Mad Max (2015 video game)
Mad Max is an action-adventure video game based on the Mad Max franchise. Developed by Avalanche Studios and published by Warner Bros. Interactive Entertainment, it was released for Microsoft Windows, PlayStation 4, and Xbox One in 2015. Feral Interactive published the game's macOS and Linux versions. In the game, players control Max Rockatansky as he progresses through the wasteland building a vehicle, the "Magnum Opus", to do battle with a gang of raiders, led by Scabrous Scrotus, and to reach the storied "Plains of Silence", where he hopes to find peace. Mad Max emphasizes vehicular combat, in which players can use weapon and armor upgrades on their car to fight enemies. It is set in an open post-apocalyptic wasteland consisting of deserts, canyons, and caves.
Two other Mad Max games, developed by Cory Barlog and Interplay Entertainment respectively, were in production before the announcement of this game, but neither of them were successfully released. Although Mad Max is not based on the film series, it was inspired by its universe, and franchise creator George Miller was consulted during the game's pre-production. Avalanche Studios found developing a vehicular-combat video game a challenge because of their inexperience with creating that type of game. Announced at the 2013 Electronic Entertainment Expo, the game was re-tooled during development and the PlayStation 3 and Xbox 360 versions were canceled.
Originally planned for release in 2014, it was released in September the following year, several months after the theatrical release of , the fourth film in the series. Mad Max received overall mixed reviews from critics. Although the game's environment, direction, vehicular combat, and graphics were praised, its quest design and story were criticized. The game became the eighth best-selling retail game in the United States in September 2015.
Gameplay
Mad Max is an action-adventure game set in an open world post-apocalyptic environment, emphasizing vehicular combat, in which the player is the eponymous Mad Max. According to its publisher, up to 60 percent of the game focuses on driving. Some weapons and tools, including flamethrowers and turbo boosts, are mounted directly onto the Magnum Opus, while others, such as a grappling hook and sniper rifle, are used in conjunction with the vehicle by Chumbucket, Max's assistant, or Max himself. Max's Magnum Opus, with its V8 engine and powerful ramming ability, can destroy enemies' vehicles and weaponry. When simultaneously driving and aiming, the game changes to slow motion to allow the player to toggle between targets. Although Mad Max primarily uses a third-person perspective, the player can switch to first-person view when fighting enemies while driving the Magnum Opus. Chumbucket repairs the car when instructed to do so or when the player exits.To encourage exploration, the Magnum Opus can be upgraded with materials scavenged from the desert, by hijacking enemies' cars or collecting their car parts. An enemy can jump on top of the Magnum Opus to make it explode, but the player can avoid that by surrounding the car with hazards such as spikes. The player can access the garage screen throughout the game, allowing them to customize the Magnum Opus. Max's garage can change and modify the car's engine, chassis, wheels, body work, paint job, and its "shell". Upgrading one aspect of the car will negatively affect other aspects; upgrading the engine will allow Max to drive faster, but handling will be more difficult. The sound produced by the engine changes when the player changes, adds, or remove parts of the Magnum Opus. Max, his armor, and weapons are customisable; the player can unlock new skills and upgrades for him as he progresses through the game and earns experience points. Max is also customisable, with his clothing, appearance, fighting skills, and weapons being modifiable. Griffa, a wasteland wanderer, also offers Max tokens which can be used to upgrade his abilities.
Although the game has many choices, it emphasizes action over stealth. Mad Max features a variety of weapons, including Max's iconic shotgun, but ammunition is scarce and the game emphasizes melee combat over firearms. One weapon is the explosive Thunderstick, which can be lanced into an enemy's chest. The game has a free-flow combat system combining professional wrestling attacks and boxing techniques, similar to Warner Bros.' previous video-game series. Attacks by Max during his "frenzied" state are more powerful than usual.
