Yuri Georgiyevich Bogatyryov was born in Riga, Latvia, to the Soviet Navy officer Georgy Andrianovich Bogatyryov. In 1953 the family moved to Moscow. Yuri was fond of painting and after the eighth grade he left the school to join the Mikhail KalininArt college. There, after meeting a member of a youth puppet theatre/studio Globus, he became interested in theater. In 1966 Bogatyryov enrolled into the Boris Shchukin Theatre Institute and after the graduation joined the Moscow Sovremennik Theatre where he worked up until 1977, to move then to the Moscow Art Theater. Critic and writer Vitaly Wolf recalled: "I remember well him joining the troupe in 1971. He was popular: everybody saw the boy had talent. He was very nervous, very kind and extraordinarily open-hearted. His tutor Katin-Yartsev used to tell me how worried he was about Bogatyryov's openness and vulnerability." In 1970 Bogatyryov debuted on the big screen in Nikita Mikhalkov's short film The Calm Day in the End of the War. The actor became famous four years later after starring in Mikhalkov's 'Soviet western' At Home Among Strangers, as Shilov, a Red Army soldier. Critically acclaimed were his performances in three more Mikhalkov's features, An Unfinished Piece for a Mechanical Piano, A Few Days from the Life of I. I. Oblomov, and Family Relations. Bogatyryov also starred in the TV seriesTwo Captains and an epic Declaration of Love. In his later years Bogatyryov experienced severe psychological problems, associated with his bisexuality, troubled personal life, financial problems, drugs and alcohol abuse. He died on 2 February 1989, after a dose of clonidine injected by a paramedics' team clashed with antidepressants he had taken earlier and a large dose of alcohol. Yuri Bogatyryov was buried at the Vagankovo Cemetery on 6 February.
Critical reception
Yuri Bogaturyov's death at the age of 41 was deplored by critics as a tragic loss of one of the country's most gifted and unusual actors. "There was no one like him, before or after. It looks like he'd come and gone so quick just to leave us this unfathomable enigma of his phenomenon to marvel at," wrote the Encyclopedia of the Soviet Cinema. According to critic I. Pavlova, Bogatyryov was impossible to classify. "A two-meter giant, he could easily play a bravest knight, then turn into an ecstatically maudlin idiot Manilov in Gogol's Dead Souls. One moment his body could be steel-and spring-like, and he'd sport unequalled strength and agility. The next it would turn all wadded and quilt-like, as if lacking spinal cord... Immensely gifted, he was a wealth of the artistic 'material' in its pure form: fantastically pliable, filling any shape or form, easily meeting any director-poised challenges, dramatic or intellectual."
