Truman Capote


Truman Garcia Capote was an American novelist, short story writer, screenwriter, playwright, and actor. Several of his short stories, novels, and plays have been praised as literary classics, including the novella Breakfast at Tiffany's and the true crime novel In Cold Blood, which he labeled a "nonfiction novel". His works have been adapted into more than 20 films and television dramas.
Capote rose above a childhood troubled by divorce, a long absence from his mother, and multiple migrations. He had discovered his calling as a writer by age 8, and he honed his writing ability throughout his childhood. He began his professional career writing short stories. The critical success of "Miriam" attracted the attention of Random House publisher Bennett Cerf and resulted in a contract to write the novel Other Voices, Other Rooms. Capote earned the most fame with In Cold Blood, a journalistic work about the murder of a Kansas farm family in their home. Capote spent six years writing the book, aided by his lifelong friend Harper Lee, who wrote To Kill a Mockingbird.

Early life

He was born in New Orleans, Louisiana, to Lillie Mae Faulk and salesman Archulus Persons. His parents divorced when he was four, and he was sent to Monroeville, Alabama, where, for the following four to five years, he was raised by his mother's relatives. He formed a fast bond with his mother's distant relative, Nanny Rumbley Faulk, whom Truman called "Sook". "Her face is remarkable – not unlike Lincoln's, craggy like that, and tinted by sun and wind", is how Capote described Sook in "A Christmas Memory". In Monroeville, Capote was a neighbor and friend of Harper Lee, who would also go on to become an acclaimed author and a lifelong friend of Capote's. Lee's To Kill A Mockingbird likely models Dill's characterization after Capote.
As a lonely child, Capote taught himself to read and write before he entered his first year of school. Capote was often seen at age five carrying his dictionary and notepad, and began writing fiction at age 11. He was given the nickname "Bulldog" around this age.
On Saturdays, he made trips from Monroeville to the nearby city of Mobile on the Gulf Coast, and at one point submitted a short story, "Old Mrs. Busybody", to a children's writing contest sponsored by the Mobile Press Register. Capote received recognition for his early work from The Scholastic Art & Writing Awards in 1936.
In 1932, he moved to New York City to live with his mother and her second husband, José García Capote, a bookkeeper from Union de Reyes, Cuba, who adopted him as his son and renamed him Truman García Capote. However, José was convicted of embezzlement and shortly afterwards, when his income crashed, the family was forced to leave Park Avenue.
Of his early days, Capote related, "I was writing really sort of serious when I was about eleven. I say seriously in the sense that like other kids go home and practice the violin or the piano or whatever, I used to go home from school every day, and I would write for about three hours. I was obsessed by it." In 1932, he attended the Trinity School in New York City. He then attended St. Joseph Military Academy. In 1939, the Capote family moved to Greenwich, Connecticut, and Truman attended Greenwich High School, where he wrote for both the school's literary journal, The Green Witch, and the school newspaper. When they returned to New York City in 1941, he attended the Franklin School, an Upper West Side private school now known as the Dwight School, and graduated in 1942. That was the end of his formal education.
While still attending Franklin in 1942, Capote began working as a copyboy in the art department at The New Yorker, a job he held for two years before being fired for angering poet Robert Frost. Years later, he reflected, "Not a very grand job, for all it really involved was sorting cartoons and clipping newspapers. Still, I was fortunate to have it, especially since I was determined never to set a studious foot inside a college classroom. I felt that either one was or wasn't a writer, and no combination of professors could influence the outcome. I still think I was correct, at least in my own case." He left his job to live with relatives in Alabama and began writing his first novel, Summer Crossing.

Friendship with Harper Lee

Capote based the character of Idabel in Other Voices, Other Rooms on his Monroeville neighbor and best friend, Harper Lee. Capote once acknowledged this: "Mr. and Mrs. Lee, Harper Lee's mother and father, lived very near. She was my best friend. Did you ever read her book, To Kill a Mockingbird? I'm a character in that book, which takes place in the same small town in Alabama where we lived. Her father was a lawyer, and she and I used to go to trials all the time as children. We went to the trials instead of going to the movies." After Lee was awarded the Pulitzer Prize in 1961 and Capote published In Cold Blood in 1966, the authors became increasingly distant from each other.