Mad Maxs landscape consists of canyons, caves, deserts, and abandoned wastelands. The game's world is divided into several regions, with each having its own backstory and landscape. Unique landmarks and ruins can be discovered in each region. Side activities such as races, time trials, invading enemy fortresses, and eliminating enemy convoys can be found in each region. A region's threat level is lowered by completing these activities, facilitating its navigation. Each region has a boss, who can be found and defeated in their base. Some of the game's strongholds are friendly, and eliminating hostile strongholds gives Max additional quests and rewards. These strongholds can be upgraded, offering Max different benefits such as helping Max to collect scraps when the game is turned off, or restoring Max's health and shotgun ammo upon visits. Max can ascend in a hot-air balloon to look for new objectives and locations. After seeing the objectives through binoculars, they are highlighted on the map. Max can be guided by Chumbucket in strategically completing his objectives. Max is accompanied by a dog companion called Dinki-Di, who can help players detect land mines. Max has limited climbing abilities, and objects that he can climb are highlighted in yellow.
Most resources in the game are scarce except for gasoline, which is needed for driving. The player can collect one jerrycan at a time, storing it in the back of the Magnum Opus, and can find collectibles throughout the game. The relics are primarily photos and notes of the wasteland before the apocalypse. Food and water are vital to Max's survival; the player can collect them in the wasteland and use them to replenish their health. Max can also eat small animals, such as rodents, and maggots from decomposing corpses, to replenish his health, and areas where he can find food and supplies have crows flying around them. The player can venture into the Big Nothing, an uncharted, volatile area of the wasteland with dangerous sandstorms and no food or water in which rare parts for the Magnum Opus can be found. According to Avalanche, due to the "Big Nothing", the game's map is infinite. A dynamic day-night cycle, a weather system and a variety of environmental hazards are included in the game, whose terrain is affected by weather and natural disasters.
Plot
In search of fuel, highway patrol officer-turned-survivalist Max Rockatansky journeys to the Plains of Silence in his Interceptor. His voyage takes an unexpected turn when he runs into a group of War Boys led by Scabrous Scrotus, psychotic son of Immortan Joe and ruler of Gastown. The War Boys attack Max as he scavenges fuel, beating him and stealing his clothes, supplies, weapons, and car, leaving him to die in the desert. Max revives and catches them, and fights Scrotus on the Land Mover. Scrotus sics his dog on Max but it fails, so Scrotus kicks it off and attacks Max with a chainsaw. Max disarms Scrotus and drives the chainsaw into his head, but Scrotus throws Max off the Land Mover.Max encounters and befriends Scrotus' dog, now wounded, and obtains a makeshift shotgun and clothes from a dead Wastelander. The dog wanders into a trap, and Max rescues it from being eaten by an overzealous, hunchbacked mechanic named Chumbucket who calls him the Driver. Chumbucket leads Max to a War Boys camp owned by Scrotus where Max sees his car being dismantled. Chumbucket tells Max that he is building a car, the Magnum Opus, which has a few missing parts; Max agrees to search for them. They return to Chumbucket's home, a large ship, and start building the Magnum Opus, but are chased out when Stank Gum—one of Scrotus' Top Dogs—destroys the ship with explosives. In exchange for supplies and a workshop, Max helps liberate surrounding territories from Scrotus' War Boys. The leaders of the territories are Jeet, whose stronghold is an old lighthouse, and Gut Gash, whose followers believe that they will be protected from a flood in the remains of an oil tanker. He meets the slave concubine Hope and her daughter Glory, imprisoned in Gut Gash's stronghold. Max learns he must penetrate the Jaw, a massive gate protected by War Boys, and has the Magnum Opus outfitted with the Thunderpoon. After blowing off the hinges and tearing down the Jaw, Max and Chumbucket save Pink Eye, a woman whose mechanical skill rivals Chumbucket's, from an invasion led by Stank Gum on her silo base.
While searching for a V8 engine for the Magnum Opus, Max learns about a race in Gastown with a Big Chief V8 as a prize. After winning the race against Stank Gum and defeating the fighter Tenderloin in a Thunderdome duel, Max receives the engine and the concubine Hope. His victory is short-lived; Scrotus delivers the prize, then recognizes Max and attacks him. Max gets the upper hand, but is shot with a crossbow and thrown down a shaft. He is saved by Hope, who takes him to the Organic Mechanic. He is given a blood transfusion from Scab, also known as the Bloodbag. While Max is undergoing surgery, he hallucinates marrying Hope in a ceremony officiated by Chumbucket and a man with a dog's head. He also sees his dead wife, who tells him he is still needed. When Max wakes up, he and Hope steal the Big Chief, then escape to the temple of Deep Friah, a fire cultist.
