His Dark Materials


His Dark Materials is a trilogy of fantasy novels by Philip Pullman consisting of Northern Lights , The Subtle Knife, and The Amber Spyglass. It follows the coming of age of two children, Lyra Belacqua and Will Parry, as they wander through a series of parallel universes. The novels have won a number of awards, including the Carnegie Medal in 1995 for Northern Lights and the 2001 Whitbread Book of the Year for The Amber Spyglass. In 2003, the trilogy was ranked third on the BBC's The Big Read poll.
Although His Dark Materials has been marketed as young adult fiction, Pullman wrote with no target audience in mind. The fantasy elements include witches and armoured polar bears; the trilogy also alludes to concepts from physics, philosophy, and theology. It functions in part as a retelling and inversion of John Milton's epic Paradise Lost, with Pullman commending humanity for what Milton saw as its most tragic failing, original sin. The trilogy has attracted controversy for its criticism of religion.
The London Royal National Theatre staged a two-part adaptation of the trilogy in 2003–2004. New Line Cinema released a film adaptation of Northern Lights, The Golden Compass, in 2007. A BBC television series based on the novels commenced broadcast in November 2019.
Pullman followed the trilogy with two novellas set in the Northern Lights universe; Lyra's Oxford and Once Upon a Time in the North. La Belle Sauvage, the first book in a new trilogy titled The Book of Dust, was published on 19 October 2017; the second book of the new trilogy, The Secret Commonwealth, was published in October 2019. Both are set in the same universe as Northern Lights.

Setting

The trilogy takes place across a multiverse, moving between many parallel worlds. In Northern Lights, the story takes place in a world with some similarities to our own; dress-style resembles that of the UK's Edwardian era, the technology does not include cars or fixed-wing aircraft, but zeppelins feature as a mode of transport.
The dominant religion has parallels with Christianity. The Church exerts a strong control over society and has some of the appearance and organisation of the Catholic Church, but one in which the centre of power had moved from Rome to Geneva, moved there by Pullman's fictional "Pope John Calvin".
In The Subtle Knife, the story moves between the world of the first novel, our own world, and another world, the city of Cittàgazze. In The Amber Spyglass, all those and several other parallel worlds appear.

Titles

The title of the series comes from 17th-century poet John Milton's Paradise Lost:

Into this wilde Abyss,
The Womb of nature and perhaps her Grave,
Of neither Sea, nor Shore, nor Air, nor Fire,
But all these in their pregnant causes mixt
Confus'dly, and which thus must ever fight,
Unless th' Almighty Maker them ordain
His dark materials to create more Worlds,
Into this wilde Abyss the warie fiend
Stood on the brink of Hell and look'd a while,
Pondering his Voyage; for no narrow frith
He had to cross.

Paradise Lost, Book 2, lines 910–920

Pullman chose this particular phrase from Milton because it echoed the dark matter of astrophysics.
In The Subtle Knife, the dark matter studied by physicists in a fictional version of "our world" is revealed to be the same thing as Dust, the mysterious substance central to the plot of the series.
Pullman earlier proposed to name the series The Golden Compasses, also a reference to Paradise Lost, where they denote God's circle-drawing instrument used to establish and set the bounds of all creation:


Then staid the fervid wheels, and in his hand
He took the golden compasses, prepared
In God's eternal store, to circumscribe
This universe, and all created things:
One foot he centred, and the other turned
Round through the vast profundity obscure...

Paradise Lost, Book 7, lines 224–229

Despite the confusion with the other common meaning of compass, The Golden Compass became the title of the American edition of Northern Lights.

