This Means War (film)


This Means War is a 2012 American action spy film directed by McG, produced by Will Smith and starring Reese Witherspoon, Chris Pine, and Tom Hardy. The plot concerns two CIA agents who are best friends and discover that they are dating the same woman.

Plot

CIA agents and best friends Franklin "FDR" Foster and Tuck Hansen are deployed to Hong Kong to prevent international criminal Karl Heinrich from acquiring a weapon of mass destruction, but the mission goes awry, resulting in the death of Heinrich's brother, Jonas. Heinrich swears vengeance against them. Upon returning to America, their boss, Collins assigns them to desk duty for their protection.
FDR is a womanizer, whose cover is a cruise ship captain, while Tuck, who presents himself as a travel agent, has an ex-wife, Katie and a young son, Joe, who believes his dad knows nothing of fighting. Tuck goes to Joe's karate lesson, where Joe loses his match and feels dejected. Tuck tries to give Joe advice but Joe rolls his eyes and asks how he would know since he is just a travel agent. Tuck walks Joe to the car, where he attempts to rekindle his connection to his family, but Katie makes excuses as to why they can't go out for supper together. After being rebuffed by Katie, Tuck sees a commercial for online dating. He decides to sign himself up and is paired with Lauren Scott, a product-testing executive who is dealing with the recent engagement of her ex-boyfriend. Her best friend, Trish enrolled her in the same online dating website. FDR insists on being Tuck's backup for the date and hides nearby, but Tuck and Lauren hit it off right away.
Shortly thereafter, FDR runs into Lauren at a video store and tries to flirt with her, not knowing she's Tuck's date. She surmises that he's a ladies' man and ignores him. Intrigued, FDR crashes into one of Lauren's test groups and coerces her to go on a date with him. FDR and Tuck soon discover that they are seeing the same woman and decide not to tell her that they know each other, not to interfere with each other's dates and not to have sex with her, letting her instead come to a decision between them. Tuck takes Lauren on a date to a circus where they swing on the trapeze and have a really great date.
The date with FDR does not go well at the start, with Lauren storming out of the club FDR takes her to. After arguing in the street, FDR walks away from Lauren but seconds later, Lauren sees her ex-boyfriend and his fiancée approaching. Desperate, Lauren grabs FDR and kisses him. She lies to her ex that she and FDR are together, as FDR plays along with the ruse. Her ex and his fiancée both seem jealous at the passion displayed, and later move along. FDR demands that Lauren explain what just happened and suggests they grab some dinner at a nearby pizza parlor, where they talk seriously and hit it off. Later, after dating both men a few times Lauren feels guilty about dating both at the same time, but is persuaded by Trish to make the best of the situation until sure which to choose. Lauren gives herself a week to make up her mind.
By this time both men have bugged Lauren's home and cell phone so they can spy on her when she is on dates with the other one, they overhear her tell Trish that she is going to need to have sex with them both to decide which one is the right one. This leads to both men taking steps to ensure she does not sleep with the other. After a few more dates, Lauren and Trish discuss the pros and cons of dating more than one guy, especially since Tuck has told Lauren he loves her. Trish tells Lauren "don't pick the better guy, pick the guy that'll make you a better girl". After a while, Lauren invites Tuck to lunch, while FDR discovers that Heinrich has arrived in town to exact his revenge. He interrupts Lauren's date to warn Tuck but Tuck doesn't believe him. They engage in an extended fight, after which Lauren discovers that they are in fact best friends and, feeling made a fool of, leaves with Trish. At that moment, the women are kidnapped by Heinrich and his men, who are pursued by FDR and Tuck.
FDR and Tuck rescue Lauren and Trish after a car chase, in which they reveal that they are not who they say they are. On Lauren's advice, they shoot out the headlights on Heinrich's SUV, deploying the airbags and sending the car rolling out of control towards them all. With Lauren standing directly in the path of the approaching SUV, FDR and Tuck, on opposite sides of the road, urge her to come to their side and she is saved as she ultimately chooses FDR's side, while Heinrich dies when his car rolls off the elevated freeway and crashes below. Lauren has decided to be with FDR and Tuck makes amends with him, as they declare their brotherly love for one another, and FDR says they're "family, and forever." Lauren and FDR kiss. The car chase is picked up by the news, and Katie and Joe see it. Joe tells his mom that his dad is not a travel agent. Later, Joe is at his karate lesson with Tuck when Katie comes to pick Joe up. Tuck and Katie reintroduce themselves to each other and she invites him out for supper as a family.
Shortly thereafter, FDR and Tuck go on a mission. They are about to parachute out of a Chinook helicopter when FDR reveals that he will be marrying Lauren, and asks Tuck to be his best man. He reveals that he had sex with Katie before she met Tuck, but no longer feels guilty about it because Tuck had sex with Lauren. Tuck, however, reveals that they did not go all the way and angrily tackles FDR out of the helicopter.