At the temple, Hope asks Max to find Glory, who had escaped and fled to Buzzard territory. He eventually agrees, and travels to the Underdune, an airport submerged under sand. After Max rescues Glory from the Buzzards, he returns to the temple to discover that Chumbucket, frustrated by Max's insistence on crossing the Plains of Silence, has taken the Magnum Opus back to his destroyed home in the south. Max follows him in one of Deep Friah's cars, but discovers that Scrotus and Stank Gum had already arrived and tortured Chumbucket, who revealed Hope and Glory's location and their ties to Max. Max kills Stank Gum, then rushes back to the temple to find Hope dead and Glory dying. Glory dies in his arms, and Max swears vengeance against Scrotus.
Max returns to Gastown and learns Scrotus' location from Scab. Max and Chumbucket pursue Scrotus through the Purgatory Flatlands, an area far away from the Great White, and use the Magnum Opus to disable the Land Mover, which is pushed to the edge of a cliff. Max intends to crash into the Mover and push it off a cliff with the Magnum Opus, but is opposed by Chumbucket, who does not want the Magnum Opus destroyed. Ignoring Chumbucket, Max rams the Mover at full speed. He jumps from the car at the last moment, but Chumbucket remains on board and dies, and the Land Mover and Magnum Opus are destroyed. As the two vehicles go over the cliff, Scrotus bursts out of the wreckage in the Interceptor, Max's car from the start of the game. Max fights Scrotus, ultimately pulling the chainsaw blade out of Scrotus' head, killing him. Max enters the Interceptor, placing a picture of his family on the dashboard before he leaves for parts unknown.
Development
A video game set in the Mad Max universe was mentioned by franchise creator George Miller in a 2008 interview. Miller joined God of War II director Cory Barlog to develop the game after Barlog left Sony Computer Entertainment. The project was originally intended as a tie-in with a Mad Max animated film which would be released simultaneously. The film's production was suspended to allow adequate production time for the game. After Barlog announced in 2008 that a publisher for the game was being sought, no further information about the project was forthcoming. In 2010, Barlog was a consultant for Avalanche Studios, leaving in 2012 for Crystal Dynamics. A Fury Road tie-in video game was in development by Interplay Entertainment, but was scrapped when Electronic Arts acquired the franchise's video-game rights for $20 million.On 14 February 2013, a blurry screenshot of the game was released by Avalanche Studios founder and CEO Christofer Sundberg. The game was announced at Electronic Entertainment Expo 2013 on 10 June at Sony's press conference, with a scheduled 2014 release for Microsoft Windows, PlayStation 3, PlayStation 4, Xbox 360, and Xbox One. Although Sundberg said during the expo that Miller and Barlog's project was not the Mad Max game announced by Avalanche, he later said that Barlog had worked on a Mad Max game at Avalanche. Despite the unclear relationship between the projects, according to the game's design director, Miller had collaborated with Avalanche during the game's pre-production in mid-2011. Despite having Miller to offer input, Warner Bros. inclined to give lots of creative freedom to Avalanche. Full production of the game began before May 2012.
In April 2014, Avalanche announced that Mad Max would be delayed until the following year, making it one of the titles released during Avalanche's "biggest year since inception". The game was retooled during development. Despite its release that year, the game is not directly connected to 2015's and was not intended to be a tie-in; its setting and story are original. This decision was made because the game's publisher, Warner Bros. Interactive Entertainment, believed that a standalone game was more beneficial to players than a "play-the-movie game" after the success of its Batman: Arkham series. Locations which have appeared in the films, such as Gas Town and Thunderdome, are featured in the game. Unlike previous Avalanche games, such as Just Cause 2, the game's tone is more mature and its narrative is emphasized.
Similar to the films, Max seldom speaks or expresses emotion; his thoughts are reflected by his actions. The team aimed at developing a complex character and personality for him. According to the game's director, Max is traumatized by past experiences ; this makes him "insane", "unstable", and "mad". These qualities are reflected in the game's "rage" mode, in which Max inflicts additional damage on enemies. Chumbucket, Max's mechanic and companion, is obsessed with the Magnum Opus; according to the game's lead writer, he "has a pseudo-religious/sexual relationship with engines". Scabrous Scrotus, the game's main antagonist, is a warlord designed as a "bloodthirsty monster that only can find solace from his own pain through the suffering of others". Enemies' faces are painted and scarred; according to game director Frank Rooke, their appearance "is kind of the approach of how this civilization merged into this kind of state".
Lead designer Emil Krafting said that gameplay was the top priority during development. Like the Just Cause series, Mad Maxs developer aimed to give players autonomy by providing tools to create their own events. The studios intended to build a dynamic world, creating "a seamless series of events". The game was inspired by the atmosphere of the Mad Max universe, rather than a particular film in the series. According to Avalanche, they did not plan to be influenced by other post-apocalyptic video games such as Fallout, Rage, and Borderlands since most of those games were inspired by the original Mad Max. The company said that the game's vehicular combat posed a challenge because of their inexperience with that type of game. The car customization system was designed to increase the game's fun factor and give players more freedom.
The game's world was inspired by the Just Cause series, which features large sandboxes for players to explore. Avalanche Studios CEO Christofer Sundberg hoped that players would compare Mad Maxs desert setting to the western setting of Red Dead Redemption. The game world is scaled according to gameplay density and frequency; the development team emphasized creating a world with choices and distractions, rather than focusing on size. Designed as dead, threatening, and hostile, it is also exciting and engaging. One challenge faced by the developers was building a wasteland with a variety of environments, since Mad Max is Avalanche's first post-apocalyptic game. They spent most of their time designing ground and terrain variations to minimize repetition in the landscape. Since the game is set in a desert, the team used vibrant colors for the sky. Avalanche Studios sent a team to a Costa Rican jungle to inspect local landscapes and environments in preparation for creating the world of Mad Max, particularly its sky. Like the films, the game does not identify the apocalypse; its developers wanted to give "a sense of mystery" to the wasteland so players could imagine how the wasteland evolved. Garages allowing players to upgrade and repair their cars were originally intended to be featured in the game. The idea was later scrapped, since the studio thought the element "interfered with gameplay".
Mad Max is powered by Apex Engine, an in-house proprietary engine developed by Avalanche and also used in Just Cause 2. According to lead graphics designer Alvar Jansson, new graphical features were introduced to the engine during the development of Mad Max and it was designed and optimized for open-world games. The team also worked on improving the world's draw distance and ensuring that gameplay across the three major platforms have no significant difference.
Gaming journalists invited to preview a private gameplay demonstration at E3 2013 noted that Max had an American accent, rather than the Australian accent of the film series, and fans protested his new American voice; Avalanche Studios later confirmed that he would have an Australian accent. The game's setting is described as "wasteland creole", with elements of a number of civilizations, so its characters have a variety of accents.
Donal Gibson, the brother of the original Mad Max star Mel Gibson, expressed interest in taking the lead role in the video game adaptation.
Release
Mad Max was released on 1 September 2015 in North America and the United Kingdom, 2 September in Australia, 3 September in New Zealand and 4 September in Europe for Microsoft Windows, PlayStation 4, and Xbox One. It was announced on 3 May 2015 that the PlayStation 3 and Xbox 360 versions had been cancelled due to hardware restrictions, but a Linux port was announced. The game was released for Linux and macOS on 20 October 2016.Players who pre-ordered the game could receive the Ripper, an additional Magnum Opus design. The Ripper, a steelbook, collector's box, mini-license plate and Blu-ray copy of were included in the Post-Apocalypse Edition. PlayStation 4-version purchasers could access a Road Warrior Survival Kit, with twelve hood ornaments for the Magnum Opus, exclusively until 30 November 2015. To promote Mad Max, Warner Bros. Interactive Entertainment sponsored launch events. In Australia, the company invited artists to create artwork on their vehicles with dust. They joined Uber for a Seattle promotion in which Uber users could access a free ride "straight from the post-apocalypse". The offer was free, since "dollars are worthless in the wasteland".