Plot

''Northern Lights'' (or ''The Golden Compass)''

In Jordan College, Oxford, 11-year-old Lyra Belacqua and her dæmon Pantalaimon witness the Master attempt to poison Lord Asriel, Lyra's rebellious and adventuring uncle. She warns Asriel, then spies on his lecture about Dust, mysterious elementary particles. Lyra's friend Roger is kidnapped by child abductors known as the "Gobblers." Lyra is adopted by a charming socialite, Mrs Coulter. The Master secretly entrusts her with an alethiometer, a truth-telling device. Lyra discovers that Mrs Coulter is the leader of the Gobblers, and that it is a project secretly funded by the Church. Lyra flees to the Gyptians, canal-faring nomads, whose children have also been abducted. They reveal to Lyra that Asriel and Mrs Coulter are actually her parents.
The Gyptians form an expedition to the Arctic with Lyra to rescue the children. Lyra recruits Iorek Byrnison, an armoured bear, and his human aeronaut friend, Lee Scoresby. She also learns that Lord Asriel has been exiled, guarded by the bears on Svalbard.
Near Bolvangar, the Gobbler research station, Lyra finds an abandoned child who has been cut from his dæmon; the Gobblers are experimenting on children by severing the bond between human and dæmon, a procedure called “intercision.”
Lyra is captured and taken to Bolvangar, where she is reunited with Roger. Mrs Coulter tells Lyra that the intercision prevents the onset of troubling adult emotions. Lyra and the children are rescued by Scoresby, Iorek, the Gyptians, and Serafina Pekkala's flying witch clan. Lyra falls out of Scoresby's balloon and is taken by the panserbjørne to the castle of their usurping king, Iofur Raknison. She tricks Iofur into fighting Iorek, who arrives with the others to rescue Lyra. Iorek kills Iofur and takes his place as the rightful king.
Lyra, Iorek, and Roger travel to Svalbard, where Asriel has continued his Dust research in exile. He tells Lyra that the Church believes Dust is the basis of sin, and plans to visit the other universes and destroy its source. He severs Roger from his dæmon, killing him and releasing enough energy to create an opening to a parallel universe. Lyra determines to stop Asriel and discover the source of Dust for herself.

''The Subtle Knife''

Lyra journeys through Asriel's opening between worlds to Cittàgazze, a city whose denizens discovered a way to travel between worlds. Cittàgazze's reckless use of the technology has released soul-eating Spectres, to which children are immune, rendering much of the world closed to transit by adults. Here Lyra meets Will Parry, a twelve-year-old boy from our world's Oxford. Will, who recently killed a man to protect his ailing mother, has stumbled into Cittàgazze in an effort to locate his long-lost father. Venturing into Will's world, Lyra meets Dr. Mary Malone, a physicist who researching dark matter, which is the same as Dust in Lyra's world. Lyra encourages Dr. Malone to attempt to communicate with the particles, and when she does they tell her to travel into the Cittàgazze world. Lyra's alethiometer is stolen by Lord Boreal alias Sir Charles Latrom, an ally of Mrs Coulter who has found a way to Will's Oxford and established a second residence there.
Will becomes the bearer of the eponymous Subtle Knife, a tool forged 300 years ago by Cittàgazze's scientists from the same alloy used to make the guillotine in Bolvangar. One edge of the knife can divide subatomic particles and form subtle divisions in space, creating portals between worlds; the other edge easily cuts through any form of matter. Using the knife's portal-creating powers, they are able to retrieve Lyra's alethiometer from Sir Latrom's mansion in Will's world.
Meanwhile, in Lyra's world, Lee Scoresby seeks out the Arctic explorer Stanislaus Grumman, who years before entered Lyra's world through a portal in Alaska. Scoresby finds him living as a shaman and he turns out to be Will's father, John Parry. Parry insists on being taken through the opening into the Cittàgazze world in Scoresby's balloon, since he has foreseen that he should meet the wielder of the Subtle Knife there. In that world, Scoresby dies defending Parry from the forces of the Church, while Parry succeeds in reuniting with his son moments before being murdered by Juta Kamainen, a witch whose love John had once rejected. After his father's death, Will discovers that Lyra has been kidnapped by Mrs Coulter, and he is approached by two angels requesting his aid.

