Veera (1994 film)
Veera is a 1994 Indian Tamil-language romantic comedy film directed by Suresh Krissna and written by Panchu Arunachalam. It is a remake of the Telugu film Allari Mogudu and stars Rajinikanth, Meena and Roja with Janagaraj, Senthil, Vadivukkarasi, J. Livingston, Mahesh Anand, Vinu Chakravarthy, Ajay Rathnam, and Charuhasan in supporting roles. The film is about a man who marries twice because of circumstances beyond his control and is forced to live a double life to cover his tracks.
Krissna initially refused to remake Allari Mogudu because he disliked it but agreed after Rajinikanth told him their next film after Annaamalai should be different to avoid comparisons. The screenplay of Veera was written to be substantially different from the original; it was tailored to Rajinikanth's style and had logic added to the scenario. Arunachalam, who made script changes, received sole screenwriting credit. The film was produced by Arunachalam's wife Meena, photographed by P. S. Prakash and edited by Ganesh–Kumar.
Veera was released on 14 April 1994 during the Puthandu holiday. The film received mixed reviews from critics and audiences were disappointed because they expected a film like Annaamalai. Ticket sales improved within a few weeks of its release and Veera became a commercial success, running for over 100 days in theatres.
Plot
Muthuveerappan, an idler from Karamadai, falls in love with Devayani, the daughter of Carnatic musician Krishnamurthy Shastri. To lure her, Muthu pretends to learn music from Shastri. One day, Devi overhears Muthu discussing his plans to seduce her with his friends and confronts him. Chastened, Muthu concentrates on his music and later wins over Devi. They marry in secret but before they can make this official, Rathnavelu, son of the village landlord, tries to rape Devi. Muthu saves her by subduing Rathnavelu. Enraged, the landlord insults Muthu's mother, reminds her about a loan owed to him by Muthu's late father and threatens to evict her if the loan is not paid within a week. Muthu goes to Madras to earn money.In Madras, Muthu tries to enter a music competition to win the prize money. He meets tabla player Ravikanth, who gives him the stage name Veera. Both make repeated attempts to enter the competition but are unsuccessful. Muthu saves the competition promoter's owner Viswanathan's daughter Roopa from Harichandran, a gangster. With Roopa's help, Muthu is able to perform at the competition with Ravikanth, and wins the prize money. Muthu returns to Karamadai and repays the loan, clearing his mother's debt. He learns Devi's house had been destroyed by a flood; the bodies of Devi and her father were not found. With Devi presumed dead, Muthu's mother tells him to return to Madras so that he can start afresh.
After Muthu and his mother arrive in Madras, he gets a full-time job in the music industry as Veera. Roopa, having fallen in love with Muthu, wants to marry him. Muthu initially refuses because he misses Devi but his mother persuades him to marry her. After her marriage, Roopa goes to the United States after her father suffers a heart attack and has surgery there. One day, at his recording studio, Muthu finds Devi alive and well. She survived the flood but was left with amnesia; her memory was restored when she heard Muthu singing on the radio so she went to Madras in search for him. Muthu decides not to tell Devi about his marriage to Roopa.
After Roopa and Viswanathan return, Muthu tries to tell Roopa about Devi but decides not to after she tells him about how her friend, at Roopa's suggestion, murdered her lover for infidelity. Devi and Muthu go to a temple to formally marry on Devi's demands, and Ravikanth is tasked with preventing Roopa from going there but fails. Roopa arrives at the temple; Ravikanth helps Muthu to hide his marriage to Devi from Roopa and vice versa. When Roopa sees her husband leaving with Devi, Ravikanth lies that Muthu and Veera are different men. As a result, Muthu is forced to live a double life as Devi's husband Muthu and as Roopa's husband Veera.
Muthu uses an altered photograph showing two of him, giving credence to his double life. Harichandran learns about this fraud, commits a murder and frames Muthu as Veera's killer. After Muthu reveals the truth about his double life to his wives, they fight over him and refuse to share him. The wives are kidnapped by Harichandran's men. Muthu subdues Harichandran, who is arrested. Muthu's wives reconcile with him but not with each other. Muthu's mother persuades him to leave Madras and return to Karamadai. When he, his mother and Ravikanth enter Muthu's house, they find Devi, Roopa and Viswanathan already there. Devi and Roopa take a bag each from Muthu then flounce off in opposite directions.
Cast
- Rajinikanth as Muthuveerappan
- Meena as Devayani
- Roja as Roopa
- Janagaraj as Viswanathan
- Senthil as Ravikanth
- Vadivukkarasi as Muthuveerappan's mother
- J. Livingston as Chandran
- Mahesh Anand as Harichandran
- Vinu Chakravarthy as the village landlord
- Ajay Rathnam as Rathnavelu
- Charuhasan as Krishnamurthy Shastri
Production
Development
After Rajinikanth saw the Telugu film Allari Mogudu with director Suresh Krissna and producer-screenwriter Panchu Arunachalam, he expressed his desire to remake it in Tamil as their next collaboration. Krissna objected to this idea as he did not like the film and found it unsuitable for him. Rajinikanth said he wanted to make a "two-wife" comedy, but Krissna noticed Allari Mogudu lacks the values associated with typical Rajinikanth films and felt fans would not accept his character being bigamous. Rajinikanth said changes could be made to suit the local milieu. Krissna wanted to begin work on Baashha but Rajinikanth said if their next film was similar to their action film Annaamalai, "we will get caught. Bring the hopes down, bring the level down and then take it up again." Krissna agreed but avoided making a shot-for-shot remake of Allari Mogudu.Rajinikanth and Krissna went to the Taj Banjara hotel in Hyderabad to discuss the plot. They prepared a fresh outline in ten days; Krissna tailored the story to Rajinikanth's style and added logic to the scenario. He submitted the final draft to Arunachalam, who liked it and suggested plot changes. According to Krissna, the remake has more "emotional profundity" than the Telugu original, and it was established that the protagonist Muthuveerappan is a pious person who married twice due to circumstances beyond his control. He differentiated Muthu from the original's protagonist, saying although circumstances drive him to another woman, Muthu's feelings for his first wife Devi are sincere, he has not forgotten her, and is forced by his mother into marrying Roopa.
