The Comedy of Errors


The Comedy of Errors is one of William Shakespeare's early plays. It is his shortest and one of his most farcical comedies, with a major part of the humour coming from slapstick and mistaken identity, in addition to puns and word play. The Comedy of Errors is, along with The Tempest, one of only two Shakespearean plays to observe the Aristotelian principle of unity of time—that is, that the events of a play should occur over 24 hours. It has been adapted for opera, stage, screen and musical theatre numerous times worldwide. In the centuries following its premiere, the play's title has entered the popular English lexicon as an idiom for "an event or series of events made ridiculous by the number of errors that were made throughout".
Set in the Greek city of Ephesus, The Comedy of Errors tells the story of two sets of identical twins who were accidentally separated at birth. Antipholus of Syracuse and his servant, Dromio of Syracuse, arrive in Ephesus, which turns out to be the home of their twin brothers, Antipholus of Ephesus and his servant, Dromio of Ephesus. When the Syracusans encounter the friends and families of their twins, a series of wild mishaps based on mistaken identities lead to wrongful beatings, a near-seduction, the arrest of Antipholus of Ephesus, and false accusations of infidelity, theft, madness, and demonic possession.

Characters

Act I
Because a law forbids merchants from Syracuse to enter Ephesus, elderly Syracusian trader Egeon faces execution when he is discovered in the city. He can only escape by paying a fine of a thousand marks. He tells his sad story to Solinus, Duke of Ephesus. In his youth, Egeon married and had twin sons. On the same day, a poor woman without a job also gave birth to twin boys, and he purchased these as slaves to his sons. Soon afterward, the family made a sea voyage and was hit by a tempest. Egeon lashed himself to the main-mast with one son and one slave, and his wife took the other two infants. His wife was rescued by one boat, Egeon by another. Egeon never again saw his wife or the children with her. Recently his son Antipholus, now grown, and his son's slave Dromio left Syracuse to find their brothers. When Antipholus did not return, Egeon set out in search of him.
The Duke is moved by this story and grants Egeon one day to pay his fine.
That same day, Antipholus arrives in Ephesus, searching for his brother. He sends Dromio to deposit some money at The Centaur, an inn. He is confounded when the identical Dromio of Ephesus appears almost immediately, denying any knowledge of the money and asking him home to dinner, where his wife is waiting. Antipholus, thinking his servant is making insubordinate jokes, beats Dromio of Ephesus.
Act II
Dromio of Ephesus returns to his mistress, Adriana, saying that her "husband" refused to come back to his house, and even pretended not to know her. Adriana, concerned that her husband's eye is straying, takes this news as confirmation of her suspicions.
Antipholus of Syracuse, who complains "I could not speak with Dromio since at first, I sent him from the mart," meets up with Dromio of Syracuse who now denies making a "joke" about Antipholus having a wife. Antipholus begins beating him. Suddenly, Adriana rushes up to Antipholus of Syracuse and begs him not to leave her. The Syracusans cannot but attribute these strange events to witchcraft, remarking that Ephesus is known as a warren for witches. Antipholus and Dromio go off with this strange woman, the one to eat dinner and the other to keep the gate.
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Act III
Antipholus of Ephesus returns home for dinner and is enraged to find that he is rudely refused entry to his own house by Dromio of Syracuse, who is keeping the gate. He is ready to break down the door, but his friends persuade him not to make a scene. He decides, instead, to dine with a courtesan.
Inside the house, Antipholus of Syracuse discovers that he is very attracted to his "wife's" sister, Luciana of Smyrna, telling her "train me not, sweet mermaid, with thy note / To drown me in thy sister's flood of tears." She is flattered by his attention but worried about their moral implications. After she exits, Dromio of Syracuse announces that he has discovered that he has a wife: Nell, a hideous kitchen-maid. He describes her as "spherical, like a globe; I could find out countries in her". Antipholus jokingly asks him to identify the countries, leading to a witty exchange in which parts of her body are identified with nations. Ireland is her buttocks: "I found it out by the bogs". He claims he has discovered America and the Indies "upon her nose all o'er embellished with rubies, carbuncles, sapphires, declining their rich aspect to the hot breath of Spain; who sent whole armadas of cracks to be ballast at her nose." The Syracusans decide to leave as soon as possible, and Dromio runs off to make travel plans. Antipholus of Syracuse is then confronted by Angelo of Ephesus, a goldsmith, who claims that Antipholus ordered a chain from him. Antipholus is forced to accept the chain, and Angelo says that he will return for payment.
Act IV
Antipholus of Ephesus dispatches Dromio of Ephesus to purchase a rope so that he can beat his wife Adriana for locking him out, then is accosted by Angelo, who tells him "I thought to have ta'en you at the Porpentine" and asks to be reimbursed for the chain. He denies ever seeing it and is promptly arrested. As he is being led away, Dromio of Syracuse arrives, whereupon Antipholus dispatches him back to Adriana's house to get money for his bail.
After completing this errand, Dromio of Syracuse mistakenly delivers the money to Antipholus of Syracuse. The Courtesan spies Antipholus wearing the gold chain, and says he promised it to her in exchange for her ring. The Syracusans deny this and flee.
Act V
The Courtesan resolves to tell Adriana that her husband is insane. Dromio of Ephesus returns to the arrested Antipholus of Ephesus, with the rope. Antipholus is infuriated. Adriana, Luciana, and the Courtesan enter with a conjurer named Pinch, who tries to exorcize the Ephesians, who are bound and taken to Adriana's house. The Syracusans enter, carrying swords, and everybody runs off for fear: believing that they are the Ephesians, out for vengeance after somehow escaping their bonds. Adriana reappears with henchmen, who attempt to bind the Syracusans. They take sanctuary in a nearby priory, where the Abbess resolutely protects them.
Suddenly, the Abbess enters with the Syracusan twins, and everyone begins to understand the confused events of the day. Not only are the two sets of twins reunited, but the Abbess reveals that she is Egeon's wife, Emilia of Babylon. The Duke pardons Egeon. All exit into the abbey to celebrate the reunification of the family.

