List of National Treasures of Japan (shrines)
The number of Shinto shrines in Japan today has been estimated at more than 150,000. Single structure shrines are the most common. Shrine buildings might also include oratories, purification halls, offering halls called heiden, dance halls, stone or metal lanterns, fences or walls, torii and other structures. The term "National Treasure" has been used in Japan to denote cultural properties since 1897.
The definition and the criteria have changed since the inception of the term. The shrine structures in this list were designated national treasures when the Law for the Protection of Cultural Properties was implemented on June 9, 1951. As such they are eligible for government grants for repairs, maintenance and the installation of fire-prevention facilities and other disaster prevention systems. Owners are required to announce any changes to the National Treasures such as damage or loss and need to obtain a permit for transfer of ownership or intended repairs. The items are selected by the Ministry of Education, Culture, Sports, Science and Technology based on their "especially high historical or artistic value". This list presents 40 entries of national treasure shrine structures from 12th-century Classical Heian period to the early modern 19th-century Edo period. The number of structures listed is actually more than 40, because in some cases groups of related structures are combined to form a single entry. The structures include main halls, oratories, gates, offering halls, purification halls and other structures associated with shrines.
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History
The practice of marking sacred areas began in Japan as early as the Yayoi period originating from primal religious beliefs. Features in the landscape such as rocks, waterfalls, islands, and especially mountains, were places believed to be capable of attracting kami, and subsequently were worshiped as yorishiro. Originally, sacred places may have been simply marked with a surrounding fence and an entrance gate or torii. Later, temporary structures similar to present day portable shrines were constructed to welcome the gods to the sacred place, which eventually evolved into permanent buildings that were dedicated to the gods. Ancient shrines were constructed according to the style of dwellings or storehouses. The buildings had gabled roofs, raised floors, plank walls, and were thatched with reed or covered with hinoki cypress bark. Such early shrines did not include a space for worship. Three important forms of ancient shrine architectural styles exist: taisha-zukuri, shinmei-zukuri and sumiyoshi-zukuri. They are exemplified by Izumo Taisha, Nishina Shinmei Shrine and Sumiyoshi Taisha, respectively, and date from before 552 AD. According to the tradition of Shikinen sengū-sai, the buildings or shrines were faithfully rebuilt at regular intervals adhering to the original design. In this manner, ancient styles have been replicated through the centuries to the present day.Beginning in the mid-6th century, as Buddhism was brought to Japan from Baekje, new styles of shrine architecture were introduced; today's Shinto shrine blueprint is of Buddhist origin. The concept of temples as a place of assembly was applied to shrines. Spaces for worship were added in the form of extended roofs or worship halls in addition to the main hall. The following stylistic elements of Buddhist temple architecture were assimilated and applied to Japanese shrines: column-base stones, brackets, curved roofs, painted surfaces, metal ornaments, corridors and pagodas.
At the end of the 8th century as architectural styles evolved, new elements were added as is evident in kasuga-zukuri, the flowing roof or nagare-zukuri, hachiman-zukuri and hiyoshi-zukuri. The nagare-zukuri continues to be the more popular style, followed by the kasuga-zukuri. The honden of Ujigami Shrine dates to this period. At the end of the Heian period torii and fences were commonly replaced with two-storied gates and grand colonnades copied from temple architecture. The influence of the residential shinden-zukuri style of palaces and mansions is apparent in shrines such as Itsukushima Shrine.
The auxiliary Marōdo Shrine at Itsukushima Shrine originates from the 13th-century Kamakura period, and the honden and haiden of the Kibitsu Shrine date from the 15th-century Muromachi period. In the late 16th century and early 17th century, during the Momoyama period, gongen-zukuri was introduced as a new plan of building shrines. The main hall was joined to the oratory via a connecting structure called the ai-no-ma, derived from the hachiman-zukuri style. Examples of gongen-zukuri are the honden at Kitano Tenman-gū and Ōsaki Hachiman Shrine. Tōshō-gū dates from the Edo period and was completed in 1636. It is a complex assembly of richly adorned shrines, temples and a mausoleum. Such complexes are a result of the syncretism of Shinto and Buddhism which began to appear during the Heian period; Kitano Tenman-gū, built in 947 for the spirit of Sugawara no Michizane, was the first of these byō or jingū-ji.