''The Amber Spyglass''

At the beginning of The Amber Spyglass Lyra has been kidnapped by her mother, Mrs Coulter, an agent of the Magisterium who has learned of the prophecy identifying Lyra as the next Eve. A pair of angels, Balthamos and Baruch, tell Will that he must travel with them to give the Subtle Knife to Lyra's father, Lord Asriel, as a weapon against The Authority. Will ignores the angels; with the help of a local girl named Ama, the Bear King Iorek Byrnison, and Lord Asriel's Gallivespian spies, the Chevalier Tialys and the Lady Salmakia, he rescues Lyra from the cave where her mother has hidden her from the Magisterium, which has become determined to kill her before she yields to temptation and sin like the original Eve.
Will, Lyra, Tialys and Salmakia journey to the Land of the Dead, temporarily parting with their dæmons to release the ghosts from their captivity. Mary Malone, a scientist from Will's world interested in "shadows", travels to a land populated by strange sentient creatures called Mulefa. There she comes to understand the true nature of Dust, which is both created by and nourishes life which has become self-aware. Lord Asriel and the reformed Mrs Coulter work to destroy the Authority's Regent Metatron. They succeed, but themselves suffer annihilation in the process by pulling Metatron into the abyss.
The Authority himself dies of his own frailty when Will and Lyra free him from the crystal prison wherein Metatron had trapped him, able to do so because an attack by cliff-ghasts kills or drives away the prison's protectors. When Will and Lyra emerge from the land of the dead, they find their dæmons.
The book ends with Will and Lyra falling in love but realising they cannot live together in the same world, because all windows — except one from the underworld to the world of the Mulefa — must be closed to prevent the loss of Dust, because with every window opening, a Spectre would be created and that means Will must never use the knife again. They must also be apart because both of them can only live full lives in their native worlds. During the return, Mary Malone learns how to see her own dæmon, who takes the form of a black Alpine chough. Lyra loses her ability to intuitively read the alethiometer and determines to learn how to use her conscious mind to achieve the same effect.

Characters

All humans in Lyra's world, including witches, have a dæmon. It is the physical manifestation of a person's 'inner being', soul or spirit. It takes the form of a creature and is usually the opposite sex to its human counterpart. The dæmons of children have the ability to change form - from one creature to another - but towards the end of a child's puberty, their dæmon "settles" into a permanent form, which reflects the person's personality. When a person dies, the dæmon dies too. Armoured bears, cliff ghasts and other creatures do not have dæmons. An armoured bear's armour is his soul.
One distinctive aspect of Pullman's story is the presence of "dæmons". In the birth-universe of the story's protagonist Lyra Belacqua, a human individual's inner-self manifests itself throughout life as an animal-shaped "dæmon", that almost always stays near its human counterpart. During the childhood of its associated human, a dæmon can change its animal shape at will, but with the onset of adolescence it settles into a fixed, final animal form.

Influences

Pullman has identified three major literary influences on His Dark Materials: the essay On the Marionette Theatre by Heinrich von Kleist, the works of William Blake, and, most important, John Milton's Paradise Lost, from which the trilogy derives its title. In his introduction, he adapts a famous description of Milton by Blake to quip that he "is of the Devil's party and does know it".
Critics have compared the trilogy with The Chronicles of Narnia, by C. S. Lewis. Pullman however has characterised the Narnia series as "blatantly racist", "monumentally disparaging of women", "immoral", and "evil". The trilogy has also been compared with such fantasy books as Bridge to Terabithia by Katherine Paterson and A Wrinkle in Time by Madeleine L'Engle.