Text and date

The play is a modernized adaptation of Menaechmi by Plautus. As William Warner's translation of the classical drama was entered into the Register of the Stationers Company on 10 June 1594, published in 1595, and dedicated to Lord Hunsdon, the patron of the Lord Chamberlain's Men, it has been supposed that Shakespeare might have seen the translation in manuscript before it was printed – though it is equally possible that he knew the play in the original Latin, as Plautus was part of the curriculum of grammar school students.
The play contains a topical reference to the wars of succession in France, which would fit any date from 1589 to 1595. Charles Whitworth argues that The Comedy of Errors was written "in the latter part of 1594" on the basis of historical records and textual similarities with other plays Shakespeare wrote around this time. The play was not published until it appeared in the First Folio in 1623.

Analysis and criticism

For centuries, scholars have found little thematic depth in The Comedy of Errors. Harold Bloom, however, wrote that it "reveals Shakespeare's magnificence at the art of comedy", and praised the work as showing "such skill, indeed mastery--in action, incipient character, and stagecraft--that it far outshines the three Henry VI plays and the rather lame comedy The Two Gentlemen of Verona". Stanley Wells also referred to it as the first Shakespeare play "in which mastery of craft is displayed". The play was not a particular favourite on the eighteenth century stage because it failed to offer the kind of striking roles that actors such as David Garrick could exploit.
The play was particularly notable in one respect. In the earlier eighteenth century, some critics followed the French critical standard of judging the quality of a play by its adherence to the classical unities, as specified by Aristotle in the fourth century BC. The Comedy of Errors and The Tempest were the only two of Shakespeare's plays to comply with this standard.
Law professor Eric Heinze, however, claims that particularly notable in the play is a series of social relationships, which is in crisis as it sheds its feudal forms and confronts the market forces of early modern Europe.

Performance

Two early performances of The Comedy of Errors are recorded. One, by "a company of base and common fellows", is mentioned in the Gesta Grayorum as having occurred in Gray's Inn Hall on 28 December 1594 during the inn's revels. The second also took place on "Innocents' Day", but ten years later: 28 December 1604, at Court.

Adaptations

Theatrical

Like many of Shakespeare's plays, The Comedy of Errors was adapted and rewritten extensively, particularly from the 18th century on, with varying reception from audiences.

Classical Adaptations

The play has been adapted as a musical several times, frequently by inserting period music into the light comedy. Some musical adaptations include a Victorian musical comedy, Brechtian folk opera, and a two-ring circus.
Fully original musical adaptations include:
In India, Ishwar Chandra Vidyasagar adapted Shakespeare's play in his Bengali novel Bhranti Bilash. Vidyasagar's efforts were part of the process of championing Shakespeare and the Romantics during the Bengal Renaissance.

Film

The film Big Business is a modern take on A Comedy of Errors, with female twins instead of male. Bette Midler and Lily Tomlin star in the film as two sets of twins separated at birth, much like the characters in Shakespeare's play.
Indian cinema has made eight films based on the play:
In 1940 the film The Boys from Syracuse was released, starring Alan Jones and Joe Penner as Antipholus and Dromio. It was a musical, loosely based on "Comedy of Errors".

Television


  • Bate, Jonathan and Rasmussen, Eric, The Comedy of Errors
  • Cunningham, Henry The Comedy of Errors
  • Dolan, Francis E. The Comedy of Errors
  • Dorsch, T.S. The Comedy of Errors
  • Dover Wilson, John The Comedy of Errors
  • Evans, G. Blakemore The Riverside Shakespeare
  • Foakes, R.A. The Comedy of Errors
  • Greenblatt, Stephen; Cohen, Walter; Howard, Jean E., and Maus, Katharine Eisaman The Norton Shakespeare: Based on the Oxford Shakespeare
  • Jorgensen, Paul A. The Comedy of Errors
  • Levin, Harry The Comedy of Errors
  • Martin, Randall The Comedy of Errors
  • Wells, Stanley The Comedy of Errors
  • SwipeSpeare The Comedy of Errors
  • Wells, Stanley; Taylor, Gary; Jowett, John and Montgomery, William The Oxford Shakespeare: The Complete Works
  • Werstine, Paul and Mowat, Barbara A. The Comedy of Errors
  • Whitworth, Charles The Comedy of Errors