Writing career

Short story phase

Capote began writing short stories from around the age of 8. In 2013, the Swiss publisher Peter Haag discovered 14 unpublished stories, written when Capote was a teenager, in the New York Public Library Archives. Random House published these in 2015, under the title The Early Stories of Truman Capote.
Between 1943 and 1946, Capote wrote a continual flow of short fiction, including "Miriam", "My Side of the Matter", and "Shut a Final Door". His stories were published in both literary quarterlies and well-known popular magazines, including The Atlantic Monthly, Harper's Bazaar, Harper's Magazine, Mademoiselle, The New Yorker, Prairie Schooner, and Story. In June 1945, "Miriam" was published by Mademoiselle and went on to win a prize, Best First-Published Story, in 1946. In the spring of 1946, Capote was accepted at Yaddo, the artists and writers colony at Saratoga Springs, New York.
During an interview for The Paris Review in 1957, Capote said this of his short story technique:
Random House, the publisher of his novel Other Voices, Other Rooms, moved to capitalize on this novel's success with the publication of A Tree of Night and Other Stories in 1949. In addition to "Miriam", this collection also includes "Shut a Final Door", first published in The Atlantic Monthly.
After A Tree of Night, Capote published a collection of his travel writings, Local Color, which included nine essays originally published in magazines between 1946 and 1950.
"A Christmas Memory", a largely autobiographical story taking place in the 1930s, was published in Mademoiselle magazine in 1956. It was issued as a hard-cover stand alone edition in 1966 and has since been published in many editions and anthologies.

Posthumously published early novel

Some time in the 1940s, Capote wrote a novel set in New York City about the summer romance of a socialite and a parking lot attendant. Capote later claimed to have destroyed the manuscript of this novel; but twenty years after his death, in 2004, it came to light that the manuscript had been retrieved from the trash back in 1950 by a house sitter at an apartment formerly occupied by Capote. The novel was published in 2006 by Random House under the title Summer Crossing.
The film rights to Summer Crossing were purchased by actress Scarlett Johansson and a cinematic version was in the works but there has been no mention of when it is to release. Veteran writers Tristine Skyler and T. Rafael Cimino have been enlisted to craft the screenplay. The film will mark Johansson's directorial debut.

First novel, ''Other Voices, Other Rooms''

The critical success of one of his short stories, "Miriam", attracted the attention of the publisher Bennett Cerf, resulting in a contract with Random House to write a novel. With an advance of $1,500, Capote returned to Monroeville and began Other Voices, Other Rooms, continuing to work on the manuscript in New Orleans, Saratoga Springs, New York, and North Carolina, eventually completing it in Nantucket, Massachusetts. It was published in 1948. Capote described this symbolic tale as "a poetic explosion in highly suppressed emotion". The novel is a semi-autobiographical refraction of Capote's Alabama childhood. Decades later, writing in The Dogs Bark, he commented:
The story focuses on 13-year-old Joel Knox following the loss of his mother. Joel is sent from New Orleans to live with his father, who abandoned him at the time of his birth. Arriving at Skully's Landing, a vast, decaying mansion in rural Alabama, Joel meets his sullen stepmother Amy, debauched transvestite Randolph, and defiant Idabel, a girl who becomes his friend. He also sees a spectral "queer lady" with "fat dribbling curls" watching him from a top window. Despite Joel's queries, the whereabouts of his father remain a mystery. When he finally is allowed to see his father, Joel is stunned to find he is a quadriplegic, having tumbled down a flight of stairs after being inadvertently shot by Randolph. Joel runs away with Idabel but catches pneumonia and eventually returns to the Landing, where he is nursed back to health by Randolph. The implication in the final paragraph is that the "queer lady" beckoning from the window is Randolph in his old Mardi Gras costume. Gerald Clarke, in Capote: A Biography described the conclusion:

Harold Halma photograph

Other Voices, Other Rooms made The New York Times bestseller list and stayed there for nine weeks, selling more than 26,000 copies. The promotion and controversy surrounding this novel catapulted Capote to fame. A 1947 Harold Halma photograph used to promote the book showed a reclining Capote gazing fiercely into the camera. Gerald Clarke, in Capote: A Biography, wrote, "The famous photograph: Harold Halma's picture on the dustjacket of Other Voices, Other Rooms caused as much comment and controversy as the prose inside. Truman claimed that the camera had caught him off guard, but in fact he had posed himself and was responsible for both the picture and the publicity." Much of the early attention to Capote centered on different interpretations of this photograph, which was viewed as a suggestive pose by some. According to Clarke, the photo created an "uproar" and gave Capote "not only the literary, but also the public personality he had always wanted". The photo made a huge impression on the 20-year-old Andy Warhol, who often talked about the picture and wrote fan letters to Capote. When Warhol moved to New York in 1949, he made numerous attempts to meet Capote, and Warhol's fascination with the author led to Warhol's first New York one-man show, Fifteen Drawings Based on the Writings of Truman Capote at the Hugo Gallery.
, 1948
When the picture was reprinted along with reviews in magazines and newspapers, some readers were amused, but others were outraged and offended. The Los Angeles Times reported that Capote looked "as if he were dreamily contemplating some outrage against conventional morality". The novelist Merle Miller issued a complaint about the picture at a publishing forum, and the photo of "Truman Remote" was satirized in the third issue of Mad. The humorist Max Shulman struck an identical pose for the dustjacket photo on his collection, Max Shulman's Large Economy Size. The Broadway stage revue New Faces featured a skit in which Ronny Graham parodied Capote, deliberately copying his pose in the Halma photo. Random House featured the Halma photo in its "This is Truman Capote" ads, and large blowups were displayed in bookstore windows. Walking on Fifth Avenue, Halma overheard two middle-aged women looking at a Capote blowup in the window of a bookstore. When one woman said, "I'm telling you: he's just young", the other woman responded, "And I'm telling you, if he isn't young, he's dangerous!" Capote delighted in retelling this anecdote.

Stage, screen, and magazine work

In the early 1950s, Capote took on Broadway and films, adapting his 1951 novella, The Grass Harp, into a 1952 play of the same name, followed by the musical House of Flowers, which spawned the song "A Sleepin' Bee". Capote co-wrote with John Huston the screenplay for Huston's film Beat the Devil. Traveling through the Soviet Union with a touring production of Porgy and Bess, he produced a series of articles for The New Yorker that became his first book-length work of nonfiction, The Muses Are Heard.
In this period he also wrote an autobiographical essay for Holiday Magazine—one of his personal favorites—about his life in Brooklyn Heights in the late 1950s, entitled . In November 2015, The Little Bookroom issued a new coffee-table edition of that work, which includes David Attie's previously-unpublished portraits of Capote as well as Attie's street photography taken in connection with the essay, entitled Brooklyn: A Personal Memoir, With The Lost Photographs of David Attie. This edition was well-reviewed in America and overseas, and was also a finalist for a 2016 Indie Book Award.

''Breakfast at Tiffany's''

Breakfast at Tiffany's: A Short Novel and Three Stories brought together the title novella and three shorter tales: "House of Flowers", "A Diamond Guitar" and "A Christmas Memory". The heroine of Breakfast at Tiffany's, Holly Golightly, became one of Capote's best known creations, and the book's prose style prompted Norman Mailer to call Capote "the most perfect writer of my generation".
The novella itself was originally supposed to be published in Harper's Bazaar's July 1958 issue, several months before its publication in book form by Random House. The publisher of Harper's Bazaar, the Hearst Corporation, began demanding changes to Capote's tart language, which he reluctantly made because he had liked the photos by David Attie and the design work by Harper's art director Alexey Brodovitch that were to accompany the text. But despite his compliance, Hearst ordered Harper's not to run the novella anyway. Its language and subject matter were still deemed "not suitable", and there was concern that Tiffany's, a major advertiser, would react negatively. An outraged Capote resold the novella to Esquire for its November 1958 issue; by his own account, he told Esquire he would only be interested in doing so if Attie's original series of photos was included, but to his disappointment, the magazine ran just a single full-page image of Attie's. The novella was published by Random House shortly afterwards.
For Capote, Breakfast at Tiffany's was a turning point, as he explained to Roy Newquist :

