Russell Mulcahy
Russell Mulcahy is an Australian film director. Mulcahy's work is recognisable by the use of fast cuts, tracking shots and use of glowing lights, neo-noir lighting, windblown drapery, and fans. He was one of the most prominent music video directors of the 1980s and he has also worked in television since the early 1990s.
Early Life and Career
Mulcahy was born in Melbourne. When he was 14 he received an 8mm camera and began making short films with his friends. After school he began working as a film editor for Australia's Seven Network. He later said he "used to creep in there at 3am and make my own movies". He also acted on stage and was unsure whether to focus on acting or directing. Two of his films won the City Film Festival Award for Best Independent Short Film and he won Best Short Film at the Sydney Film Festival for "Contrived Mind Flashes".He was approached by the producer of a Seven pop show and asked to film some original footage and compile a music video to accompany the Harry Nilsson hit "Everybody's Talkin'".
Video Clips
Mucahy soon found that he was in demand as a music video director, and made a number of successful film clips for bands from Australia and New Zealand, including Dragon, Hush and AC/DC, and the classic music video for The Saints' " Stranded".Tony Hogarth from Woods Records sent Mulcahy to England to do a video for a punk band in Birmingham. It was well received and Mulcahy decided to stay on in the country. He joined Jon Roseman Productions International and made successful music videos for several noted British pop acts—his early UK credits included Culture Club,The Human League, The Stranglers, XTC's "Making Plans for Nigel",the sex pistols and Paul McCartney.
Notably, he directed The Vapors' hit "Turning Japanese" and his landmark video for The Buggles' "Video Killed the Radio Star" which became the first music video played on MTV in 1981. Mulcahy recalled "Nobody knew the impact that the video would have and how timely it was when we were shooting it. We went into the video with no concept of what it was going to do... It was a one day shoot. I just had this idea of it being set in a strange laboratory, with a girl coming down a tube on a wire."
In 1978, he went to the United States and directed videos for The Cryers and Candi Staton - where he first used the "jump cut" - under producer Paul Flattery. Other Mulcahy innovations included spot color, body painting, glass matte shots and faux widescreen aspect ratio which have all become standards for the genre.
Mulcahy was a friend of Richard Branson and had done videos for Virgin Records. Branson had an idea for making a film about Derek and Clive and hired Mulcachy to shoot one of their albums over two nights. This became Derek and Clive Get the Horn, Mulcahy's first feature.
For the next few years, Mulcahy focused on video clips, becoming one of the leading director in the field. In 1980 he joined Lexi Godfrey and David Mallet to form the video company MGM. He had notable collaborations in particular with Ultravox, Duran Duran, Kim Carnes, Icehouse, Spandau Ballet, Fleetwood Mac , Bonnie Tyler , The Motels, Rod Stewart and Elton John.
He has a cameo appearance "I'm Still Standing" by Elton John, that he also directed.
Mulcahy later recalled "When people were first asking me to do videos, there was never really a need or a request for a concept. They would just send me a cassette of the song. I'd listen to it with my eyes closed, come up with some ideas and write something down. We'd shoot the video the next day or two days later. It really was just grab what you can and do it."
Warner Bros music chief Jo Berggman called Mulcahy's style "everything but the kitchen sink and more school of video. Russell's work is expensive by music video standards but look at what you get. Wizard of Oz, Singing in the Rain - I mean, name your favorite MGM musical, they're all there."
Mulcahy became particularly known for his work with Duran Duran, directing the key early songs by the band which helped launch them internationally. "We just hit it off," he said. "They were young and brave, as was I really."
In 1982, Mulcahy said he had been approached to make a feature film about a movie palace by David Puttnam, who had success working with first time directors from TV commercials. However, the film was never made.
Feature Film Director
''Razorback''
Mulacy's first dramatic feature was in Australia, Razorback. The film was a box office disappointment but has become a cult favorite. He later said:From my videos and continuing on through RAZORBACK and after, I've always made sure I have a group around me that are as important as me, and people whose expertise and talent I want and encourage. I want them to be part and parcel of the team and to be proud of their work. I guess there has to be a captain of the ship, but it only takes one crew member to screw everything up. You just encourage everyone to do their best and have fun. The more they feel part of it, and the more fun they have, the day goes faster, and the better the work is.
