Tiberian Hebrew


Tiberian Hebrew is the canonical pronunciation of the Hebrew Bible or Tanakh committed to writing by Masoretic scholars living in the Jewish community of Tiberias in ancient Galilee under the Abbasid Caliphate. They wrote in the form of Tiberian vocalization, which employed diacritics added to the Hebrew letters: vowel signs and consonant diacritics and the so-called accents. These together with the marginal notes masora magna and masora parva make up the Tiberian apparatus.
Though the written vowels and accents came into use in around 750 CE, the oral tradition that they reflect is many centuries older, with ancient roots.

Phonology

Consonants

Tiberian Hebrew has 29 consonantal phonemes, represented by 22 letters. The sin dot distinguishes between the two values of, with a dot on the left being pronounced the same as the letter Samekh. The letters had two values each: plosive and fricative.
The following are the most salient characteristics of the Tiberian Hebrew consonantal pronunciation:
  1. marginal
The vowel qualities have phonemic status: אָשָׁם הוּא אָשֹׁם אָשַׁם and אָשֵׁם 'guilty', אִם 'when' and אֵם 'mother'. has phonemic value in final stressed position רְעֶה רְעִי רָעָה, מִקְנֶה מְקַנֵּה, קָנֶה קָנָה קָנֹה, but in other positions, it may reflect loss of the opposition :. By the Tiberian period, all short vowels in stressed syllables had lengthened, making vowel length allophonic. Vowels in open or stressed syllables had allophonic length.
The Tiberian tradition possesses three reduced vowels of which has questionable phonemicity., under a non-guttural letter, was pronounced as an ultrashort copy of the following vowel before a guttural and as preceding,. However, it was always pronounced as under gutturals: חֲיִי.

Stress

Tiberian Hebrew has phonemic stress. Stress is most commonly ultimate, less commonly penultimate, and rarely antipenultimate stress: הָאֹ֫הֱלָה 'into the tent'.

Phonotactics

As described above, vowel length is dependent on syllable structure. Open syllables must take long or ultrashort vowels; stressed closed syllables take long vowels; unstressed closed syllables take short vowels. Traditional Hebrew philology considers ultrashort vowels not to be syllable nuclei.

Orthography

letter
transliterationʾb/vg/ghd/dhhwzyk/khlmnsʿp/fqrš, śt/th
pronunciation



pronunciation






pronunciation








niqqud with ב









namepathaḥ maleseghol maleṣere maleḥireq maleqamaṣ maleḥolam maleshuruq male
pronunciation

niqqud with א
nameshwaḥaṭaf pathaḥḥaṭaf segholḥaṭaf qamaṣ
pronunciation

niqqud
namedagheshrafemapiqshin dotsin dot
pronunciationGemination of a consonant, or the stop pronunciation of the בגדכפ״ת consonantsFricative pronunciation of the בגדכפ״ת consonants , being the last letter of a word

The simple sheva sign changes its pronunciation depending on its position in the word and its proximity to certain consonants.
In these examples, it has been preferred to show one in the Bible and represents each phenomenon in a graphic manner, but the rules still apply when there is only a simple sheva.
When the simple sheva appears in any of the following positions, it is regarded as mobile :
The gutturals, and yodh, affect the pronunciation of the sheva preceding them. The allophones of the phoneme follow these two rules:
It must be said that even though there are no special signs apart to denote the full range of furtive vowels, the remaining four are represented by simple sheva.
All other cases should be treated as zero vowel, including the double final sheva, and the sheva in the words שְׁתַּיִם and שְׁנַיִם, read by the Tiberian Masoretes as אֶשְׁתַּיִם and אֶשְׁנַיִם respectively. This last case has similarities with phenomena occurring in the Samaritan pronunciation and the Phoenician language.
Depending on the school of pronunciation, the metheg sign served to change some closed syllables into open ones, and therefore, changing the vowel from short to long, and the quiescent sheva, into a mobile one.
That is referenced specifically by medieval grammarians:
The names of the vowel diacritics are iconic and show some variation: