Lakhon Khol or Khmer Masked Theatre is a dance drama genre that is performed in Cambodia.
History
Lakhon Khol is a traditional theater performance of Cambodia. Mask theater of Cambodia having its origins during the Angkor period. It is believed to have begun during the 10th century through the inscription K.99 Sambor Prei Kuk temple in the reign of King Jayavarman V
Lakhon Khol is believed to be a derivative of the Drama, acronym in the High Priest's Dictionary Chuon Nath. That short forms can be interpreted as a form of drama, played out in a series of short stories. The word Khol Is encountered in a number of other rocks, such as K.566-a rock above the Stung Sreng Siem Reap province inscribed at the end of the 10th century Which refers to wearing a mask dance. The theatrical drama was developed from the Khmer shadow theater called "Lakhon Sbeak Thom; ល្ខោនស្បែកធំ”. Lakhon Khol was recorded by Henri Mouhot at a restaurant dinner with a dance performance in the Royal Palace in the city Oudong with King Ang Duong in 1856. Until the Royal King Sisowath, the royal dance in the form of dance was frequently performed for French diplomats or anthropologists to be entertained by the love of Khmer classical dance.George Groslier compiled the diary "Danseuses Cambodgiennes, Anciennes & Modernes" 1913. Royal dance in the form of Lakhon Khol means that the king royal dance is a form of dance masks. The evolution of Cambodian dance art is linked to nature, social class, and Brahmin religion, the original religion of the countryIndia, Hindu religion, which is related to the story incorporated into the art of Cambodian dance, the liveliness of Cambodian dances are recorded by George Coedes in 1944. Lakhon Khol reappeared once again in the 20th century in King Sisowath and continued to King Norodom Sihanouk in 1948, after the end of the World War II by organizing a rehearsal Initially, he visited the Vegetable History at in Kandal Province, which performed theatrical theater for rainfall and peace to the community every year. The visit to Norodom Sihanouk 's Wat Svay Andet masked dance theater was published in 1948 as the first magazine in the journal "Kampuchea Soriya" by "Tep Pitur Chhem Krassem" or Duke of.. In the Soriya Magazine, the 3rd edition was published in March 1948, titled "The Lakhon Khol Wat Svay Andet" and stated in the NPL "The theater is limited to the only thing related to Hinduism. Which only plays for the divinities of divisions, such as Reamker and some other things." Later, there was a Giant with Hanuman statue iconic Lakhon Khol In Phnom Penh in 1954, after independence from France, but the statue lost and instead the Chuon Nath statue still remains. Another specific story of the theatrical performance is the Reamker, the Khmer legend of the Ramayana. The performance includes an introduction to storytellers who play an important role in the performance and classical music of the Pin Peat. The theater was popular in the Lon Nol era, and then became King Sihanouk's favorite wife. There were 8 teams of specialist theater and then ravaged by war, but now only one group is at Wat Svay Andet, 15 km away from Phnom Penh. Two new groups started in the war, including the Kampong Thom and National Theater troupes from the Department of Fine Arts and the Ministry of Culture and Fine Arts. And now the drama is also part of the schedule of studies at the University of Fine Arts. Lakhon Khol was Inscribed in a tentative list of UNESCO intangible culture heritage as Urgent safeguarding on March 31, 2017, by the Ministry of culture and fine art. On November 28, 2018, Lkhon Khol Wat Svay Andet was included in the List of Intangible Cultural Heritage in Need of Urgent Safeguarding of UNESCO.