Reception
Pre-release
Before release, Mad Max received positive reviews. Game Revolution called its gameplay "exhilarating, fast, violent, and fun" and said it would be the title that fans of the series would want to play. Hardcore Gamer thought the game could be "the biggest surprise of 2015" and praised its vehicle customization, which it compared to the ship customization of '. According to IGN, Mad Max was 2015's '. PC Gamer expressed concern that the game "is trying to be too many things at once" and some critics compared it negatively to the critically acclaimed film .Post-release
Mad Max received "mixed or average" reviews from critics, according to review aggregator Metacritic.Its story received a mixed response. Brandin Tyrrel of IGN found the story surprising and genuine, despite most of the action occurring later in the game. Tyrrel wrote that the characters have different personalities and distinct qualities, and considered them the "true star" of the game. According to Chris Carter of Destructoid, the game's story engages the player. Leon Hurley of GamesRadar found the overall story weak and "barely exist for the majority of the game", but thought the game's climax was exciting. Matt Bertz of Game Informer also criticized the story, calling it thin and light, and called the voice actors' performances uneven.
Mad Maxs world design received generally positive reviews. According to Brandin Tyrrel, it captured the films' savage tone and the game's sandbox was a "gorgeous" setting for players to explore. GamesRadar's Leon Hurley praised the game's scale, which he compared to . Martin Robinson of Eurogamer compared its scale favorably to Avalanche's previous Just Cause game series, and opined that Avalanche had successfully combined the Mad Max universe with an open-world game design. Matt Bertz praised the game's inhospitable atmosphere, commending Avalanche for adding a variety of styles and a vibrant sky to an otherwise-boring sandbox. Daniel Bloodworth of GameTrailers echoed Bertz, calling each region unique and distinct. Bloodworth also praised Avalanche for its efforts in crafting the world. Peter Brown of GameSpot praised Mad Maxs natural disasters, writing that it set a new standard for in-game weather effects. Philip Kollar of Polygon criticized the game's layout, writing that every location in the game feels identical and its bland environments discourage exploration.
Tyrrel considered the vehicular combat one of the game's best elements, adding a layer of creativity. Brown praised the car action, calling it intense, complex, and unpredictable, but criticized the over-simplistic and shallow on-foot combat. Carter compared the game's vehicular controls to the best racing games, and commended its handling. He also praised the car mechanics, writing that it has offered players a cinematic experience. Tyrrel liked the additions to the game's combat, writing that they added depth to the combat. Hurley praised the game's progression system, which he found satisfying, and the balance between vehicular and on-foot combat. Bloodworth wrote that the melee combat used a "tried-and-true system" which worked well, despite awkward camera angles. Kollar criticized the boss fights, which he thought lacked variety.
Other gameplay aspects received mixed reviews. Tyrrel praised the customization system for Max and the Magnum Opus, since the customization impacts the gameplay and makes the overall experience more rewarding; Kollar echoed this. Brown criticized the game for failing to offer much challenge or a sense of accomplishment to players. He called the health system a redundant addition in which resources, such as water and food, play an insignificant role and can be neglected by players. Brown also criticized the scrap-collecting system, writing that it frustrated most players and slowed the game's pace. However, Robinson wrote that those elements reflect the barbarian nature of the wasteland. He praised its world design, describing it as "a world of twisted metal and sudden violence that's there to be survived rather than conquered". Bloodworth criticized the game's stronghold system, which he called repetitive. Brown criticized the game's lack of a climbing system, which hinders movement; this was echoed by Carter.
Mad Maxs quest design also received mixed reviews. Tyrrel praised the content and activities scattered across the world, calling the activities engaging for most players. However, he disliked the repetition which dragged down their replay value. Hurley found it easy for players to become confused in the game's early stages, since the objectives are unclear. Brown criticized the structure of several quests which force players to use a certain method, removing freedom and creativity. Chris Carter of Destructoid wrote that the game brought nothing new to the genre, and its quests and features were too similar to typical Ubisoft open-world design.
The game had some technical problems when it was released. Tyrrel noted an unstable frame rate and occasional texture pop-up, and Kollar identified audio problems.