The symbolism in a scene in which Muthu removes a thread tied by Devi from his wrist to suggest their bond has ended was Arunachalam's idea. Whereas in Allari Mogudu the second wife's desire for the protagonist is sexual, that aspect in Veera was made secondary. According to Krissna, "we polished the screenplay over and over again till it gathered sheen. Eventually, but for the basic plot, Veera emerged as a near-new product." Veera was produced by Arunachalam's wife Meena under their banner P. A. Art Productions. Arunachalam received sole credit for the screenplay while P. Satyanand, the writer of Allari Mogudu, received credit for the original story. Cinematography was handled by P. S. Prakash, editing by the duo Ganesh–Kumar, and art direction was done by Magie. The action choreography was handled by Raju and dance sequences were choreographed by Raghuram. Meena was chosen to play Devi, reprising her role from Allari Mogudu, while Roja was cast as Roopa, reprising the role originally played by Ramya Krishnan. Bollywood actor Mahesh Anand portrayed the antagonist Harichandran in his first Tamil film.
Filming
Veera was formally launched with a puja at the Lord Ganapathi temple within AVM Studios, although principal photography began at Rajahmundry. A four-day filming schedule with 40 background dancers was planned for the song "Maadethile Kanni" at Talakona. After the first day's filming, Krissna was unhappy because the location did not provide him with the expected quality. The crew returned to Madras and filmed the song at Raghavendra Kalyana Mandapam and at a house at AVM Studios. The song "Konji Konji" was filmed at Narada Gana Sabha, Madras. Because the song that depicts Muthu performing on stage "didn't lend itself to anything vibrant", Krissna intercut it with scenes in which Roopa visualises Muthu in various outfits and begins to find him attractive. According to Krissna, this was a chance to show Muthu in a variety of costumes because he is only shown wearing a simple white shirt and black trousers until the song begins, and would not change his clothing and appearance until much later in the film. Krissna decided to "let the audience get a glimpse of how would look later on in the film" through this song.The song "Malai Kovil Vaasalil" was filmed at the MRF Racing Track in Thiruperumbudur. As it depicts Devi having formed Muthu's name by arranging thousands of lamps, 20,000 lamps were made to glow simultaneously. Krissna decided to use chimney lamps that stopped the wind from extinguishing the lights. The song had to be filmed from above to emphasise the glowing lamps while Devi "should appear as a mere spot in the middle of gigantic lamps", so Prakash went to a tower that stood about away from the actual spot so the camera could zoom in and out for best results. Krissna described it as "one of the most strenuous and painstakingly shot sequences" in his career. Rajinikanth and Anand did not rehearse the fight sequence in which Muthu and Harichandran jump towards each other then fall to the ground with their hands interlocked; they watched the stuntmen perform and followed their instructions. Rajinkanth performed all of his stunts without using a stunt double.
Magie's assistant Mani designed the film's large, multicoloured kolam that was ; a rope was attached to a pulley, one side of which was attached to Mani's waist. He was made to hang horizontally from it, with his face and hands turned towards the floor; completing the task took him two days and two nights. A scene in which Muthu and Ravikanth attempt to fool Roopa at a temple was filmed at Hyderabad's Birla Mandir, which does not generally permit filming. Most of Rajinikanth's acting was improvised on set. For the scene in which Muthu trips on his dhoti while changing into formal clothing, there were no retakes. While filming a scene in which Ravikanth talks to Chandran while Muthu silently witnesses, Rajinikanth could not control his laughter at Senthil's dialogue delivery and covered his mouth with a towel. In the post-production phase, Meena's voice was dubbed by K. R. Anuradha and the introductory "Super Star" graphic title card from Annaamalai was re-used. The length of the final film is.
Themes
Writer S. Rajanayagam compared Veera to another Rajinikanth film Panakkaran because both of them stress that "true wealth consists of good parents, wife, children and friends". Though the film is a remake of Allari Mogudu, many writers have compared Veera with Rettai Vaal Kuruvi and Micki & Maude, both of which also have bigamy as their themes. According to writer Archanaa Sekar, in Tamil films women married to the same man show "an unusual display of sisterhood" and "female solidarity", citing Veera as an example because the two female leads are initially friends, and once a conflict arises amongst them, "the friendship helps smooth things over, and the film ends with the two choosing to co-exist with the man".Soundtrack
The soundtrack of Veera was composed by Ilaiyaraaja, who also wrote lyrics along with Panchu Arunachalam and Vaali. The soundtrack album was released on the label Pyramid Music. During the filming schedule at Rajahmundry, Ilaiyaraaja had composed a duet and sent it to Krissna, who liked the song but felt it did not suit the situation. Rajinikanth and other crew members expressed similar views. On returning to Madras, Krissna told Ilaiyaraaja the duet's tune did not suit the situation; Ilaiyaraaja was angry with Krissna but a few hours later, he replaced the duet with other tunes.Many of the songs are set in Carnatic ragas such as "Konji Konji" in Dharmavati, "Malai Kovil Vaasalil" in Asaveri, "Pattu Poo Poo" in Chalanata, and "Thirumagal" in Lalitha. "Maadethile Kanni" is set in the Hindustani raga, Brindabani Sarang. Two versions of "Konji Konji" were recorded; one was sung by S. P. Balasubrahmanyam and the other by K. S. Chithra.