The Shadow (1994 film)


The Shadow is a 1994 American superhero film from Universal Pictures, produced by Martin Bregman, Willi Bear, and Michael Scott Bregman, directed by Russell Mulcahy, that stars Alec Baldwin. The film co-stars John Lone, Penelope Ann Miller, Ian McKellen, Jonathan Winters, Peter Boyle, and Tim Curry. It is based on the pulp fiction character of the same name created in 1931 by Walter B. Gibson.
The film was released to theaters on July 1, 1994 and received mixed reviews and was a commercial failure. Critics found the villain, screenplay, and storyline lacking, but praised the film's direction, acting, special effects, visual style, action sequences, and its music score by Jerry Goldsmith.

Plot

In Tibet, following the First World War, American Lamont Cranston, succumbing to his dark instincts, sets himself up as a warlord and opium kingpin under the alias of Yin-Ko. He is abducted by servants of the Tulku, a holy man who exhibits otherworldly powers and knows Cranston's identity. He offers Cranston a chance to redeem himself and become a force for good. Cranston refuses but is silenced by the Phurba, a mystical, sentient, flying, three-edged dagger. Ultimately, Cranston remains a student under the Tulku for seven years. In addition to undergoing rigorous physical training, he learns how to hypnotize others, read their minds, and bend their perceptions so that he cannot be seen, except for his shadow.
Returning to New York City, Cranston resumes his former life as a wealthy playboy, while secretly operating as the Shadow, a vigilante who terrorizes the city's underworld. He recruits some of the people he saves from criminals to act as his agents, providing him with information and specialist knowledge. Cranston's secret identity is endangered upon meeting Margo Lane, a socialite who is also telepathic.
Shiwan Khan, the Tulku's rogue protégé and a murderer whose powers apparently surpass Cranston's, wakes up inside the sarcophagus that once held his ancestor, the Mongol Empire founder Genghis Khan, retrieved from his unmarked burial site. He uses hypnosis to make a security guard shoot himself in the head after the guard refuses to join Khan's army. Khan plans to fulfill his ancestor's goal of world domination. He offers Cranston an alliance, but Cranston refuses. Cranston acquires a rare coin from Khan and learns that it is made of a metal called "bronzium" that theoretically can generate an atomic explosion. He also learns that Reinhardt, Margo's father, a scientist working on building an atomic device for the Department of War, has disappeared. Cranston deduces that Khan needs Reinhardt and his invention to complete an atomic bomb.
Shiwan Khan hypnotizes Margo and commands her to kill the Shadow. She goes to Cranston's home, but after trying to kill him, Cranston breaks Khan's hypnotic hold on her. Because she was ordered to kill the Shadow and instinctively went to Cranston's home, she now realizes that he is the Shadow. After Reinhardt's assistant Farley Claymore allies with Khan, Cranston prepares to rescue Margo's father but is thwarted by Khan's henchmen. The Shadow finally discovers Khan's location: The luxurious Hotel Monolith, a building in the middle of the city that Khan has rendered forgotten and invisible to everyone. Knowing Reinhardt has completed the bomb under hypnotic control, the Shadow enters the hotel for a final showdown with Khan.
The Shadow fights his way through the building and hypnotically influences Claymore to jump from a balcony to his death after Claymore attempts to kill him. Finding Khan, he is subdued by the Phurba. The Shadow realizes that only a peaceful mind can truly control the mystical dagger, and he finally seizes it. The Shadow launches it into Khan's torso, creating a lapse in Khan's hypnotic control that frees Reinhardt and restores the hotel's public visibility. The Shadow pursues Khan into the bowels of the building, while Margo and Reinhardt disarm the bomb. The Shadow defeats Khan by telekinetically hurling a broken shard of mirror glass into Khan's frontal lobe.
A confused Khan awakes in the padded cell of a mental hospital and discovers that his powers are gone. One of the doctors tells Khan that they were able to save his life by removing a part of his brain "that nobody uses", which in reality controlled Khan's psychic abilities. Soon after, Cranston and Margo begin a serious relationship and join forces to fight the criminal underworld.

Cast

Producer Martin Bregman bought the rights to The Shadow in 1982. Screenwriter David Koepp had listened to The Shadow radio show as a child when CBS radio re-ran it on Sunday nights. He was hired in 1990 to write a new draft and was able to find the right tone that the studio liked. Bregman remembers, "Some of them were light, some of them were darker, and others were supposedly funnier – which they weren't. It just didn’t work." Koepp's script relied predominantly on the pulp novels while taking the overall tone from the radio show with the actual plot originated by Koepp himself in consultation with Bregman.
In an attempt to differentiate The Shadow from other superhero films of the time, Koepp "focused on the copy line, 'Who knows what evil lurks in the hearts of men?' and wondered how knew what evil lurks in the hearts of men. And I decided that perhaps it was because he was uncomfortably familiar with the evil in his own heart." For Koepp, the film then became "a story of guilt and atonement". He picked Shiwan Khan as the film’s villain because "he was bold and he knew what he was doing – he wanted to conquer the world. That was very simple, maybe a little ambitious, but he knew exactly what he wanted." He had always been a fan of Alec Baldwin and wrote the script with him in mind: "He has the eyes and the voice; he had so much of what I pictured Cranston being." Koepp also sat in on rehearsals and incorporated a lot of the actor’s humor into the script.
The film was shot on the Universal backlot in Hollywood on five soundstages over sixty days with a five-day mini-unit tour of location shooting, and a week lost when an earthquake destroyed the Hall of Mirrors set. Mulcahy said, "There are a lot of FX in this film, but it's not a FX film. It's a character/story-driven film. The FX are part of the story."