''In Cold Blood''

The "new book", In Cold Blood: A True Account of a Multiple Murder and Its Consequences, was inspired by a 300 word article that ran in the November 16, 1959 The New York Times. The story described the unexplained murder of the Clutter family in rural Holcomb, Kansas, and quoted the local sheriff as saying, "This is apparently the case of a psychopathic killer." Fascinated by this brief news item, Capote traveled with Harper Lee to Holcomb and visited the scene of the massacre. Over the course of the next few years, he became acquainted with everyone involved in the investigation and most of the residents of the small town and the area. Rather than taking notes during interviews, Capote committed conversations to memory and immediately wrote quotes as soon as an interview ended. He claimed his memory retention for verbatim conversations had been tested at "over 90%". Lee made inroads into the community by befriending the wives of those Capote wanted to interview.
Capote recalled his years in Kansas when he spoke at the 1974 San Francisco International Film Festival:
In Cold Blood was published in 1966 by Random House after having been serialized in The New Yorker. The "nonfiction novel", as Capote labeled it, brought him literary acclaim and became an international bestseller, but Capote would never complete another novel after it.
A feud between Capote and British arts critic Kenneth Tynan erupted in the pages of The Observer after Tynan's review of In Cold Blood implied that Capote wanted an execution so the book would have an effective ending. Tynan wrote:

Veracity of ''In Cold Blood'' and other nonfiction

In Cold Blood brought Capote much praise from the literary community, but there were some who questioned certain events as reported in the book. Writing in Esquire in 1966, Phillip K. Tompkins noted factual discrepancies after he traveled to Kansas and spoke to some of the same people interviewed by Capote. In a telephone interview with Tompkins, Mrs. Meier denied that she heard Perry cry and that she held his hand as described by Capote. In Cold Blood indicates that Meier and Perry became close, yet she told Tompkins she spent little time with Perry and did not talk much with him. Tompkins concluded:
Capote has, in short, achieved a work of art. He has told exceedingly well a tale of high terror in his own way. But, despite the brilliance of his self-publicizing efforts, he has made both a tactical and a moral error that will hurt him in the short run. By insisting that "every word" of his book is true he has made himself vulnerable to those readers who are prepared to examine seriously such a sweeping claim.

True crime writer Jack Olsen also commented on the fabrications:
Alvin Dewey, the Kansas Bureau of Investigation detective portrayed in In Cold Blood, later said that the last scene, in which he visits the Clutters' graves, was Capote's invention, while other Kansas residents whom Capote interviewed have claimed they or their relatives were mischaracterized or misquoted. Dewey and his wife Marie became friends of Capote during the time Capote spent in Kansas gathering research for his book. Dewey gave Capote access to the case files and other items related to the investigation and to the members of the Clutter family, including Nancy Clutter's diary. When the film version of the book was made in 1967, Capote arranged for Marie Dewey to receive $10,000 from Columbia Pictures as a paid consultant to the making of the film.
Another work described by Capote as "nonfiction" was later reported to have been largely fabricated. In a 1992 piece in the Sunday Times, reporters Peter and Leni Gillman investigated the source of "Handcarved Coffins", the story in Capote's last work Music for Chameleons subtitled "a nonfiction account of an American crime". They found no reported series of American murders in the same town which included all of the details Capote described – the sending of miniature coffins, a rattlesnake murder, a decapitation, etc. Instead, they found that a few of the details closely mirrored an unsolved case on which investigator Al Dewey had worked. Their conclusion was that Capote had invented the rest of the story, including his meetings with the suspected killer, Quinn.

Celebrity

Capote was openly homosexual. One of his first serious lovers was Smith College literature professor Newton Arvin, who won the National Book Award for his Herman Melville biography in 1951 and to whom Capote dedicated Other Voices, Other Rooms. However, Capote spent the majority of his life until his death partnered to Jack Dunphy, a fellow writer. In his book, "Dear Genius ..." A Memoir of My Life with Truman Capote, Dunphy attempts both to explain the Capote he knew and loved within their relationship and the very success-driven and, eventually, drug- and alcohol-addicted person who existed outside of their relationship. It provides perhaps the most in-depth and intimate look at Capote's life, outside of his own works. Although Capote's and Dunphy's relationship lasted the majority of Capote's life, it seems that they both lived, at times, different lives. Their sometimes separate living quarters allowed autonomy within the relationship and, as Dunphy admitted, "spared the anguish of watching Capote drink and take drugs".
Capote was well known for his distinctive, high-pitched voice and odd vocal mannerisms, his offbeat manner of dress, and his fabrications. He often claimed to know intimately people whom he had in fact never met, such as Greta Garbo. He professed to have had numerous liaisons with men thought to be heterosexual, including, he claimed, Errol Flynn. He traveled in an eclectic array of social circles, hobnobbing with authors, critics, business tycoons, philanthropists, Hollywood and theatrical celebrities, royalty, and members of high society, both in the U.S. and abroad. Part of his public persona was a longstanding rivalry with writer Gore Vidal. Their rivalry prompted Tennessee Williams to complain: "You would think they were running neck-and-neck for some fabulous gold prize." Apart from his favorite authors, Capote had faint praise for other writers. However, one who did receive his favorable endorsement was journalist Lacey Fosburgh, author of . He also claimed an admiration for Andy Warhol's The Philosophy of Andy Warhol: From A to B & Back Again.
Although Capote never fully embraced the gay rights movement, his own openness about homosexuality and his encouragement for openness in others makes him an important player in the realm of gay rights. In his piece "Capote and the Trillings: Homophobia and Literary Culture at Midcentury," Jeff Solomon details an encounter between Capote and Lionel and Diana Trilling – two New York intellectuals and literary critics – in which Capote questioned the motives of Lionel, who had recently published a book on E.M. Forster but had ignored the author's homosexuality. Solomon argues:

Years following ''In Cold Blood''

Now more sought after than ever, Capote wrote occasional brief articles for magazines, and also entrenched himself more deeply in the world of the jet set. Gore Vidal once observed, "Truman Capote has tried, with some success, to get into a world that I have tried, with some success, to get out of."
In the late 1960s, he became friendly with Lee Radziwill, the sister of Jacqueline Kennedy Onassis. Radziwill was an aspiring actress and had been panned for her performance in a production of The Philadelphia Story in Chicago. Capote was commissioned to write the teleplay for a 1967 television production starring Radziwill: an adaptation of the classic Otto Preminger film Laura. The adaptation, and Radziwill's performance in particular, received indifferent reviews and poor ratings; arguably, it was Capote's first major professional setback. Radziwill supplanted the older Babe Paley as his primary female companion in public throughout the better part of the 1970s.
On November 28, 1966, in honor of The Washington Post publisher Katharine Graham, Capote hosted a now legendary masked ball, called the Black and White Ball, in the Grand Ballroom of New York City's Plaza Hotel. It was considered the social event of not only that season but of many to follow, with The New York Times and other publications giving it considerable coverage. Capote dangled the prized invitations for months, snubbing early supporters like fellow Southern writer Carson McCullers as he determined who was "in" and who was "out".
Despite the assertion earlier in life that one "lost an IQ point for every year spent on the West Coast", he purchased a home in Palm Springs and began to indulge in a more aimless lifestyle and heavy drinking. This resulted in bitter quarreling with Dunphy, with whom he had shared a nonexclusive relationship since the 1950s. Their partnership changed form and continued as a nonsexual one, and they were separated during much of the 1970s.
Capote never finished another novel after In Cold Blood. The dearth of new prose and other failures, including a rejected screenplay for Paramount Pictures's 1974 adaptation of The Great Gatsby, were counteracted by Capote's frequenting of the talk show circuit. In 1972, Capote accompanied The Rolling Stones on their first American tour since 1969 as a correspondent for Rolling Stone. He ultimately refused to write the article, so the magazine recouped its interests by publishing, in April 1973, an interview of the author conducted by Andy Warhol. A collection of previously published essays and reportage, The Dogs Bark: Public People and Private Places, appeared later that year.
In July 1973, Capote met John O'Shea, the middle-aged vice president of a Marine Midland Bank branch on Long Island, while visiting a New York bathhouse. The married father of three did not identify as homosexual or bisexual, perceiving his visits as being a "kind of masturbation". However, O'Shea found Capote's fortune alluring and harbored aspirations to become a professional writer. After consummating their relationship in Palm Springs, the two engaged in an ongoing war of jealousy and manipulation for the remainder of the decade. Longtime friends were appalled when O'Shea, who was officially employed as Capote's manager, attempted to take total control of the author's literary and business interests.

