li Rong, which is used in the Language Atlas of China, distinguishes three further groups:
Some varieties remain unclassified, including Danzhou dialect, Waxianghua and Shaozhou Tuhua.

Standard Chinese

, often called Mandarin, is the official standard language of China and Taiwan, and one of the four official languages of Singapore. Standard Chinese is based on the Beijing dialect, the dialect of Mandarin as spoken in Beijing. The governments of both China and Taiwan intend for speakers of all Chinese speech varieties to use it as a common language of communication. Therefore, it is used in government agencies, in the media, and as a language of instruction in schools.
In mainland China and Taiwan, diglossia has been a common feature. For example, in addition to Standard Chinese, a resident of Shanghai might speak Shanghainese; and, if he or she grew up elsewhere, then he or she is also likely to be fluent in the particular dialect of that local area. A native of Guangzhou may speak both Cantonese and Standard Chinese. In addition to Mandarin, most Taiwanese also speak Minnan, Hakka, or an Austronesian language. A Taiwanese may commonly mix pronunciations, phrases, and words from Mandarin and other Taiwanese languages, and this mixture is considered normal in daily or informal speech.

Nomenclature

The official Chinese designation for the major branches of Chinese is fāngyán, whereas the more closely related varieties within these are called dìdiǎn fāngyán. Conventional English-language usage in Chinese linguistics is to use dialect for the speech of a particular place and dialect group for a regional grouping such as Mandarin or Wu. Because varieties from different groups are not mutually intelligible, some scholars prefer to describe Wu and others as separate languages. Jerry Norman called this practice misleading, pointing out that Wu, which itself contains many mutually unintelligible varieties, could not be properly called a single language under the same criterion, and that the same is true for each of the other groups.
Mutual intelligibility is considered by some linguists to be the main criterion for determining whether varieties are separate languages or dialects of a single language, although others do not regard it as decisive, particularly when cultural factors interfere as they do with Chinese. As explains, linguists often ignore mutual intelligibility when varieties share intelligibility with a central variety, as the issue requires some careful handling when mutual intelligibility is inconsistent with language identity. John DeFrancis argues that it is inappropriate to refer to Mandarin, Wu and so on as "dialects" because the mutual unintelligibility between them is too great. On the other hand, he also objects to considering them as separate languages, as it incorrectly implies a set of disruptive "religious, economic, political, and other differences" between speakers that exist, for example, between French Catholics and English Protestants in Canada, but not between speakers of Cantonese and Mandarin in China, owing to China's near-uninterrupted history of centralized government.
Because of the difficulties involved in determining the difference between language and dialect, other terms have been proposed. These include vernacular, lect, regionalect, topolect, and variety.
Most Chinese people consider the spoken varieties as one single language because speakers share a common culture and history, as well as a shared national identity and a common written form. To Chinese nationalists, the idea of Chinese as a language family may suggest that the Chinese identity is much more fragmented and disunified than their belief and as such is often looked upon as culturally and politically provocative.

Phonology

The phonological structure of each syllable consists of a nucleus that has a vowel, preceded by an onset, and followed by a coda consonant; a syllable also carries a tone. There are some instances where a vowel is not used as a nucleus. An example of this is in Cantonese, where the nasal sonorant consonants and can stand alone as their own syllable.
In Mandarin much more than in other spoken varieties, most syllables tend to be open syllables, meaning they have no coda, but syllables that do have codas are restricted to nasals,,, the retroflex approximant, and voiceless stops,,, or. Some varieties allow most of these codas, whereas others, such as Standard Chinese, are limited to only, and.
The number of sounds in the different spoken dialects varies, but in general there has been a tendency to a reduction in sounds from Middle Chinese. The Mandarin dialects in particular have experienced a dramatic decrease in sounds and so have far more multisyllabic words than most other spoken varieties. The total number of syllables in some varieties is therefore only about a thousand, including tonal variation, which is only about an eighth as many as English.

