Louisiana Story is a 78-minute black-and-white American film, directed by Robert J. Flaherty. Although the events and characters depicted are fictional and the film was commissioned by the Standard Oil Company to promote its drilling ventures in the Louisiana bayous, it is often misidentified as a documentary film when in fact it is a docufiction. Its script was written by Frances H. Flaherty and Robert J. Flaherty.
Plot
The film deals with the adventures of a young Cajun boy and his pet raccoon, who live a somewhat idyllic existence playing in the bayous of Louisiana. A sub-plot involves his elderly father's allowing an oil company to drill for oil in the inlet that runs behind their house. A completely assembled miniature oil rig on a slender barge is towed into the inlet from connecting narrow waterways. Although there is a moment of crisis when the rig strikes a gas pocket, most of this is dealt with swiftly and off-camera, and the barge, rig, and friendly drillers depart expeditiously, leaving behind a phenomenally clean environment and a wealthy Cajun family. Conflict and action for the plot is provided by the presence of a giant alligator in the area, which is believed to have eaten the pet raccoon and which is hunted in revenge. There is no individual or organized resistance to the incursion of the oil seekers, even after the disaster, who are unequivocally portrayed as friendly, progressive humanitarians. The boy, named in the film as Alexander Napoleon Ulysses Le Tour, but in the credits just identified as "the boy", was played by Joseph Boudreaux. The film was photographed by Richard Leacock and edited by Helen van Dongen, who were also the associate producers. Its original release was through independent film distributor Lopert Films.
Production
The film was shot on location in the Louisiana bayou country, using local residents for actors. However, none of the members of the Cajun family were related, and the film does not deal with Cajun culture, the reality of the hard lives of the Cajun people, or with the mechanics of drilling for oil. The story is completely fictional. In 1952, it was reissued by an exploitation film outfit with a new title, Cajun, on the bottom half of a double-bill with another film titled Watusi.