''Answered Prayers''

Through his jet set social life Capote had been gathering observations for a tell-all novel, Answered Prayers. The book, which had been in the planning stages since 1958, was intended to be the American equivalent of Marcel Proust's In Search of Lost Time and a culmination of the "nonfiction novel" format. Initially scheduled for publication in 1968, the novel was eventually delayed, at Capote's insistence, to 1972. Because of the delay, he was forced to return money received for the film rights to 20th Century Fox. Capote spoke about the novel in interviews, but continued to postpone the delivery date.
Capote permitted Esquire to publish four chapters of the unfinished novel in 1975 and 1976. The first to appear, "Mojave", ran as a self-contained short story and was favorably received, but the second, "La Côte Basque 1965", based in part on the dysfunctional personal lives of Capote's friends William S. Paley and Babe Paley, generated controversy. Although the issue featuring "La Côte Basque" sold out immediately upon publication, its much-discussed betrayal of confidences alienated Capote from his established base of middle-aged, wealthy female friends, who feared the intimate and often sordid details of their ostensibly glamorous lives would be exposed to the public. Another two chapters - "Unspoiled Monsters" and "Kate McCloud" - appeared subsequently. The essays were intended to form the long opening section of the novel, they displayed a marked shift in narrative voice, introduced a more elaborate plot structure, and together formed a novella-length mosaic of fictionalized memoir and gossip. "Unspoiled Monsters", which by itself was almost as long as Breakfast at Tiffany's, contained a thinly veiled satire of Tennessee Williams, whose friendship with Capote had become strained.

"La Côte Basque 1965"

"La Côte Basque 1965" was published as an individual chapter in Esquire magazine in November 1975. The catty beginning to his still-unfinished novel, Answered Prayers, marks the catalyst of the social suicide of Truman Capote. Many of Capote's female friends, whom he nicknamed his "swans", were featured in the text, some under pseudonyms and others by their real names. The chapter is said to have revealed the dirty secrets of these women, and therefore aired the "dirty laundry" of New York City's elite. The fallout from "La Côte Basque 1965" saw Truman Capote ostracized from New York society, and from many of his former friends.
The chapter from Answered Prayers, "La Côte Basque" begins with Jonesy, the main character said to be based on a mixture of Truman Capote himself and the serial killer victim Herbert Clutter, meets up with a Lady Ina Coolbirth on a New York City street. This woman, who is described as "an American married to a British chemicals tycoon and a lot of woman in every way", is widely rumoured to be based on New York socialite Slim Keith. Lady Ina Coolbirth invites Jonesy to lunch at La Côte Basque. A gossipy tale of New York's elite ensues.
The characters of Gloria Vanderbilt and Carol Matthau are encountered first, the two women gossiping about Princess Margaret, Prince Charles and the rest of the British royal family. An awkward moment then occurs when Gloria Vanderbilt has a run-in with her first husband and fails to recognize him. It is only at Mrs. Matthau's reminder that Gloria realizes who he is. Both women brush the incident aside and chalk it up to ancient history.
The characters of Lee Radziwill and Jacqueline Kennedy Onassis are then encountered when they walk into the restaurant together. Sisters, they draw the attention of the room although they speak only to each other. Lady Coolbirth takes the liberty of describing Lee as "marvelously made, like a Tanagra figurine" and Jacqueline as "photogenic" yet "unrefined, exaggerated".
The character of Ann Hopkins is then introduced when she surreptitiously walks into the restaurant and sits down with a pastor. Ann Hopkins is likened to Ann Woodward. Ina Coolbirth relates the story of how Mrs. Hopkins ended up murdering her husband. When he threatened to divorce her, she began cultivating a rumour that a burglar was harassing their neighbourhood. The official police report says that while she and her husband were sleeping in separate bedrooms, Mrs. Hopkins heard someone enter her bedroom. In her panic, she grabbed her gun and shot the intruder; unbeknownst to her the intruder was in fact her husband, David Hopkins. Ina Coolbirth suggests however, that Mr. Hopkins was in fact shot in the shower; such is the wealth and power of the Hopkins' family that any charges or whispers of murder simply floated away at the inquest. It is rumoured that Ann Woodward was warned prematurely of the publication and content of Capote's "La Côte Basque", and proceeded to kill herself with an overdose of sleeping pills as a result.
An incident regarding the character of Sidney Dillon is then discussed between Jonesy and Mrs. Coolbirth. Sidney Dillon is said to have told Ina Coolbirth this story because they have a history as former lovers. One evening while Cleo Dillon was out of the city, in Boston, Sidney Dillon attended an event by himself at which he was seated next to the wife of a prominent New York Governor. The two began to flirt and eventually went home together. While Ina suggests that Sidney Dillon loves his wife, it is his inexhaustible need for acceptance by haute New York society that motivates him to be unfaithful. Sidney Dillon and the woman sleep together, and afterwards Mr. Dillon discovers a very large blood stain on the sheets, which represents her mockery of him. Mr. Dillon then spends the rest of the night and early morning washing the sheet by hand, with scalding water in an attempt to conceal his unfaithfulness from his wife who is due to arrive home the same morning. In the end, Dillon falls asleep on a damp sheet and wakes up to a note from his wife telling him she had arrived while he was sleeping, did not want to wake him, and that she would see him at home.
The aftermath of the publication of "La Côte Basque" is said to have pushed Truman Capote to new levels of drug abuse and alcoholism, mainly because he claimed to have not anticipated the backlash it would cause in his personal life.

