Pirmin Meier was born into a butcher's family and grew up in Würenlingen. From 1963 to 1967, he attended the Benediktiner-Kollegium in Sarnen and then went on to study German language and literature, philosophy and history at the University of Zürich, where he received his PhD for a work on Reinhold Schneider in 1975. Subsequently, he worked as a school teacher and a journalist and served as joint editor in the publishing of the works of Reinhold Schneider by Suhrkamp and Insel. He also is a member of the Reinhold Schneider-Gesellschaft e.V. Since 1979 he's been dividing this time primarily between teaching Philosophy, German and other subjects at a gymnasium in Beromünster and researching and writing his books which focus on portraying historical figures, places and traditions in broad scope and great detail. Unusual for him, in 1984, Meier published Gsottniger Werwolf, a collection of poems, written in free-verse form and rife with literary allusions. 2004 saw the première of the miracle playLicht überm Tüchelweg and in 2007, the Vitus-Oratorium aka Sankt Vitus in Merenschwand was given its first performance; for both of these projects Meier provided the libretto. He currently resides in Rickenbach.
It's not easy to peg Meier's writings - often of strongly bio- or monographical content - to any particular discipline or literary genre. Most of his books are oscillating heavily between nonfiction and fiction, between historiographicalscholarly paper and historical novel. Although meticulously researched and diligently sourced, Meier doesn't limit himself to a rigid and terse presentation of facts but employs a literary language, engages in speculation where sources are sparse or nonexistent and also otherwise often applies novelistic techniques, for example by delving into the psyche of his characters. One might consider his approach as veering into the so-called nonfiction novel territory, but then it doesn't seem to fully square with how Truman Capote coined that term, either. So it is probably best described by Meier himself who gave his book about Heinrich Federer the subtitle "eine erzählerische Recherche". All his historical protagonists are creative thinkers whose ideas, convictions, actions and conditions often made them outsiders or even social misfits facing considerable obstacles throughout their lives. So far, these include:
