During his tenure as principal, he was recommended to Rabbi Meir Zlotowitz, director of a high-end graphics studio in New York named ArtScroll Studios, as someone who could write copy, and they collaborated on a few projects of brochures and journals. In late 1975, Zlotowitz wrote an English translation and commentary on the Book of Esther in memory of a friend, and asked Scherman to write the introduction. The book sold out its first edition of 20,000 copies within two months. With the encouragement of Rabbi Moses Feinstein, Rabbi Yaakov Kamenetsky, and other Gedolei Yisrael, the two continued producing commentaries, beginning with a translation and commentary on the rest of the Five Megillot, and went on to publish translations and commentaries on the Torah, Prophets, Talmud, Passover Haggadah, siddurs and machzors. In its first 25 years, ArtScroll produced more than 700 books, including novels, history books, children's books and secular textbooks, and is now one of the largest publishers of Jewish books in the United States.
Selected bibliography
Zlotowitz and Scherman are the general editors of ArtScroll's Talmud, Stone Chumash, Tanakh, Siddur, and Machzor series. They co-authored Megillas Esther: Illustrated Youth Edition, a pocket-size Mincha/Maariv prayerbook, and Selichos: First Night. They have also produced a host of titles on which Scherman is author and Zlotowitz is editor. Scherman contributed translations and commentaries for ArtScroll's StoneChumash, the ArtScroll Siddurim and Machzorim, and the Stone Tanakh. He served as general editor of the 73-volume translation Schottenstein edition of the Talmud from 1990 until 2005. Scherman attributes his strong English language skills to the stronger general-studies departments that yeshivas had when he was a student, and his correspondence with two out-of-town high school classmates, Mendel Weinbach and Nisson Wolpin. He has said: "During the summers we used to write letters. Does anyone correspond today? We wrote to each other - that helped. We tried to outdo each other; we were big-shot teenagers. The only way to learn how to write is to write." He was also among the contributors to The Jewish Observer. He was the editor, beginning in 1970, of Olomeinu and editor/co-author of some Best of olomeinu reprints.