Grace Webster Haddock Hinsdale was an American author whose early development of a religious temperament prompted her most successful literary work. Both of her books, Coming to the King: a Book of Daily Devotions for Children and Thinking Aloud, were first published in 1865. She was a contributor for about 30 years to periodicals, principally verses, but also short sketches.
On October 30, 1850, at the age of eighteen, she married Theodore Hinsdale, a lawyer, of New York City, and a resident of Brooklyn, where they made their home. Her early writing were contributed to Hours at Home, a magazine, which afterwards became Scribner's Magazine, and she has also contributed verse and prose articles to a large number of periodicals, chiefly religious, including the BostonCongregationalist, Independent, Sunday School Times, and Christian Union. In 1865, she published two books, Coming to the King: a Book of Daily Devotions for Children, and Thinking Aloud, both of which were republished by an English firm. Selections from her hymns, published first in Charles Seymour Robinson's and Dr. Richard Salter Storrs' Songs for the Sanctuary, and were copied in other hymn books. Several of her poems were in the collection, Christ in Song, compiled by Dr. Philip Schaff. Many works on hymnody contain notices of her work. In 1867, Hinsdale traveled abroad, gathering new inspirations. Hinsdale was a frequent contributor of religious poetry to the periodical press. In 1872, Hinsdale composed a poem, “The Faithful Guard,” to be sung at the laying of the cornerstone of the 23rd Regiment Armory. Her poem on Raphael's Madonna dê San Sisto, in the Royal Gallery of Dresden, frequently copied, was written in Europe in 1867. Hinsdale read these verses in public, and also her poem, entitled, “The Old Cathedral.”
Personal life
Hinsdale made her home at Mansion House, Brooklyn. Her children were: Charles, Grace, Guy, Theodora, Frank, and Grace. Hinsdale died August 31, 1902, and was buried at Green-Wood Cemetery, Brooklyn.
Reception
Her hymns were characterized by a depth of earnestness, a truly religious motive distinguishing them from much light literature or hymnody born within the end of the 20th century. The Brooklyn Eagle described her hymns as “characterized by a depth of earnestness, a truly religious motive distinguishing them from the light literature of "born within the last few years.”