Tones

All varieties of spoken Chinese use tones to distinguish words. A few dialects of north China may have as few as three tones, while some dialects in south China have up to 6 or 12 tones, depending on how one counts. One exception from this is Shanghainese which has reduced the set of tones to a two-toned pitch accent system much like modern Japanese.
A very common example used to illustrate the use of tones in Chinese is the application of the four tones of Standard Chinese to the syllable ma. The tones are exemplified by the following five Chinese words:
CharactersPinyinPitch contourMeaning
, in contrast, has six tones in open syllables and three tones in syllables ending with stops:
CharactersJyutpingPitch contourMeaning
wiktionary:诗/wiktionary:詩si1high level, high falling"poem"
wiktionary:史si2high rising"history"
wiktionary:弒si3mid level"to assassinate"
wiktionary:时/wiktionary:時si4low falling"time"
wiktionary:市si5low rising"market"
wiktionary:是si6low level"yes"
wiktionary:色sik1high level "color"
wiktionary:锡/wiktionary:錫sik3mid level "tin"
wiktionary:食sik6low level "to eat"

Grammar

Chinese is often described as a "monosyllabic" language. However, this is only partially correct. It is largely accurate when describing Classical Chinese and Middle Chinese; in Classical Chinese, for example, perhaps 90% of words correspond to a single syllable and a single character. In the modern varieties, it is usually the case that a morpheme is a single syllable; In contrast, English has plenty of multi-syllable morphemes, both bound and free, such as "seven", "elephant", "para-" and "-able".
Some of the conservative southern varieties of modern Chinese have largely monosyllabic words, especially among the more basic vocabulary. In modern Mandarin, however, most nouns, adjectives and verbs are largely disyllabic. A significant cause of this is phonological attrition. Sound change over time has steadily reduced the number of possible syllables. In modern Mandarin, there are now only about 1,200 possible syllables, including tonal distinctions, compared with about 5,000 in Vietnamese and over 8,000 in English.
This phonological collapse has led to a corresponding increase in the number of homophones. As an example, the small Langenscheidt Pocket Chinese Dictionary lists six words that are commonly pronounced as shí : 十 "ten"; / "real, actual"; / "know, recognize"; 石 "stone"; / "time"; 食 "food, eat". These were all pronounced differently in Early Middle Chinese; in William H. Baxter's transcription they were dzyip, zyit, syik, dzyek, dzyi and zyik respectively. They are still pronounced differently in today's Cantonese; in Jyutping they are sap9, sat9, sik7, sek9, si4, sik9. In modern spoken Mandarin, however, tremendous ambiguity would result if all of these words could be used as-is; Yuen Ren Chao's modern poem Lion-Eating Poet in the Stone Den exploits this, consisting of 92 characters all pronounced shi. As such, most of these words have been replaced with a longer, less-ambiguous compound. Only the first one, 十 "ten", normally appears as such when spoken; the rest are normally replaced with, respectively, shíjì / ; rènshi / ; shítou / ; shíjiān / ; shíwù 食物. In each case, the homophone was disambiguated by adding another morpheme, typically either a synonym or a generic word of some sort, the purpose of which is simply to indicate which of the possible meanings of the other, homophonic syllable should be selected.
However, when one of the above words forms part of a compound, the disambiguating syllable is generally dropped and the resulting word is still disyllabic. For example, shí 石 alone, not shítou /, appears in compounds meaning "stone-", for example, shígāo 石膏 "plaster", shíhuī 石灰 "lime", shíkū 石窟 "grotto", shíyīng 石英 "quartz", shíyóu 石油 "petroleum".
Most modern varieties of Chinese have the tendency to form new words through disyllabic, trisyllabic and tetra-character compounds. In some cases, monosyllabic words have become disyllabic without compounding, as in kūlong 窟窿 from kǒng 孔; this is especially common in Jin.
Chinese morphology is strictly bound to a set number of syllables with a fairly rigid construction. Although many of these single-syllable morphemes can stand alone as individual words, they more often than not form multi-syllabic compounds, known as , which more closely resembles the traditional Western notion of a word. A Chinese can consist of more than one character-morpheme, usually two, but there can be three or more.
For example:
  • yún / – "cloud"
  • hànbǎobāo, hànbǎo /, / – "hamburger"
  • 我 – "I, me"
  • rén 人 – "people, human, mankind"
  • dìqiú 地球 – "The Earth"
  • shǎndiàn / – "lightning"
  • mèng / – "dream"
All varieties of modern Chinese are analytic languages, in that they depend on syntax rather than morphology—i.e., changes in form of a word—to indicate the word's function in a sentence. In other words, Chinese has very few grammatical inflections—it possesses no tenses, no voices, no numbers, and only a few articles.
They make heavy use of grammatical particles to indicate aspect and mood. In Mandarin Chinese, this involves the use of particles like le 了, hái /, yǐjīng /, and so on.
Chinese has a subject–verb–object word order, and like many other languages of East Asia, makes frequent use of the topic–comment construction to form sentences. Chinese also has an extensive system of classifiers and measure words, another trait shared with neighboring languages like Japanese and Korean. Other notable grammatical features common to all the spoken varieties of Chinese include the use of serial verb construction, pronoun dropping and the related subject dropping.
Although the grammars of the spoken varieties share many traits, they do possess differences.