Statistics
The 40 entries in the list consist of the following: main halls, combined structures of honden, haiden with or without an ai-no-ma or heiden in between, oratories, offering halls, corridors, gates, fences, purification halls and other halls that are related to a shrine.| Prefecture | City | National Treasures |
| Hiroshima | Hatsukaichi | 1 |
| Kagawa | Sakaide | 1 |
| Kumamoto | Hitoyoshi | 1 |
| Kyoto | Kyoto | 5 |
| Kyoto | Uji | 2 |
| Kyoto | Yawata | 1 |
| Miyagi | Sendai | 1 |
| Nagano | Ōmachi | 1 |
| Nara | Nara | 2 |
| Nara | Tenri | 1 |
| Nara | Uda | 1 |
| Okayama | Okayama | 1 |
| Ōita | Usa | 1 |
| Osaka | Osaka | 1 |
| Osaka | Sakai | 1 |
| Saitama | Kumagaya | 1 |
| Shiga | Nagahama | 1 |
| Shiga | Ryūō | 1 |
| Shiga | Yasu | 2 |
| Shiga | Ōtsu | 3 |
| Shimane | Matsue | 1 |
| Shimane | Taisha | 1 |
| Shizuoka | Shizuoka | 1 |
| Tochigi | Nikkō | 6 |
| Tottori | Misasa | 1 |
| Yamaguchi | Shimonoseki | 1 |
| Period | National Treasures |
| 2 | |
| 9 | |
| 5 | |
| 8 | |
| 16 |
Usage
The table's columns are sortable pressing the arrow symbols.- Name: name of the structure as registered in the Database of National Cultural Properties
- Shrine: name of the shrine in which the structure is located
- Remarks: architecture and general remarks including
- Date: period and year of the last major reconstruction; The column entries sort by year. If only a period is known, they sort by the start year of that period.
- Location: "town-name prefecture-name"; The column entries sort as "prefecture-name town-name".
- Images: picture of the structure; If the image shows more than one structure, the respective structure is indicated by a blue rectangle.
Treasures
| Name | Shrine | Remarks | Date | Location | Image |
| Ōsaki Hachimangū | Ōsaki Hachimangū | Honden: 5×3, single-storied, irimoya style with shake shingles; : 1×1, single-storied, ryōsage style with shake shingles; Haiden: 5×3, single-storied, irimoya style, front with a chidori hafu bargeboard and a 5 ken step canopy with a nokikarahafu gable, shake shingles. Oldest existing gongen style complex | Sendai, Miyagi | ||
| Main Hall, Room of Stone and Oratory | Tōshō-gū | Honden: 5×5, irimoya style with a 1 ken step canopy on the back side; : 3×1, ryōsage style; Haiden: 9×4, irimoya style, front with a chidori hafu bargeboard and a 3 ken step canopy with a nokikarahafu gable. All three structures are single-storied and have copper-tile roofing. | Nikkō, Tochigi | ||
| Yōmeimon | Tōshō-gū | 3×2, two-storied gate in irimoya style with nokikarahafu gables in every direction, copper-tile roofing, more than 500 carvings of historical anecdotes, children at play, wise men and others, connected to the Tōzai Kairō on either side | Nikkō, Tochigi | ||
| Tōzai Kairō | Tōshō-gū | 36 and 54 ken long semi-enclosed corridors with colored carvings of flowers and bird in fretwork technique, extending to either side of the Yōmeimon gate, irimoya style with copper-tile roofing | Nikkō, Tochigi | ||
| Karamon | Tōshō-gū | 1×1, Chinese style gate decorated with white carvings, single-storied, with a karahafu style roof with copper-tile roofing, connected to the Tōzai Sukibei fence on either side | Nikkō, Tochigi | ||
| Tōzai Sukibei | Tōshō-gū | 43 and 44 ken long see-through fences extending to the east and west from the karamon, copper-tile roofing | Nikkō, Tochigi | ||
| Main Hall, Middle Room, Oratory | Taiyuin Mausoleum | Honden: 3×3, irimoya style with a pent roof enclosure; : 3×1, ryōsage style; Haiden: 7×3, irimoya style, front with a chidori hafu bargeboard and a 3 ken step canopy with a nokikarahafu gable. All three structures are single-storied and have copper-tile roofing. The shrine is the mausoleum of the third Tokugawa shōgun Tokugawa Iemitsu. | Nikkō, Tochigi | ||