Last years

In the late 1970s, Capote was in and out of drug rehabilitation clinics, and news of his various breakdowns frequently reached the public. In 1978, talk show host Stanley Siegel did an on-air interview with Capote, who, in an extraordinarily intoxicated state, confessed that he had been awake for 48 hours and when questioned by Siegel, "What's going to happen unless you lick this problem of drugs and alcohol?", Capote responded: "The obvious answer is that eventually, I mean, I'll kill myself ... without meaning to." The live broadcast made national headlines. One year later, when he felt betrayed by Lee Radziwill in a feud with perpetual nemesis Gore Vidal, Capote arranged a return visit to Stanley Siegel's show, this time to deliver a bizarrely comic performance revealing an incident wherein Vidal was thrown out of the Kennedy White House due to intoxication. Capote also went into salacious details regarding the personal life of Lee Radziwill and her sister, Jacqueline Kennedy Onassis.
Andy Warhol, who had looked up to the writer as a mentor in his early days in New York and often partied with Capote at Studio 54, agreed to paint Capote's portrait as "a personal gift" in exchange for Capote's contributing short pieces to Warhol's Interview magazine every month for a year in the form of a column, Conversations with Capote. Initially the pieces were to consist of tape-recorded conversations, but soon Capote eschewed the tape recorder in favor of semi-fictionalized "conversational portraits". These pieces formed the basis for the bestselling Music for Chameleons. Capote underwent a facelift, lost weight and experimented with hair transplants. Despite this, Capote was unable to overcome his reliance upon drugs and liquor and had grown bored with New York by the beginning of the 1980s.
After the revocation of his driver's license and a hallucinatory seizure in 1980 that required hospitalization, Capote became fairly reclusive. These hallucinations continued unabated and medical scans eventually revealed that his brain mass had perceptibly shrunk. On the rare occasions when he was lucid, he continued to promote Answered Prayers as being nearly complete and was reportedly planning a reprise of the Black and White Ball to be held either in Los Angeles or a more exotic locale in South America. On a few occasions, he was still able to write. In 1982, a new short story, "One Christmas," appeared in the December issue of Ladies' Home Journal; the following year it became, like its predecessors A Christmas Memory and The Thanksgiving Visitor, a holiday gift book. In 1983, "Remembering Tennessee," an essay in tribute to Tennessee Williams, who had died in February of that year, appeared in Playboy magazine.