Vocabulary

The entire Chinese character corpus since antiquity comprises well over 20,000 characters, of which only roughly 10,000 are now commonly in use. However Chinese characters should not be confused with Chinese words. Because most Chinese words are made up of two or more characters, there are many more Chinese words than characters. A more accurate equivalent for a Chinese character is the morpheme, as characters represent the smallest grammatical units with individual meanings in the Chinese language.
Estimates of the total number of Chinese words and lexicalized phrases vary greatly. The Hanyu Da Zidian, a compendium of Chinese characters, includes 54,678 head entries for characters, including bone oracle versions. The Zhonghua Zihai contains 85,568 head entries for character definitions, and is the largest reference work based purely on character and its literary variants. The CC-CEDICT project contains 97,404 contemporary entries including idioms, technology terms and names of political figures, businesses and products. The 2009 version of the Webster's Digital Chinese Dictionary, based on CC-CEDICT, contains over 84,000 entries.
The most comprehensive pure linguistic Chinese-language dictionary, the 12-volume Hanyu Da Cidian, records more than 23,000 head Chinese characters and gives over 370,000 definitions. The 1999 revised Cihai, a multi-volume encyclopedic dictionary reference work, gives 122,836 vocabulary entry definitions under 19,485 Chinese characters, including proper names, phrases and common zoological, geographical, sociological, scientific and technical terms.
The 7th edition of Xiandai Hanyu Cidian, an authoritative one-volume dictionary on modern standard Chinese language as used in mainland China, has 13,000 head characters and defines 70,000 words.

Loanwords

Like any other language, Chinese has absorbed a sizable number of loanwords from other cultures. Most Chinese words are formed out of native Chinese morphemes, including words describing imported objects and ideas. However, direct phonetic borrowing of foreign words has gone on since ancient times.
Some early Indo-European loanwords in Chinese have been proposed, notably "honey", / shī "lion," and perhaps also / "horse", / zhū "pig", 犬 quǎn "dog", and / é "goose".
Ancient words borrowed from along the Silk Road since Old Chinese include 葡萄 pútáo "grape", 石榴 shíliu/shíliú "pomegranate" and / shīzi "lion". Some words were borrowed from Buddhist scriptures, including 佛 "Buddha" and / Púsà "bodhisattva." Other words came from nomadic peoples to the north, such as 胡同 hútòng "hutong". Words borrowed from the peoples along the Silk Road, such as 葡萄 "grape," generally have Persian etymologies. Buddhist terminology is generally derived from Sanskrit or Pāli, the liturgical languages of North India. Words borrowed from the nomadic tribes of the Gobi, Mongolian or northeast regions generally have Altaic etymologies, such as 琵琶 pípá, the Chinese lute, or 酪 lào/luò "cheese" or "yoghurt", but from exactly which source is not always clear.

Modern borrowings

Modern neologisms are primarily translated into Chinese in one of three ways: free translation, phonetic translation, or a combination of the two. Today, it is much more common to use existing Chinese morphemes to coin new words in order to represent imported concepts, such as technical expressions and international scientific vocabulary. Any Latin or Greek etymologies are dropped and converted into the corresponding Chinese characters, making them more comprehensible for Chinese but introducing more difficulties in understanding foreign texts. For example, the word telephone was loaned phonetically as / during the 1920s and widely used in Shanghai, but later / diànhuà, built out of native Chinese morphemes, became prevalent. Other examples include / diànshì for television, / diànnǎo for computer; / shǒujī for mobile phone, / lányá for Bluetooth, and / wǎngzhì for blog in Hong Kong and Macau Cantonese. Occasionally half-transliteration, half-translation compromises are accepted, such as / hànbǎobāo for "hamburger". Sometimes translations are designed so that they sound like the original while incorporating Chinese morphemes, such as / tuōlājī "tractor", or / Mǎlì'ào for the video game character Mario. This is often done for commercial purposes, for example / bēnténg for Pentium and / Sàibǎiwèi for Subway restaurants.
Foreign words, mainly proper nouns, continue to enter the Chinese language by transcription according to their pronunciations. This is done by employing Chinese characters with similar pronunciations. For example, "Israel" becomes 以色列 Yǐsèliè, "Paris" becomes 巴黎 Bālí. A rather small number of direct transliterations have survived as common words, including / shāfā "sofa", / mǎdá "motor", 幽默 yōumò "humor", / luóji/luójí "logic", / shímáo "smart, fashionable", and 歇斯底里 xiēsīdǐlǐ "hysterics". The bulk of these words were originally coined in the Shanghai dialect during the early 20th century and were later loaned into Mandarin, hence their pronunciations in Mandarin may be quite off from the English. For example, / "sofa" and / "motor" in Shanghainese sound more like their English counterparts. Cantonese differs from Mandarin with some transliterations, such as 梳化 so1 faa3*2 "sofa" and 摩打 mo1 daa2 "motor".
Western foreign words representing Western concepts have influenced Chinese since the 20th century through transcription. From French came 芭蕾 bālěi "ballet" and / xiāngbīn, "champagne"; from Italian, 咖啡 kāfēi "caffè". English influence is particularly pronounced. From early 20th century Shanghainese, many English words are borrowed, such as / gāoěrfū "golf" and the above-mentioned / shāfā "sofa". Later, the United States soft influences gave rise to 迪斯科 dísikē/dísīkē "disco", / kělè "cola", and 迷你 mínǐ "mini ". Contemporary colloquial Cantonese has distinct loanwords from English, such as 卡通 kaa1 tung1 "cartoon", 基佬 gei1 lou2 "gay people", 的士 dik1 si6*2 "taxi", and 巴士 baa1 si6*2 "bus". With the rising popularity of the Internet, there is a current vogue in China for coining English transliterations, for example, / fěnsī "fans", 黑客 hēikè "hacker", and 博客 bókè "blog". In Taiwan, some of these transliterations are different, such as 駭客 hàikè for "hacker" and 部落格 bùluògé for "blog".
Another result of the English influence on Chinese is the appearance in Modern Chinese texts of so-called / zìmǔcí spelled with letters from the English alphabet. This has appeared in magazines, newspapers, on web sites, and on TV: / "3rd generation cell phones", IT界 "IT circles", HSK, GB, /, e家庭 "e-home", / "wireless era", TV族 "TV watchers", / "post-PC era", and so on.
Since the 20th century, another source of words has been Japanese using existing kanji. Japanese re-molded European concepts and inventions into wasei-kango, and many of these words have been re-loaned into modern Chinese. Other terms were coined by the Japanese by giving new senses to existing Chinese terms or by referring to expressions used in classical Chinese literature. For example, jīngjì, which in the original Chinese meant "the workings of the state", was narrowed to "economy" in Japanese; this narrowed definition was then re-imported into Chinese. As a result, these terms are virtually indistinguishable from native Chinese words: indeed, there is some dispute over some of these terms as to whether the Japanese or Chinese coined them first. As a result of this loaning, Chinese, Korean, Japanese, and Vietnamese share a corpus of linguistic terms describing modern terminology, paralleling the similar corpus of terms built from Greco-Latin and shared among European languages.

Writing system

The Chinese orthography centers on Chinese characters, which are written within imaginary square blocks, traditionally arranged in vertical columns, read from top to bottom down a column, and right to left across columns, despite alternative arrangement with rows of characters from left to right within a row and from top to bottom across rows having become more popular since the 20th century. Chinese characters denote morphemes independent of phonetic variation in different languages. Thus the character is uttered yī in Standard Chinese, yat1 in Cantonese and it in Hokkien.
Most written Chinese documents in the modern time, especially the more formal ones, are created using the grammar and syntax of the Standard Mandarin Chinese variants, regardless of dialectical background of the author or targeted audience. This replaced the old writing language standard of Literary Chinese before 20th century. However, vocabularies from different Chinese-speaking area have diverged, and the divergence can be observed in written Chinese.
Meanwhile, colloquial forms of various Chinese language variants have also been written down by their users, especially in less formal settings. The most prominent example of this is the written colloquial form of Cantonese, which has become quite popular in tabloids, instant messaging applications, and on the internet amongst Hong-Kongers and Cantonese-speakers elsewhere.
Because some Chinese variants have diverged and developed a number of unique morphemes that are not found in Standard Mandarin, unique characters rarely used in Standard Chinese have also been created or inherited from archaic literary standard to represent these unique morphemes. For example, characters like 冇 and 係 for Cantonese and Hakka, are actively used in both languages while being considered archaic or unused in standard written Chinese.
The Chinese had no uniform phonetic transcription system for most of its speakers until the mid-20th century, although enunciation patterns were recorded in early rime books and dictionaries. Early Indian translators, working in Sanskrit and Pali, were the first to attempt to describe the sounds and enunciation patterns of Chinese in a foreign language. After the 15th century, the efforts of Jesuits and Western court missionaries resulted in some Latin character transcription/writing systems, based on various variants of Chinese languages. Some of these latin character based systems are still being used to write various Chinese variants in the modern era.
In Hunan, women in certain areas write their local Chinese language variant in Nü Shu, a syllabary derived from Chinese characters. The Dungan language, considered by many a dialect of Mandarin, is nowadays written in Cyrillic, and was previously written in the Arabic script. The Dungan people are primarily Muslim and live mainly in Kazakhstan, Kyrgyzstan, and Russia; some of the related Hui people also speak the language and live mainly in China.

Chinese characters

Each Chinese character represents a monosyllabic Chinese word or morpheme. In 100 CE, the famed Han dynasty scholar Xu Shen classified characters into six categories, namely pictographs, simple ideographs, compound ideographs, phonetic loans, phonetic compounds and derivative characters. Of these, only 4% were categorized as pictographs, including many of the simplest characters, such as rén 人, 日, shān 山, shuǐ 水. Between 80% and 90% were classified as phonetic compounds such as chōng 沖, combining a phonetic component zhōng 中 with a semantic radical 氵. Almost all characters created since have been made using this format. The 18th-century Kangxi Dictionary recognized 214 radicals.
Modern characters are styled after the regular script. Various other written styles are also used in Chinese calligraphy, including seal script, cursive script and clerical script. Calligraphy artists can write in traditional and simplified characters, but they tend to use traditional characters for traditional art.
There are currently two systems for Chinese characters. The traditional system, used in Hong Kong, Taiwan, Macau and Chinese speaking communities outside mainland China, takes its form from standardized character forms dating back to the late Han dynasty. The Simplified Chinese character system, introduced by the People's Republic of China in 1954 to promote mass literacy, simplifies most complex traditional glyphs to fewer strokes, many to common cursive shorthand variants. Singapore, which has a large Chinese community, was the second nation to officially adopt simplified characters, although it has also become the de facto standard for younger ethnic Chinese in Malaysia.
The Internet provides the platform to practice reading these alternative systems, be it traditional or simplified. Most Chinese users in the modern era are capable of, although not necessarily comfortable with, reading the alternative system, through experience and guesswork.
A well-educated Chinese reader today recognizes approximately 4,000 to 6,000 characters; approximately 3,000 characters are required to read a Mainland newspaper. The PRC government defines literacy amongst workers as a knowledge of 2,000 characters, though this would be only functional literacy. School-children typically learn around 2,000 characters whereas scholars may memorize up to 10,000. A large unabridged dictionary, like the Kangxi Dictionary, contains over 40,000 characters, including obscure, variant, rare, and archaic characters; fewer than a quarter of these characters are now commonly used.