Awards and recognition

The first volume, Northern Lights, won the Carnegie Medal for children's fiction in the UK in 1995. In 2007, the judges of the CILIP Carnegie Medal for children's literature selected it as one of the ten most important children's novels of the previous 70 years. In June 2007 it was voted, in an online poll, as the best Carnegie Medal winner in the seventy-year history of the award, the Carnegie of Carnegies. The Amber Spyglass won the 2001 Whitbread Book of the Year award, the first time that such an award has been bestowed on a book from their "children's literature" category.
The trilogy came third in the 2003 BBC's Big Read, a national poll of viewers' favourite books, after The Lord of the Rings and Pride and Prejudice. At the time, only His Dark Materials and Harry Potter and the Goblet of Fire amongst the top five works lacked a screen adaptation.
On 19 May 2005, Pullman attended the British Library in London to receive formal congratulations for his work from culture secretary Tessa Jowell "on behalf of the government". On 25 May 2005, Pullman received the Swedish government's Astrid Lindgren Memorial Award for children's and youth literature. Swedes regard this prize as second only to the Nobel Prize in Literature; it has a value of 5 million Swedish Kronor or approximately £385,000. In 2008, The Observer cites Northern Lights as one of the 100 best novels. Time magazine in the US included Northern Lights in its list of the 100 Best Young-Adult Books of All Time. In November 2019, the BBC listed His Dark Materials on its list of the 100 most influential novels.

Controversies

His Dark Materials has occasioned controversy, primarily amongst some Christian groups.
Cynthia Grenier, in the Catholic Culture, said: "In the world of Pullman, God Himself is a merciless tyrant. His Church is an instrument of oppression, and true heroism consists of overthrowing both".
William A. Donohue of the Catholic League has described Pullman's trilogy as "atheism for kids". Pullman said of Donohue's call for a boycott, "Why don't we trust readers? Oh, it causes me to shake my head with sorrow that such nitwits could be loose in the world".
In a November 2002 interview, Pullman was asked to respond to the Catholic Herald calling his books "the stuff of nightmares" and "worthy of the bonfire". He replied: "My response to that was to ask the publishers to print it in the next book, which they did! I think it's comical, it's just laughable". The original remark in Catholic Herald was written in the context of parents in South Carolina pressing their Board of Education to ban the Harry Potter books.
Pullman expressed surprise over what he considered to be a relatively low level of criticism for His Dark Materials on religious grounds, saying "I've been surprised by how little criticism I've got. Harry Potter's been taking all the flak... Meanwhile, I've been flying under the radar, saying things that are far more subversive than anything poor old Harry has said. My books are about killing God". Others support this interpretation, arguing that the series, while clearly anticlerical, is also anti-theological because the death of god is represented as a fundamentally unimportant question.
Pullman found support from some other Christians, most notably from Rowan Williams, the former Archbishop of Canterbury, who argued that Pullman's attacks focus on the constraints and dangers of dogmatism and the use of religion to oppress, not on Christianity itself.
Williams also recommended the His Dark Materials series of books for inclusion and discussion in Religious Education classes, and stated that "To see large school-parties in the audience of the Pullman plays at the National Theatre is vastly encouraging". Pullman and Williams took part in a National Theatre platform debate a few days later to discuss myth, religious experience and its representation in the arts.

Terminology

Pullman renames various common objects or ideas of our world with archaic terms or new words of his own. Below are some of these renamings and new words.
Pullman also uses archaic or adapted names for otherwise familiar peoples, regions and places.
Unless stated otherwise, these words are all capitalised.

''Lyra's Oxford''

The first of two short books, Lyra's Oxford takes place two years after the timeline of The Amber Spyglass. A witch who seeks revenge for her son's death in the war against the Authority draws Lyra, now 15, into a trap. Birds mysteriously rescue her and Pan, and she makes the acquaintance of an alchemist, formerly the witch's lover.

''Once Upon a Time in the North''

This novella serves as a prequel to His Dark Materials and focuses on the Texan aeronaut Lee Scoresby as a young man. After winning his hot-air balloon, Scoresby heads to the North, landing on the Arctic island Novy Odense, where he is pulled into a conflict between the oil tycoon Larsen Manganese, the corrupt mayoral candidate Ivan Poliakov, and his longtime enemy from the Dakota Country, Pierre McConville. The story tells of Lee and Iorek's first meeting and of how they overcame these enemies.

"The Collectors"

A short story originally released exclusively as an audiobook by Audible in December 2014, narrated by actor Bill Nighy. The story alludes to the early life of Mrs Coulter and is set in the senior common room of an Oxford college.