| Main Hall and inner gate | Nishina Shinmei Shrine | Honden: 3×2, oldest extant example of the shinmei style; Inner gate: four-legged gate connected to the honden, with a kirizuma style roof Both structures ar covered with hinoki cypress bark shingles. | Ōmachi, Nagano | ||
| Shōden Hall | Kangi-in | Okuden: 3×3, irimoya style with nokikarahafu gables on the sides, nokikarahafu and chidori hafu gables at the back, 1 ken step canopy; Chūden: 3×1, ryōsage style; Haiden: 5×3, irimoya style, front with a chidori hafu bargeboard and a 3 ken step canopy with a nokikarahafu gable. All three structures are single storied and have copper-tile roofing. They form a gongen style complex. | mid Edo period, 1744, 1756, 1760 | Kumagaya, Saitama | |
| Main Hall, Room of Stone and Oratory | Kunōzan Tōshō-gū | Honden: 3×3, irimoya style; : 1×1, ryōsage style; Haiden: 5×2, irimoya style, front with a chidori hafu bargeboard and a 3 ken step canopy. All three structures are single-storied and have copper-tile roofing. Original burial place of the first Shōgun of the Tokugawa Shogunate, Tokugawa Ieyasu and therefore the oldest of the Tōshō-gū shrines | Shizuoka, Shizuoka | ||
| Shinra Zenjin Hall | Mii-dera | 3×3, single-storied, flowing roof style with a 1 ken step canopy, covered with hinoki cypress bark shingles. The structure houses the National Treasure, a sculpture of the deity that protects Mii-dera. | Ōtsu, Shiga | ||
| Main Hall | Mikami Shrine | 3×3, single-storied, irimoya style roof with a 1 ken step canopy covered by hinoki cypress bark shingles | Yasu, Shiga | ||
| Main Hall | Ōsasahara Shrine | 3×3, single-storied, irimoya style roof with a 1 ken step canopy covered by hinoki cypress bark shingles. Notably excellent technique for the construction, transom and doors | Yasu, Shiga | ||
| Main Hall | Tsukubusuma Shrine | 3×3, single-storied, irimoya style with nokikarahafu gables at the front and back side, surrounding eaves and step canopy are 1 ken, 60 decorative ceiling paintings of flowers in gold paint by Kanō Mitsunobu | Nagahama, Shiga | ||
| West Hall of Worship, Main Hall | Hiyoshi Taisha | 5×3, hiyoshi style, hinoki cypress bark shingles | Ōtsu, Shiga | ||
| East Hall of Worship, Main Hall | Hiyoshi Taisha | 5×3, hiyoshi style, hinoki cypress bark shingles | Ōtsu, Shiga | ||
| West Main Hall | Namura Shrine | 3 ken wide, flowing roof style with a 1 ken step canopy and hinoki cypress bark shingles | Ryūō, Shiga | ||
| Main Hall | Ujigami Shrine | 5×3, single-storied, flowing roof style with hinoki cypress bark shingles. The building consists of three single-ken shrines arranged side by side under the same roof. It is part of the World Heritage Site Historic Monuments of Ancient Kyoto and the oldest extant main shrine building. | Uji, Kyoto | ||
| Oratory | Ujigami Shrine | 6×3, single-storied, kirizuma style roof with a 1 ken step canopy and hinoki cypress bark shingles. The haiden is believed to have been originally constructed in the residential shinden-zukuri style. It is part of the World Heritage Site Historic Monuments of Ancient Kyoto. | Uji, Kyoto | ||
| Iwashimizu Hachimangū main shrine 10 buildings | Iwashimizu Hachimangū | Honden: 11 ken wide, hachiman style, consisting of naiden in kirizuma style and geden in flowing roof style,; Sessha Takeuchi Shrine Honden: kirizuma style, behind the main Honden in the north-west; Mizugaki; Heiden with Buden: offering hall and hall for bugaku and kagura dance, kirizuma style; Rōmon; East Gate : kirizuma style; West Gate : kirizuma style; Kairō : irimoya style,. all structures with hinoki cypress bark shingles except for the Kairō, the east and west gates which have hongawarabuki roofing. | Yawata, Kyoto | ||