Death

Capote died in Bel Air, Los Angeles, on August 25, 1984, a month before his 60th birthday. According to the coroner's report, the cause of death was "liver disease complicated by phlebitis and multiple drug intoxication". He died at the home of his old friend Joanne Carson, ex-wife of late-night TV host Johnny Carson, on whose program Capote had been a frequent guest. Gore Vidal responded to news of Capote's death by calling it "a wise career move".
Capote was cremated and his remains were reportedly divided between Carson and Jack Dunphy.
Carson said she kept the ashes in an urn in the room where he died. Those ashes were reported stolen during a Halloween party in 1988 along with $200,000 in jewels but were then returned six days later, having been found in a coiled-up garden hose on the back steps of Carson's Bel Air home. The ashes were reportedly stolen again when brought to a production of Tru but the thief was caught before leaving the theatre. Carson bought a crypt at Westwood Village Memorial Park Cemetery in Los Angeles. In 2013 the producers offered to fly Carson and the ashes to New York for a Broadway production of Breakfast at Tiffany's. Carson declined the offer. Dunphy died in 1992, and in 1994, both his and Capote's ashes were reportedly scattered at Crooked Pond, between Bridgehampton, New York, and Sag Harbor, New York on Long Island, close to Sagaponack, New York, where the two had maintained a property with individual houses for many years. Crooked Pond was chosen because money from the estate of Dunphy and Capote was donated to the Nature Conservancy, which in turn used it to buy 20 acres around Crooked Pond in an area called "Long Pond Greenbelt". A stone marker indicates the spot where their mingled ashes were thrown into the pond. In 2016, some of Capote's ashes previously owned by Joanne Carson were auctioned by Julien's Auctions.
Capote also maintained the property in Palm Springs, a condominium in Switzerland that was mostly occupied by Dunphy seasonally, and a primary residence at 860 United Nations Plaza in New York City. Capote's will provided that after Dunphy's death, a literary trust would be established, sustained by revenues from Capote's works, to fund various literary prizes, fellowships and scholarships, including the Truman Capote Award for Literary Criticism in Memory of Newton Arvin, commemorating not only Capote but also his friend Newton Arvin, the Smith College professor and critic who lost his job after his homosexuality was revealed. As such, the Truman Capote Literary Trust was established in 1994, two years after Dunphy's death.

Permanent hometown exhibit

Capote's childhood is the focus of a permanent exhibit in Monroeville, Alabama's Old Courthouse Museum, covering his life in Monroeville with his Faulk cousins and how those early years are reflected in his writing. The exhibit brings together photos, letters and memorabilia to paint a portrait of Capote's early life in Monroeville. Jennings Faulk Carter donated the collection to the Museum in 2005. The collection comprises 12 handwritten letters from Capote to his favorite aunt, Mary Ida Carter. Many of the items in the collection belonged to his mother and Virginia Hurd Faulk, Carter's cousin with whom Capote lived as a child.
The exhibit features many references to Sook, but two items in particular are always favorites of visitors: Sook's "Coat of Many Colors" and Truman's baby blanket. Truman's first cousin recalls that as children, he and Truman never had trouble finding Sook in the darkened house on South Alabama Avenue because they simply looked for the bright colors of her coat. Truman's baby blanket is a "granny square" blanket Sook made for him. The blanket became one of Truman's most cherished possessions, and friends say he was seldom without it – even when traveling. In fact, he took the blanket with him when he flew from New York to Los Angeles to be with Joanne Carson on August 23, 1984. According to Joanne Carson, when he died at her home on August 25, his last words were, "It's me, it's Buddy," followed by, "I'm cold." Buddy was Sook's name for him.

Capote on film

One of the things the movie does best is transport you back in time and into nature. In the early scenes as Joel leaves his aunt's home to travel across the South by rickety bus and horse and carriage, you feel the strangeness, wonder and anxiety of a child abandoning everything that's familiar to go to a place so remote he has to ask directions along the way. The landscape over which he travels is so rich and fertile that you can almost smell the earth and sky. Later on, when Joel tussles with Idabell, a tomboyish neighbor who becomes his best friend, the movie has a special force and clarity in its evocation of the physical immediacy of being a child playing outdoors.