Cast

According to Entertainment Weekly, "the initial script dates back at least about a decade," with Bradley Cooper, Seth Rogen, and Sam Worthington reportedly turning down the lead role. Going back even further, Martin Lawrence and Chris Rock also declined the part. Screenwriter Larry Doyle claimed to have read the script in 1998, and that in the draft the protagonists were video game designers with access to guided missiles.
Principal photography took place in Vancouver from September 13 to December 1, 2010.

Release

This Means War was previously scheduled for wide release on February 14, but 20th Century Fox postponed its opening to February 17, 2012, in order "to avoid a head-on confrontation with" Screen Gems' The Vow, which had been "expected to dominate" the box office on Valentine's Day. Instead, it was sneak previewed that "Tuesday evening at between 2,000 and 2,500 locations nationwide." During its first weekend ending February 19, it opened at number 5 behind Safe House, The Vow, ', and ' with $17.4 million from 3,189 locations. The following weekend, it dropped to number 7 behind newcomers Act of Valor and Tyler Perry's Good Deeds with $8.4 million. After a 17-week theatrical run, it earned $54,760,791 domestically and $101,730,488 overseas for a worldwide total of $156,491,279.
The film was released to DVD and Blu-ray Disc on May 22, 2012 with a rating of PG-13.

Critical response

On Rotten Tomatoes the film has a score of 26% based on reviews from 180 critics, with an average score of 4.28/10 with the sites' consensus saying, "A career lowlight for all three of its likable stars, This Means War is loud, clumsily edited, and neither romantic nor funny." On Metacritic, the film has a weighted average score of 31 out of 100, based on 36 reviews, indicating "generally unfavorable reviews". Audiences surveyed by CinemaScore gave the film a grade A- on scale of A to F.
Peter Travers of Rolling Stone found this "action-spiked romcom death-sentenced by a lack of humor, heart and a coherent reason for being. I could say more, but do I really need to?" Roger Ebert of the Chicago Sun-Times considered the film "an incompetent stupid action comedy" that was "so bad it's nothing else but bad" and observed that Witherspoon lacked the "irresistible raw sex appeal" to be "convincing as the woman go to war over." Richard Roeper of ReelzChannel called the film "one of the worst movies of this or any other year" and mocked Handler, who looked old, "lost," and "haggard" while delivering "her lines in a kind of flat monotone."
Lou Lumenick of the New York Post ridiculed the film for being "spectacularly awful" and "riddled with continuity errors," suggesting that it "has a script whose sensible parts would fit on a napkin with enough room left over for the Gettysburg Address." Todd McCarthy of The Hollywood Reporter recommended "the whole picture" be "sent back for a reshoot" as it "manages to embarrass its three eminently attractive leading players in every scene" and disapproved of Handler's performance, noting that she "has no sense of creating a character." James Berardinelli of ReelViews dismissed the film as "a 98-minute music video without the music -- all splash and little heart," joking that "we keep hoping the sleazy bad guy will show up and shoot" the main characters.
Claudia Puig of USA Today opined that "silly action sequences grow tedious and rarely blend with the wannabe madcap comedy" and concluded that McG "can't seem to decide whether he's making a spy action flick with romance interspersed or a rom-com peppered with action." Mary Pols of Time criticized the film's "terrible sense of chemistry all the way around" and declared that "even the pairing of Witherspoon and Handler turns out to be a dud." Peter Debruge of Variety thought Tom Hardy and
Chris Pine "are too busy trying to out-appeal one another to make the buddy dynamic click" and wondered if "it's the pic's cartoonish tone that keeps them from doing much more than look pretty, trading on the stars' blue eyes and impossibly big lips in lieu of their proven acting ability."
Lisa Schwarzbaum of Entertainment Weekly "enjoyed everything that's all over the place about the finished product" and stated that while it "may have been hammered together by brute Hollywood force, there's this going for it: It's game to throw in anything that'll keep the motor running." Tom Long of The Detroit News characterized the film as "unpretentious goofiness" with "some nice light yuks" and believed "the whole sublimely stupid mess works." Betsy Sharkey of the Los Angeles Times warned that "if you can get past the gross invasion of privacy," there "is some bittersweet fun peppered by bursts of sharp patter," especially from Hardy and Pine, who electrified "the screen almost any time they're sharing it."

Accolades

YearAwardCategoryRecipientResult
2013Young Artist AwardBest Performance in a Feature Film - Supporting Young Actor Ten and UnderJohn Paul Ruttan