| East Main Hall and West Main Hall | Kamomioya Shrine or Shimogamo Shrine | either hall: 3 ken wide flowing roof style, hinoki cypress bark shingles. founded before the Heian capital, present buildings from 17th century. They are part of the World Heritage Site Historic Monuments of Ancient Kyoto. | Kyoto | ||
| Main Hall and Associate Hall | Kamowakeikazuchi Shrine or Kamigamo Shrine | Both structures are identical in size and shape: 3×2, flowing roof style with an extended roof in front to cover a prayer portico, hinoki cypress bark shingles. Honden and gonden were used alternatingly whenever one of them was being reconstructed or under repair. They are part of the World Heritage Site Historic Monuments of Ancient Kyoto. | Kyoto | — | |
| Oratory | Seiryōgū | 7×3, overhang style, single-storied, irimoya style, entrance in the gable ends, 3 ken step canopy and nokikarahafu gable. It is part of the World Heritage Site Historic Monuments of Ancient Kyoto. | Kyoto | ||
| Karamon | Toyokuni Shrine | four-legged gate gate with Karahafu gables at the front and back, irimoya style roof on the sides, covered with hinoki cypress bark shingles | Kyoto | ||
| Main Hall, Room of Stone, Oratory and Music Chamber | Kitano Tenman-gū | Honden: 5×4, irimoya style with a 3 ken aisle on the right side, covered with hinoki cypress bark shingles Room of Stone: 3×1, ryōsage style, covered with hinoki cypress bark Haiden: 7×3, irimoya style with a chidori hafu bargeboard on the front and a 7 ken step canopy Music Chamber: length 2 ken at the front, 3 ken at the back, width: 2 ken, irimoya style on one end, connected to the haiden, covered with hinoki cypress bark shingles All four structures are single-storied. This is the oldest extant gongen style complex. It was founded in the 10th century. | Kyoto | ||
| Oratory | Sakurai Shrine | 5×3, single-storied, kirizuma style with a hongawarabuki roof | Sakai, Osaka | ||
| Main Hall | Sumiyoshi Taisha | 4×2, oldest example of the sumiyoshi style covered by hinoki cypress bark shingles. The shrine consists of four identical structures, each. | Osaka | ||
| Main Hall | Uda Mikumari Shrine | three 1×1 kasuga style buildings with added hip rafter, covered with hinoki cypress bark shingles | Uda, Nara | ||
| Main Hall | Kasuga Shrine | consists of four 1×1 shrine buildings in kasuga style aligned in east-west direction on a grid frame, covered with hinoki cypress bark shingles; founded around mid 8th century, present form from beginning of Heian period, regularly demolished and reconstructed at 20 year intervals until 1863. It is part of the World Heritage Site Historic Monuments of Ancient Nara. | Nara, Nara | ||
| Oratory | Setsumatsusha | 5×1, single-storied, kirizuma style, central passage with a karahafu gable, hinoki cypress bark shingles | Tenri, Nara | ||
| Hakusan-dō and Kasuga-dō | Enjō-ji | two identical structures, each: 1×1, kasuga style with hinoki cypress bark shingles, together these are the oldest extant structures in the kasuga style | Nara, Nara | ||
| Nageiri Hall | Okuno-in | 1×2, single-storied, overhang style with a flowing roof covered with hinoki cypress bark shingles | Misasa, Tottori | ||
| Main Hall | Izumo Taisha | 2×2, taisha style with hinoki cypress bark shingles; and high, slightly curved roof, three ridge billets, believed to have been the house of Ōkuninushi | Taisha, Shimane | ||
| Main Hall | Kamosu Shrine | 2×2, taisha style with tochibuki board roofing | Matsue, Shimane | ||
