Copperhead Road
Copperhead Road is the third studio album by Steve Earle, released in 1988. The album is often referred to as Earle's first "rock record"; Earle himself calls it the world's first blend of heavy metal and bluegrass, and the January 26, 1989 review of the album by Rolling Stone suggested that the style be called "power twang".
Composition
The songs on side one of the album reflect Earle's politics: the title track attacks the War on Drugs, and the song "Snake Oil" compares then president Ronald Reagan to a traveling con man and draws attention to his "legacy of creative deceit". The title track and "Johnny Come Lately" both describe the experiences of returning veterans. The latter compares the experience of US servicemen fighting in World War II with those in the Vietnam War, and contrasts the differing receptions they received on returning home. "Back to the Wall" is about poverty, describing the life of the homeless in the US.Unlike some issues-oriented musicians, however, Earle does not limit himself to political material. The second side of the album consists of more personal, slower tempo works: love songs and a holiday offering.
The title song "Copperhead Road" tells of a Vietnam War veteran, scion of a rural moonshine bootlegging clan, who returns home to Johnson County, Tennessee but decides instead to enter the marijuana business which is shown by the line, "I'll take the seed from Colombia and Mexico". Copperhead Road was an actual road near Mountain City, Tennessee although it has since been renamed as Copperhead Hollow Rd. due to theft of road signs bearing the song's name. The song also inspired a popular line dance timed to the beat of the song and has been used as the theme music for the Discovery Channel reality series Moonshiners.
Reception
In declaring Copperhead Road Rock Album of the Week on October 21, 1988, The New York Times described it as "...exactly half of a brilliant album, with five smart, ornery, memorable story-songs." With references to Bruce Springsteen, John Mellencamp and The Rolling Stones the paper applauded Earle for introducing country music's storytelling and three-chord structures to rockabilly and contemporary rock music. Side two, however, the Times dismissed as "strictly average" love songs and a "hokey" Christmas song. Time Magazine, including it in the September 19, 1988 Critics' Choices, described it as a "rock-inflected, country-based album" that "takes long chances with big themes...and does them proud".Rolling Stone published their review of Copperhead Road on January 26, 1989. Rob Tannenbaum wrote that the album "begins murderously and ends sentimentally... split into two song cycles" and described the first side as being "as powerful as any music made this year". Of side two he admits disappointment at conventional love songs, saying Earle "has already examined this terrain and done a better job of it." Nonetheless, the review compares Earle to Randy Newman, Bruce Springsteen, and Waylon Jennings among others, and concludes with Rolling Stones designation of Earle as an "important artist" and finding Copperhead Road worthy of four stars.
Airplay on rock radio stations drove the title track into Billboard Magazines Album Rock Top Ten chart, and that in turn helped Copperhead Road on Billboard's Album Chart, where it peaked at number 56.
Waylon Jennings covered "The Devil's Right Hand" on 1986's Will the Wolf Survive. "I was a big Waylon Jennings fan," noted Bob Seger, who covered the song on 2014's Ride Out. "I heard 'The Devil's Right Hand' in a movie called Betrayed in 1988. Every time I'd see it on cable, maybe once every five years, I'd say, 'Goddamn, that's a cool song. I want to do that some day.' And then, in maybe 2000, I found the movie in a movie bin, watched it and was like, 'Oh my god, Steve Earle wrote it! No wonder I like it.'"
In 2000 it was voted number 412 in Colin Larkin's All Time Top 1000 Albums.
Track listing
All tracks written by Steve Earle except where noted.Original release (1988)
- "Copperhead Road" – 4:29
- "Snake Oil" – 3:31
- "Back to the Wall" – 5:29
- "The Devil's Right Hand" – 3:04
- "Johnny Come Lately" – 4:11
- "Even When I'm Blue" – 4:14
- "You Belong to Me" – 4:25
- "Waiting on You" – 5:10
- "Once You Love" – 4:39
- "Nothing but a Child" – 4:26
Deluxe edition (2008)
Disc two
- "The Devil's Right Hand" – 4:02
- "Fearless Heart" – 4:32
- "San Antonio Girl" – 4:23
- "Nobody but You" / "Continental Trailways Bus" – 6:26
- "My Baby Worships Me" – 3:33
- "Wheels" – 4:45
- "The Week of Living Dangerously" – 7:26
- "Johnny Come Lately" – 3:55
- "Brown and Root" – 3:46
- "I Love You Too Much" – 4:28
- "It's All Up to You" – 6:11
- "Nebraska" – 5:21
- "Copperhead Road" – 4:08
- "I Ain't Ever Satisfied" – 3:52
- "Dead Flowers" – 5:36
- "Little Sister" – 3:15
- "Guitar Town" – 2:36
Personnel
- Steve Earle – vocals, guitars, harmonica, 6-string bass, mandolin
- Donny Roberts – guitars, 6-string bass
- Bill Lloyd – acoustic guitar
- Michael McAdam – 12-string electric guitar
- Bucky Baxter – pedal steel, lap steel, Dobro
- Ken Moore – synthesizer and organ
- John Barlow Jarvis – piano
- Kelley Looney – bass
- Kurt Custer – drums
- Neil MacColl – mandolin on "Johnny Come Lately"
- John Cowan, Maria McKee, Radney Foster – background vocals
- Chris Birkett – drum programming on "You Belong to Me"
- Gary Tallent – arrangement on "The Devil's Right Hand"
- The Pogues played on "Johnny Come Lately"
- Telluride played on "Nothing But a Child"
- Terry Woods – cittern
- Phil Chevron – guitar, vocals
- Jem Finer – banjo
- James Fearnley – accordion
- Spider Stacy – tin whistle, vocals
- Shane MacGowan – banjo, bodhran
- Darryl Hunt – bass
- Andrew Ranken – drums
- Sam Bush – mandolin
- Jerry Douglas – dobro
- Mark O'Connor – violin
- Edgar Meyer – bass violin
- Joe Hardy – recording, mixing
- Chris Birkett – recording on "Johnny Come Lately"
Chart performance
UK Single | Release date | Peak position |
"Copperhead Road" | 45 | |
"Johnny Come Lately" | 75 | |
"Back to the Wall" | did not chart |