Zafar Mahal (Mehrauli)
Zafar Mahal, also known as Jangli Mahal in Mehrauli village, in South Delhi, India is considered the last monumental structure built as a summer palace during the fading years of the Mughal era. The building has two components namely, the Mahal or the palace, which was built first by Akbar Shah II in the 18th century, and the entrance gate that was reconstructed in the 19th century by Bahadur Shah Zafar II, popularly known as "Zafar" meaning ‘Victory’. It has a forlorn history because Bahadur Shah Zafar, who wished to be buried in the precincts of the Zafar Mahal and the famous Dargah of Khwaja Qutubuddin Bakhtiar Kaki in Mehrauli, Delhi, was deported by the British to Rangoon, after the First War of Indian Independence in 1857, where he died of old age. The monument today is in a ruined state. Locals play cricket and gamble here. ASI had done a very little to preserve this monument.
History
Zafar Mahal, is the ruined summer palace of the last Mughal Emperor, Bahadur Shah Zafar II. The Moghul Dynasty, which started with the first Mughal Emperor Babur who conquered Delhi in 1526 AD ended after 332 years when on 7 October 1858 the last Emperor Bahadur Shah Zafar II was tried for treason by the British and deported to Rangoon, Burma, now Myanmar from the imperial city of Delhi. The irony of this history is also that he travelled in a bullock cart, with a group of British Lancers escorting him.The graves in Mehrauli in the precincts of Zafar Mahal, built within a marble screen enclosure by Jahandar Shah for his father Bahadur Shah I and others who followed, is a minor reflection of the history of the place. Shah Alam II who had the misfortune of being blinded by Ghulam Qadir, the Rohilla leader was buried here. He was considered a "puppet ruler", first under the Marathas and later under the British. His son Akbar Shah II was also buried here. Mirza Fakruddin son of the last emperor Bahadur Shah Zafar, who died early ushered the end of the Moghul regime, was also buried here. But Bahadur Shah Zafar who had identified the location for his grave was the most unfortunate as he was deported to Rangoon and was buried there.
The exiled emperor died in November 1862. He was buried with great urgency in the night itself with "lantern light" in presence of his few family members under the direction of a British officer. The grave was initially unmarked but later a Tablet was erected at the location but only in the 20th century. His mazar has at last become a shrine and the local Burmese and also visitors from India and Pakistan consider him a Pir. It is also said that the nationalist leader of India, founder of the Indian National Army, Subhas Chandra Bose took a formal oath at this grave to free India from foreign rule.
Structure
The palace, located at about to the west of Ajmeri Gate of the dargah of Khwaja Kaki has an imposing gate. It was built in 1842 by Akbar Shah II. Built as a three-storied structure in red sandstone embellished with marble, it is around wide with a gate opening called the Hathi gate is of opening at the entrance. An inscription on the main arch credits building of the gate by Bahadur Shah II in the eleventh year of his accession as Emperor in 1847-48 AD. A broad Chhajja built in the Mughal style is a striking feature of the arch. At the entrance gate, the logo has small projecting windows flanked by curved and covered Bengali domes. On both sides of the arch, two ornate medallions in the form of large lotuses have been provided. The gateway also depicts a classic tripolia or three-arch opening into the baaraadaree or 12 opening structure, which fully draws the breeze. In the top floor of the palace, there is multi chambered dalan, considered the Indian part of the structure, which has terrace on the palace side and with a view of the entrance at the other end. European type of structures of 19th-century vintage are also seen in external decorations, which are not very pleasing. A fireplace is also seen on an inside wall, identified as a European influenced addition to the palace.A painting by Ghulam Ali Khan shows Prince Mirza Fakhruddin sitting in front of the fireplace, entertained by musicians and singers.While in the background we can see the Moti Masjid with its golden domes. Mirza Fakhruddin sitting in the middle, the fireplace just behind him.The fireplace today.
.
A masjid called the Moti Masjid, built by Bahadur Shah I, was a private mosque of the royal family, which has now been subsumed within the palace precincts. The mosque is a small and unique three-domed structure made of white marble. Its construction is also credited to Bahadur Shah. The austere mosque has the mihrab on the west direction of prayer but is unusually not embellished, except for little border of floral carving on the south at the top edge of a dado.
The Chhatta Chawk or vaulted arcade design of the Lahore gate at the Red Fort in Delhi has provided the basic design that was replicated for the Zafar gate. It is a large covered passage with arched apartments on either side. The arcade, which has rooms within its enclosures, located just after the entrance of the gate, is two directional; one runs towards south, and the other is to the east. The palace, situated a few steps down the arcade, is now in a dilapidated condition. Its restoration is limited by the inadequate documents to deduce the original construction details. The Archaeological Survey of India document titled "List of Mohammedan and Hindu Monuments" of March 1920 provides only sketchy details.
Every year Bahadur Shah Zafar used to visit this palace for hunting during the monsoon season. Also, every year, he was honoured at this palace during the Phool Walon Ki Sair festival held in February/March.
Conservation
It was declared a protected monument in 1920 under the Ancient Monuments Preservation Act, 1904, but is now encroached with new structures built on parts of its southern and eastern walls. The Indian National Trust for Art and Cultural Heritage has also listed this monument as a conservation area.Now, as a part conservation activity of heritage monuments, the Archaeological Survey of India has proposed to set up the Mughal Museum in this palace with the intention of encouraging visitors and also to ensure removal of extensive encroachments that have taken place in the precincts of the old palace. ASI considers that the Museum would be a tribute to the legendary last Mughal emperor Zafar who was known more for his poetry than his administrative achievements.But until 2020 no work has taken place to make a museum.
Poetic pathos
Bahadaur Shah Zafar who was known as the poet-king wished to be buried next to graves of his predecessors Bahadur Shah I, Shah Alam II , Akbar Shah II and their families at sardgah or grave in the marble enclosure adjoining the dargah of the 13th century Sufi saint, Qutbuddin Bakhtiyar Kaki in the Zafar Mahal precincts. He had special attachment to this place in Mehrauli, particularly with the tomb of Qutb Kaki, the Sufi saint of the Chisti order as he was his mureed.After he had been deported, while in Rangoon prison, Bahadaur Shah Zafar penned his couplet known by the title "do gaz zameen" meaning two yards of land, lamenting for his fate of not finding a place for his burial in his home country. The couplet reads in Urdu language as:
Kitna hai badnaseeb Zafar
Dafn ke liye
Do gaz zameen bhi
Mil na saki kuye yaar mein
English translation:
How unlucky is Zafar! For burial, even two yards of land were not to be had in the land of his beloved.
Just before he died, he wrote some more ghazals, which are touching for the pathos they convey.
It is now, therefore, probably an appropriate time that a suitable memorial is erected at the vacant burial place he had chosen in the precincts of Zafar Mahal.