The pyramid portion of the building is 62m high and sits on a earth-covered block. All of this construction is above ground level. Though the landscaping of the park rises up to cover the lower levels, these are not in fact basements. The structure is made up of five "stories" of triangles, each of which is 12 m per side. The lower portions, three "stories" of triangles, are clad in pale granite. The upper two rows of triangles, four triangles per side, are clad in 9700 square feet of stained glass, an artwork by architectural artist Brian Clarke which forms the glazed apex, and incorporates ceramic glaze screen-printed imagery of doves in flight, as do the twenty eight diamond-shaped stained glass windows on the four sides of the lower level of the building, which total 1076 square feet. Construction is of steel frame for the pyramid and concrete for the lower levels. The engineers had to design the building to withstand expansion and contraction due to temperature variations of over 80 °C, from -40 to over 40 °C - leading to an expansion of the building of up to 30 cm. Due to the extreme climate of the city, the engineers locked down one corner of the pyramid, and placed the three other corner on bridge bearings, a common technique for building bridges, but used in a building for the first time. The Pyramid contains accommodations for different religions: Judaism, Islam, Christianity, Buddhism, Hinduism, Daoism and other faiths. It also houses a 1,300-seat opera house, a national museum of culture, a new "university of civilization", a library and a research center for Kazakhstan's ethnic and geographical groups. This diversity is unified within the pure form of a pyramid, 62 m high with a 62x62m base. The building is conceived as a global center for religious understanding, the renunciation of violence and the promotion of faith and human equality. The Pyramid of Peace expresses the spirit of Kazakhstan, where cultures, traditions and representatives of various nationalities coexist in peace, harmony and accord. Bathed in the golden and pale blue glow of the stained glass, 200 delegates from the world's main religions and faiths will meet every three years in a circular chamber based on the United Nations Security Councilmeeting room in New York. The building was designed by the British architects Foster and Partners. Turkish architectural firmTabanlıoğlu Architects undertook construction information packages for the Foster design and engineers Buro Happold undertook lead structural and services design. The Foster team was led by architects Nigel Dancey, Peter Ridley and Lee Hallman. Sembol Construction undertook a Design and Build contract, and were ultimately responsible for the final details and finishes, some of which varied considerably from the Foster and Tabanlıoğlu intent. Auditorium and performance equipment design was by Anne Minors Performance Consultants and acoustics by Sound Space Design.