Romanization

is the process of transcribing a language into the Latin script. There are many systems of romanization for the Chinese varieties, due to the lack of a native phonetic transcription until modern times. Chinese is first known to have been written in Latin characters by Western Christian missionaries in the 16th century.
Today the most common romanization standard for Standard Chinese is Hanyu Pinyin, often known simply as pinyin, introduced in 1956 by the People's Republic of China, and later adopted by Singapore and Taiwan. Pinyin is almost universally employed now for teaching standard spoken Chinese in schools and universities across America, Australia and Europe. Chinese parents also use Pinyin to teach their children the sounds and tones of new words. In school books that teach Chinese, the Pinyin romanization is often shown below a picture of the thing the word represents, with the Chinese character alongside.
The second-most common romanization system, the Wade–Giles, was invented by Thomas Wade in 1859 and modified by Herbert Giles in 1892. As this system approximates the phonology of Mandarin Chinese into English consonants and vowels, i.e. it is an Anglicization, it may be particularly helpful for beginner Chinese speakers of an English-speaking background. Wade–Giles was found in academic use in the United States, particularly before the 1980s, and until 2009 was widely used in Taiwan.
When used within European texts, the tone transcriptions in both pinyin and Wade–Giles are often left out for simplicity; Wade–Giles' extensive use of apostrophes is also usually omitted. Thus, most Western readers will be much more familiar with Beijing than they will be with Běijīng, and with Taipei than T'ai²-pei³. This simplification presents syllables as homophones which really are none, and therefore exaggerates the number of homophones almost by a factor of four.
Here are a few examples of Hanyu Pinyin and Wade–Giles, for comparison:
CharactersWade–GilesHanyu PinyinMeaning/Notes

Other systems of romanization for Chinese include Gwoyeu Romatzyh, the French EFEO, the Yale system, as well as separate systems for Cantonese, Min Nan, Hakka, and other Chinese varieties.

Other phonetic transcriptions

Chinese varieties have been phonetically transcribed into many other writing systems over the centuries. The 'Phags-pa script, for example, has been very helpful in reconstructing the pronunciations of premodern forms of Chinese.
Zhuyin, a semi-syllabary is still widely used in Taiwan's elementary schools to aid standard pronunciation. Although zhuyin characters are reminiscent of katakana script, there is no source to substantiate the claim that Katakana was the basis for the zhuyin system. A comparison table of zhuyin to pinyin exists in the zhuyin article. Syllables based on pinyin and zhuyin can also be compared by looking at the following articles:
There are also at least two systems of cyrillization for Chinese. The most widespread is the Palladius system.

As a foreign language

With the growing importance and influence of China's economy globally, Mandarin instruction is gaining popularity in schools in the United States, and has become an increasingly popular subject of study amongst the young in the Western world, as in the UK.
In 1991 there were 2,000 foreign learners taking China's official Chinese Proficiency Test, while in 2005, the number of candidates had risen sharply to 117,660.

Citations

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