Mulcahy went back to video clips working with Culture Club, Elton John, Berlin and The Rolling Stones. His work for Duran Duran was particularly acclaimed, including the clip for "Wild Boys", Arena and the As the Lights Go Down concert video.
''Highlander''
In 1986, Mulcahy became well known after directing the cult film Highlander, starring Christopher Lambert and Sean Connery, featuring music from Queen. Mulcahy said "I loved the genre, I loved the action, and I loved the strange complexity of the intercutting timelines. What really grabbed me though was the sense of tragic, epic romance in the story."Mulcahy directed several Queen video clips for the Highlander soundtrack as well as works for Billy Joel, Kim Carnes, Kenny Loggins, Def Leppard, Elton John and Rod Stewart.
Mulcahy was the original director on Rambo III. The collaboration started well but after filming started it became apparent that he had major creative differences with star/writer Sylvester Stallone so Mulcahy left the project. "It was nobody's fault," said Mulcahy later. "Sly is a wonderful man, and we still remain friends."
He later directed the Highlander sequel, , but disowned it after the completion-bond company interfered with production. Reportedly he wanted to have his credit changed to Alan Smithee, but as he was not a member of the Directors Guild of America, he had no way of forcing the film-guaranty company to change the credit. He eventually took the opportunity to restore his vision for the film, to a large extent, with the video release of Highlander II: The Renegade Version.
Focus on Features
Mulcahy began to focus on features, mostly action/thrillers, such as Ricochet with Denzel Washington, Blue Ice with Michael Caine, The Real McCoy with Kim Basinger, The Shadow with Alec Baldwin and Silent Trigger with Dolph Lundgren.He continued to direct the occasional video clip for artists like Elton John and began to direct TV shows like Tales from the Crypt, Perversions of Science and The Hunger. He directed the features Tale of the Mummy and Resurrection, the latter with Christopher Lambert of ''Highlander'.
Later Career
In the 21st century, Mulcahy's work was increasingly on the small screen: On the Beach, filmed in Australia based on the novel by Neville Shute; The Lost Battalion, with Rick Schroder; and 1st to Die ; he also did episodes of Queer as Folk, The Young Lions, Jeremiah and Skins.He returned to features with the Australian swimming film Swimming Upstream but mostly did TV movies like ', Mysterious Island, The Curse of King Tut's Tomb, The Sitter, Crash and Burn, ', and Prayers for Bobby.
He did the features , Give 'em Hell Malone and the TV series Grimm.
Mulcahy was a key director on the Teen Wolf TV series throughout its run as well as directing episodes of Eye Candy and The Lizzie Borden Chronicles. He returned to features with In Like Flynn.
Music videography
- " Stranded" by The Saints, 1977
- "Video Killed the Radio Star" and "Living in the Plastic Age" for The Buggles
- For songs from Duran Duran's first four albums:
- * "Planet Earth"
- * "My Own Way"
- * "Lonely in Your Nightmare"
- * "Hungry Like the Wolf"
- * "Save a Prayer"
- * "Rio"
- * "Night Boat"
- * "Is There Something I Should Know?"
