On 11 June 1702, a deed was signed for the construction of the chapel that would become this church, by Manuel de Moura and his wife Inês Pereira, under the invocation of Nossa Senhora do Bom Despacho. It would be several years before the Bishop of Angra, D. António Caetano Rocha, would authorize the establishment of a curate for the religious community. This curate, founded on 2 December 1766, would become the third for the parochial church, which would have an important benefit for the peoples and parishioners that lived in the plateau of central Santa Maria. Sometime during the 19th century, the chapel was adapted and expanded, transforming itself into a major church. Around the same time, specifically 12 May 1859, work began on lands donated by João Severino Gago da Câmara. The first mass at the re-consecrated church occurred on 27 November 1859. On 25 October 1906, a formal decree separated the curate of Almagreira from those of the neighboring parish of Nossa Senhora de Assunção, resulting in the independence of the ecclesiastical parish. In 2005, public works to restore the church were undertaken, with European community funds estimated at about 70,000 Euros. Two years later the image of the patron saint also benefited from work intended to clean and conserve the statue.
Architecture
A single longitudinal nave church with presbytery, with a rectangular bell-tower situated on its right lateral wall, along with baptistery, lateral chapel and sacristy. The nave is divided into various volumes, and covered in tiled-roof. The faces of the building are plastered and painted in white, with pilaster corners, crowned by pinnacles and circled by balustrades. The principal facade is terminated by a contoured frontispiece and crowned by cross. The front portico continues the contoured motif: not just on the doorway, but also on the overhead window, decorated with a contoured sill. The left lateral facade is marked by a doorway and several windows, including two oculi, two gothic-style and two-squared windows. The interior walls are plastered and painted, with triumphal archway dividing the two chancel and nave. At the front entrance is the second-floor high-choir guarded by balustrades, with a lateral baptistery and chapel. The main altar is constructed in varnished wood.