| Main Hall and Oratory | Kibitsu Shrine | Honden: 5 ken long, 8 ken wide, hiyoku irimoya style Haiden: 3×1, kirizuma style, connected to the rear of the honden roof, pent roof on three sides covered with hongawarabuki roofing Both structures are single-storied and covered with hinoki cypress bark shingles. At, the largest shrine structure in Japan | Okayama | ||
| main shrine: Main Hall, Oratory, Offering Hall | Itsukushima Shrine | Honden: 8×4, ryōnagare style Heiden: 1×1, ryōsage style Haiden: 10×3, irimoya style with gables clinging to either end All three structures are connected via the heiden, single-storied and have hinoki cypress bark roofing. The shrine is a World Heritage Site. | Hatsukaichi, Hiroshima | ||
| main shrine: Purification Hall | Itsukushima Shrine | 6×3, single-storied, irimoya style, entrance in the gable ends, rear of roof is connected, hinoki cypress bark shingles. The shrine is a World Heritage Site. | Hatsukaichi, Hiroshima | ||
| auxiliary Marōdo Shrine : Main Hall, Oratory, Offering Hall | Itsukushima Shrine | Honden: 5×4, ryōnagare style Heiden: 1×1, ryōsage style Haiden: 9×3, kirizuma style All three structures are single-storied and have hinoki cypress bark shingles. The shrine is a World Heritage Site. | Hatsukaichi, Hiroshima | ||
| auxiliary Marōdo Shrine : Purification Hall | Itsukushima Shrine | 4×3, single-storied, irimoya style, entrances on the gable ends, at the back connected to the haiden roof, hinoki cypress bark shingles. The shrine is a World Heritage Site. | Hatsukaichi, Hiroshima | ||
| East Corridor | Itsukushima Shrine | 45 ken long, single-storied, kirizuma style roof with hinoki cypress bark shingles. Extends from the entrance of Itsukushima Shrine past the Marōdo Shrine and the Asazaya to the purification hall of the main shrine. The shrine is a World Heritage Site. | Hatsukaichi, Hiroshima | ||
| West Corridor | Itsukushima Shrine | 62 ken long, single-storied, kirizuma style gable at the eastern end and karahafu gable at the western end, covered with hinoki cypress bark shingles. The shrine is a World Heritage Site. | Hatsukaichi, Hiroshima | ||
| Main Hall | Sumiyoshi Shrine | 9 bay wide structure consisting of five concatenated buildings under a single flowing roof, covered with hinoki cypress bark shingles, the front roof has five dormers with chidori hafu bargeboards | Shimonoseki, Yamaguchi | ||
| Main Hall | Kandani Shrine | 3×2, oldest extant example of the flowing roof style covered with hinoki cypress bark shingles | Sakaide, Kagawa | ||
| Main Hall | Aoi Aso Shrine | 3×2, flowing roof style with copper-tile roofing, connected to the south with the heiden via the corridor | Hitoyoshi, Kumamoto | — | |
| Corridor | Aoi Aso Shrine | 1×1, single-storied, kirizuma style with copper-tile roofing, connects the honden in the north with the heiden in the south | Hitoyoshi, Kumamoto | — | |
| Offering Hall | Aoi Aso Shrine | 5×3, single-storied, yosemune style on north side, connected to the haiden on the south side, thatched roof | Hitoyoshi, Kumamoto | — | |
| Oratory | Aoi Aso Shrine | 7×3, single-storied, yosemune style with a 1 ken step canopy and a karahafu gable, thatched roof for the main building and copper-tile roof for the step canopy, connected in the north to the heiden | Hitoyoshi, Kumamoto | ||
| Rōmon | Aoi Aso Shrine | 3×2 two-storied gate with entrance through the central bay, yosemune style, thatched roof | Hitoyoshi, Kumamoto | ||
| Main Hall | Usa Shrine | hachiman style, where both "buildings" are single-storied kirizuma style with hinoki cypress bark shingles. The rear part, called, is 3×2, the front part, called is 3×1 with a 1 ken step canopy. | Usa, Ōita |