Soundtrack

The film's original score was composed by Jerry Goldsmith. He used his signature music style for big orchestra, supported by a prominent percussion section, and musical effects with the help of instruments, especially synthesizers. Among the leitmotifs of his score are a romantically dark, yet lush heroic melodical main theme for the protagonist, which is accompanied by several secondary themes. For the antagonist, rather than a fully developed theme, Goldsmith used a musical effect in horns and synthesizers imitating a howling sound, a technique that would later echo in his scores for The Edge and The Ghost and the Darkness.
Camille Saint-Saëns's 1872 composition "Le Rouet d'Omphale", which introduced the radio show, is not used in the film's score.
For the album and end credits, Jim Steinman composed the pop-song "Original Sin" performed by Taylor Dayne, originally appearing on the album Original Sin by the group Pandora's Box. Diane Warren also composed a period-style big-band piece, "Some Kind of Mystery", performed by Sinoa during the film's night club scene.

Original album

The Arista Records label released a soundtrack album in 1994. The soundtrack featured selections from Goldsmith's score and the songs from the film, "Original Sin" in two different versions.

Track listing

  1. 'The Shadow Knows', 1994 - Alec Baldwin
  2. Original Sin - Taylor Dayne
  3. The Poppy Fields
  4. Some Kind of Mystery - Sinoa
  5. The Sanctum
  6. Who Are You?
  7. Chest Pains
  8. The Knife
  9. The Hotel
  10. The Tank
  11. Frontal Lobotomy
  12. Original Sin Film Mix - Taylor Dayne
  13. 'Who Knows What Evil Lurks in the Hearts of Men?' - Orson Welles

    Complete score release

In 2012, Intrada released a 2-CD package that features the world premiere of the entire soundtrack composed by Jerry Goldsmith and among other bonus tracks also the complete original album cut on the second disc.

Track listing

CD one
  1. The Poppy Fields
  2. The Clouded Mind
  3. I'll Be There
  4. No Shadow
  5. Secrets
  6. Don't Open It!
  7. Do You Believe?
  8. The Sanctum
  9. Who Are You?
  10. The Code
  11. The Call
  12. No Thought
  13. Chest Pains
  14. A Mission
  15. Nice Tie
  16. The Knife
  17. What I Know
  18. The Jumper
  19. The Tank
Total Time = 60:09
CD two
  1. The Dream
  2. Get Dr. Lane
  3. The Hotel
  4. Fight Like a Man
  5. The Mirrors
  6. The Mirrors
  7. Frontal Lobotomy
  8. Wild Drums
  9. Dinner Source
  10. Bart's Bounce
  11. 'The Shadow Knows', 1994 - Alec Baldwin
  12. Original Sin - Taylor Dane
  13. The Poppy Fields
  14. Some Kind of Mystery - Sinoa
  15. The Sanctum
  16. Who Are You?
  17. Chest Pains
  18. The Knife
  19. The Hotel
  20. The Tank
  21. Frontal Lobotomy
  22. Original Sin Film Mix - Taylor Dane
  23. 'Who Knows What Evil Lurks in the Hearts of Men?' - Orson Welles
Total Time = 74:56

Reception

Box office

The film was meant to be a summer blockbuster and the starting point for a new film franchise with toy, game, and clothing lines. The film suffered from competition for its target audience with, among others, The Lion King and The Mask, and it was ultimately a financial disappointment. The film started off strongly, debuting at No. 2, but failed to sustain any momentum, and grossed $32 million domestically, with a worldwide total of $48 million against a budget of $40 million. The planned franchise never materialized.

Critical response

On Rotten Tomatoes the film has an approval rating of 35% based on reviews from 48 critics. The website's consensus states: "Bringing a classic pulp character to the big screen, The Shadow features impressive visual effects, but the story ultimately fails to strike a memorable chord." Audiences surveyed by CinemaScore gave the film a grade "B" on scale of A to F.
Owen Gleiberman of Entertainment Weekly gave the film a grade "D". Gleiberman wrote: "The trouble with setting a special-effects fantasy in the low-tech ’20s is that unless the American-kitsch elements are injected with something approaching Steven Spielberg's speedy bravado, we become all too aware that the actors are simply standing around B-movie sets spouting cardboard dialogue." Michael Wilmington of the Chicago Tribune wrote: "The Shadow shows what can happen when you overdress pulp. You wind up with something gorgeous and suffocated, bejeweled trash floundering in its own oversplendid stuffings."
Roger Ebert of the Chicago Sun-Times gave the film 3 out of 4 stars, and wrote: "If you respond to film noir, if you like dark streets and women with scarlet lips and big fast cars with running boards, the look of this movie will work some kind of magic."
Entertainment Weekly placed the film on its "21 Worst Comic-Book Movies Ever" list.
The film has developed a cult following in subsequent years, a result of its video success on VHS, DVD, and Blu-ray, much like three other 1990s pulp/comic adaptations, Dick Tracy, The Rocketeer and The Phantom.

Year-end lists

Novelization

wrote the novelization which went deeper into the events of the film and included many nods to the Shadow radio show and the original pulp magazines, most significantly alluding to the fact that The Shadow's true identity was Kent Allard and that 'Lamont Cranston' was just another identity he assumed when needed.

Video game

A video game version of The Shadow for the Super NES was developed to tie in with the 1994 film, but was never released despite being completed due to the film's disappointing gross. ROM files of the game were later leaked onto the internet.

Pinball game

released a Shadow-themed pinball machine in 1994. Brian Eddy of Attack From Mars and Medieval Madness fame designed the game. It was his first pinball game design, and it was moderately successful. Dan Forden composed original music for the game.