''The Book of Dust''

The Book of Dust is a second trilogy of novels set before, during and after His Dark Materials. The first book, La Belle Sauvage, was published on 19 October 2017. The second book, The Secret Commonwealth, was published on 3 October 2019.

Future books

In August 2007, Pullman said: "Lyra's Oxford was a dark red book. Once Upon a Time in the North will be a dark blue book. There still remains a green book. And that will be Will's book. Eventually."

Adaptations

Radio

broadcast a radio play adaptation of His Dark Materials in 3 episodes, each lasting 2.5 hours. It was first broadcast in 2003, and re-broadcast in both 2008-9 and in 2017, and was and released by the BBC on CD and cassette. Cast included Terence Stamp as Lord Asriel and Lulu Popplewell as Lyra.
Also in 2003 a radio dramatisation of Northern Lights was made by RTÉ,.

Theatre

directed a theatrical version of the books as a two-part, six-hour performance for London's Royal National Theatre in December 2003, running until March 2004. It starred Anna Maxwell-Martin as Lyra, Dominic Cooper as Will, Timothy Dalton as Lord Asriel, Patricia Hodge as Mrs Coulter and Niamh Cusack as Serafina Pekkala, with dæmon puppets designed by Michael Curry. The play was enormously successful and was revived for a second run between November 2004 and April 2005. It has since been staged by several other theatres in the UK and elsewhere.
A new production was staged at in March and April 2009, directed by Rachel Kavanaugh and Sarah Esdaile and starring Amy McAllister as Lyra. This version toured the UK and included a performance in Pullman's hometown of Oxford. Pullman made a cameo appearance much to the delight of the audience and Oxford media. The production finished up at West Yorkshire Playhouse in June 2009.

Film

released a film adaptation, titled The Golden Compass, on 7 December 2007. Directed by Chris Weitz, the production had a mixed reception, and though worldwide sales were strong, its U.S. earnings were not as high as the studio had hoped.
The filmmakers obscured the explicitly Biblical character of the Authority to avoid offending viewers. Weitz declared that he would not do the same for the planned sequels. "Whereas The Golden Compass had to be introduced to the public carefully", he said, "the religious themes in the second and third books can't be minimised without destroying the spirit of these books....I will not be involved with any 'watering down' of books two and three, since what I have been working towards the whole time in the first film is to be able to deliver on the second and third". In May 2006, Pullman said of a version of the script that "all the important scenes are there and will have their full value"; in March 2008, he said of the finished film that "a lot of things about it were good.... Nothing can bring out all that's in the book. There are always compromises".
The Golden Compass film stars Dakota Blue Richards as Lyra, Nicole Kidman as Mrs Coulter, and Daniel Craig as Lord Asriel. Eva Green plays Serafina Pekkala, Ian McKellen voices Iorek Byrnison, and Freddie Highmore voices Pantalaimon. While Sam Elliott blamed the Catholic Church's opposition for forcing the cancellation of any adaptations of the rest of the trilogy, The Guardians film critic Stuart Heritage believed poor reviews may have been the real reason.

Television

In November 2015, the BBC announced that it had commissioned a television adaptation of His Dark Materials. The eight-part adaptation had a planned premiere date in 2017. In April 2017, writer Jack Thorne told the Radio Times that the series was still in pre-production. "It's at an exciting point where we're just … trying to work out what works," and that he wanted to ensure that they were being loyal to the books. By July 2018, Dafne Keen had been provisionally cast as Lyra Belacqua, Ruth Wilson as Marisa Coulter, James McAvoy as Lord Asriel, Lin-Manuel Miranda as Lee Scoresby and Clarke Peters as the Master of Jordan College. The series received its premiere in London on 15 October 2019. Broadcast began on BBC One in the United Kingdom and in Ireland on 3 November and on HBO in the United States on 4 November 2019.

Audiobooks

Random House produced unabridged audiobooks of each His Dark Materials novel, read by Pullman, with parts read by actors including Jo Wyatt, Steven Webb, Peter England, Stephen Thorne and Douglas Blackwell.