Docufiction
Docufiction, often confused with docudrama, is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre which attempts to capture reality such as it is and which simultaneously introduces unreal elements or fictional situations in narrative in order to strengthen the representation of reality using some kind of artistic expression.
More precisely, it is a documentary mixed with fictional elements, in real time, filmed when the events take place, and in which the main character or characters—often portrayed by non-professional or amateur actors—are essentially playing themselves, or slightly fictionalized versions of themselves, in a fictionalized scenario. In this sense, docufiction may overlap to an extent with some aspects of the mockumentary format, but the terms are not synonymous.
A film genre in expansion, it is adopted by a number of experimental filmmakers.
The neologism docufiction appeared at the beginning of the 21st century. It is now commonly used in several languages and widely accepted for classification by international film festivals.
Origins
The term involves a way of making films already practiced by such authors as Robert Flaherty, one of the fathers of documentary, and Jean Rouch, later in the 20th century.Being both fiction and documentary, docufiction is a hybrid genre, raising ethical problems concerning truth, since reality may be manipulated and confused with fiction.
in Paroles, a film by Ricardo Costa
In the domain of visual anthropology, the innovating role of Jean Rouch allows one to consider him as the father of a subgenre called ethnofiction. This term means: ethnographic documentary film with natives who play fictional roles. Making them play a role about themselves will help portray reality, which will be reinforced with imagery. A non-ethnographic documentary with fictional elements uses the same method and, for the same reasons, may be called docufiction.
Docudrama and mockumentary
In contrast, docudrama is usually a fictional and dramatized recreation of factual events in form of a documentary, at a time subsequent to the "real" events it portrays. A docudrama is often confused with docufiction when drama is considered interchangeable with fiction. However, "docudrama" refers specifically to telefilms or other television media recreations that dramatize certain events often with actors.A mockumentary is also a film or television show in which fictitious events are presented in documentary format, sometimes a recreation of factual events after they took place or a comment on current events, typically satirical, comedic or even dramatic. Whereas mockumentaries are usually fully scripted comedies or dramas that merely adopt some aspects of documentary format as a framing device, docufictions are usually not scripted, instead placing the participants in a fictionalized scenario while portraying their own genuine reactions and their own improvisational dialogue and character development.
First docufictions by country
- 1926: United States – Moana Robert Flaherty
- 1930: Portugal – Maria do Mar by Leitão de Barros
- 1932: France – L'or des mers by Jean Epstein
- 1948: Italy – La Terra Trema by Luchino Visconti
- 1952: Japan – Children of Hiroshima by Kaneto Shindo
- 1963: Canada – Pour la suite du monde by Pierre Perrault and Michel Brault
- 1981: Morocco – Trances by Ahmed El Maânouni
- 1988: Guiné-Bissau – Mortu Nega by Flora Gomes
- 1990: Iran – Close-up by Abbas Kiarostami
- 1991: Finland – Zombie and the Ghost Train by Mika Kaurismäki
- 2002: Brazil – City of God by Fernando Meirelles and Kátia Lund
- 2005: Iraq – Underexposure by Oday Rasheed
Other notable examples
- 1931: Tabu by Robert Flaherty and F.W. Murnau
- 1934: Man of Aran by Robert Flaherty
- 1942: Ala-Arriba! by Leitão de Barros
- 1948: Louisiana Story by Robert Flaherty
- 1956: On the Bowery by Lionel Rogosin
- 1958: Walt Disney's White Wilderness by James Algar
- 1958: Moi, un noir by Jean Rouch
- 1958/59 Indie Matra Bhumi by Roberto Rossellini, released 2007
- 1959: Come Back, Africa by Lionel Rogosin
- 1961: La pyramide humaine by Jean Rouch
- 1962: Rite of Spring by Manoel de Oliveira
- 1964: Belarmino by Fernando Lopes
- 1967: David Holzman's Diary by Jim McBride
- 1970: The Clowns by Federico Fellini
- 1973: Trevico-Torino by Ettore Scola
- 1974: Orderers, by Michel Brault
- 1974: Montreal Main, by Frank Vitale
- 1976: People from Praia da Vieira by António Campos
- 1976: Trás-os-Montes
- 1982: Ana by António Reis and Margarida Cordeiro
- 1982: After the Axe, by Sturla Gunnarsson
- 1984: The Masculine Mystique by Giles Walker and John N. Smith
- 1985: 90 Days by Giles Walker
- 1986: Sitting in Limbo by John N. Smith
- 1987: The Last Straw by Giles Walker
- 1987: Train of Dreams by John N. Smith
- 1989: Welcome to Canada by John N. Smith
- 1990: The Company of Strangers by Cynthia Scott
- 1991: Life, and Nothing More by Abbas Kiarostami
- 2000: In Vanda's Room by Pedro Costa
- 2002: Ten by Abbas Kiarostami
- 2006: Colossal Youth by Pedro Costa
- 2007: Criminals Gone Wild by Ousala Aleem
- 2008: Our Beloved Month of August by Miguel Gomes
- 2009: Carcasses by Denis Côté
- 2009: The Mouth of the Wolf by Pietro Marcello
- 2013: Closed Curtain by Jafar Panahi and Kambuzia Partovi
- 2015: Taxi by Jafar Panahi
- 2016: Tuktuq by Robin Aubert
- 2018: Mad Dog Labine'' by Jonathan Beaulieu-Cyr