- * "The Reflex"
- * "The Wild Boys"
- For Elton John:
- * "Breaking Down Barriers"
- * "Carla/Etude/Fanfare"
- * "Elton's Song"
- * "Fascist Faces"
- * "The Fox"
- * "Heart in the Right Place"
- * "Heels of the Wind"
- * "Just Like Belgium"
- * "Nobody Wins"
- * "Chloe"
- * "I'm Still Standing"
- * "I Guess That's Why They Call It the Blues"
- * "Sad Songs "
- * "Act of War"
- * "Wrap Her Up"
- * "I Don't Wanna Go on with You Like That"
- * "Town of Plenty"
- * "A Word in Spanish"
- * "The One"
- * "Simple Life"
- For Spandau Ballet
- * "Paint Me Down"
- * "Muscle Bound"
- * "Chant No. 1 "
- * "Instinction"
- * "She Loved Like Diamond"
- * "True"
- "Bette Davis Eyes", "Draw of the Cards", "Say You Don't Know Me" and "Voyeur" for Kim Carnes
- "The Tubes Video" for The Tubes' The Completion Backward Principle, nominated for a Grammy Award for Best Long Form Music Video
- "Total Eclipse of the Heart" for Bonnie Tyler
- "Vienna", "Passing Strangers", "The Thin Wall" and "The Voice" for Ultravox
- "Allentown", "She's Right on Time", "Pressure" and "A Matter of Trust" for Billy Joel
- "A Kind of Magic" and "Princes of the Universe" for Queen
- "One Hit " and "Going to a Go-Go" for The Rolling Stones
- "Wonderful Christmastime" for Paul McCartney
- "Gypsy" and "Oh Diane" for Fleetwood Mac
- "The War Song" for Culture Club
- "Sex " by Berlin
- "Icehouse", "Street Cafe", "Hey Little Girl", "Taking the Town" for Icehouse
- "Turning Japanese" for The Vapors
- "Young Turks" and "Tonight I'm Yours" for Rod Stewart
- "Pour Some Sugar on Me " for Def Leppard
- "Meet Me Halfway" for Kenny Loggins
- "The Flame" for Arcadia
- "Sold" for Boy George
- "Jeanny" for Falco
- "Call Me" for Go West
- "Never Say Die" for Cliff Richard
- "It's Raining Again" for Supertramp
- "Only the Lonely" for The Motels
- "Talk Talk" for Talk Talk
- "Duchess" and "Bear Cage" for The Stranglers
- "Empire State Human" and "Circus of Death" for The Human League
- "Guilty" for Classix Nouveaux
- "Making Plans for Nigel" for XTC
- "One-Two-Five" for 10cc
- "Baby, Please Don't Go and "Problem Child" for AC/DC
Filmography
- Nuts, Bolts and Bedroom Springs
- Derek and Clive Get the Horn
- Razorback
- As the Lights Go Down
- Arena
- Highlander
- '
- Ricochet
- Blue Ice
- The Real McCoy
- The Shadow
- Silent Trigger
- Tale of the Mummy
- Resurrection
- On the Beach
- The Lost Battalion
- Swimming Upstream
- Mysterious Island
- The Curse of King Tut's Tomb
- '
- While the Children Sleep
- Prayers for Bobby
- Give 'em Hell, Malone
- In Like Flynn
Television
- Tales from the Crypt : "Split Second", "People Who Live in Brass Hearses", "Let the Punishment Fit the Crime", "Horror in the Night"
- Perversions of Science : "Planely Possible", "People's Choice"
- The Hunger : "Necros", "The Secret Shih-Tan", "I'm Dangerous Tonight", "Nunc Dimittis", "Wrath of God", "The Sacred Fire"
- Queer as Folk : "Premiere", "Queer, There and Everywhere", "No Bris, No Shirt, No Service", "Surprise Kill", "The King of Babylon"
- Jeremiah : "The Long Road, Part One"
- Young Lions : "The Navy: Part 1", "The Navy: Part 2"
- First to Die
- Skin : "Pilot"
- Teen Wolf : "Pilot", "Second Chance at First Line", "Pack Mentality", "Co-Captain", "Formality", "Code Breaker", "Omega", "Shape Shifted", "Frenemy", "Restraint", "Raving", "Master Plan", "Tattoo", "Chaos Rising", "Currents", "Visionary", "The Overlooked", "Lunar Ellipse", "Anchors", "Illuminated", "Letharia Vulpina", "The Divine Move", "The Dark Moon", "The Benefactor", "Orphaned", "Smoke & Mirrors", "Creatures of the Night", "Dreamcatchers", "Strange Frequencies", "Status Asthmaticus", "The Last Chimera", "Amplification", "Lie Ability", "Apotheosis", "Radio Silence", "Ghosted", "Riders on the Storm", "Said the Spider to the Fly", "Werewolves of London", "The Wolves of War"
- The Lizzie Borden Chronicles "Welcome To Maplecroft", "Flowers"
- 13 Reasons Why "Winter Break", "College Tour"
Personal life