Yoshitomo Nara is a Japanese artist. He lives and works in Nasushiobara, Tochigi Prefecture, though his artwork has been exhibited worldwide. Nara has had nearly 40 solo exhibitions since 1984. His art work has been housed at the MoMA and the Museum of Contemporary Art, Los Angeles. His most well-known and repeated subject is a young girl with piercing eyes.
"Nara first came to the fore of the art world during Japan's Pop art movement in the 1990s. The subject matter of his sculptures and paintings is deceptively simple: most works depict one seemingly innocuous subject with little or no background. But these children, who appear at first to be cute and even vulnerable, sometimes brandish weapons like knives and saws. Their wide eyes often hold accusatory looks that could be sleepy-eyed irritation at being awoken from a nap—or that could be undiluted expressions of hate." Nara, however, does not see his weapon-wielding subjects as aggressors. "Look at them, they are so small, like toys. Do you think they could fight with those?" he says. "I don't think so. Rather, I kind of see the children among other, bigger, bad people all around them, who are holding bigger knives..." Lauded by art critics, Nara's bizarrely intriguing works have gained him a cult following around the world. Large original paintings regularly sell for millions of dollars. In June, 2005, Nara's artwork was featured in the album titled "Suspended Animation" by experimental band Fantômas. Other commercial products have been dedicated to Nara's work. Recently, a two-volume catalogue raisonné of all his sculptures, paintings, and drawings was completed. In 2010, the Asia Society showed Yoshitomo Nara: Nobody's Fool the first major New York exhibition of his work. Other major retrospectives include: "I Don't Mind If You Forget Me", which toured Japan between 2001 and 2002; and "Yoshitomo Nara: Nothing Ever Happens," which traveled the United States from 2003 to 2005. One of his exhibited works is now of the Baltic Centre for Contemporary Art in Gateshead, England. In 2019, Nara's installation artNot Everything but/ Green House was sold for a new record price of HK$40.12m at Poly Auction Hong Kong. However, this record only lasted for a few hours. Knife Behind Back, a large-scale painting by Nara, just sold at Sotheby’sContemporary Art Evening Sale in Hong Kong for HK$195.7m, nearly five times its record. The new record is also a milestone for Nara as he becomes the most expensive Japanese artist. Can’t Wait ‘til the Night Comes was sold for HK$92.9m at the same year.
Influences
Though Nara claims to have never said that he was influenced by manga, the imagery of manga and anime of his 1960s childhood is often cited when discussing Nara's stylized, large-eyed figures. Nara subverts these images, however, by infusing his works with horror-like imagery. This juxtaposition of human evil with the innocent child may be a reaction to Japan's rigid social conventions. Nara cites his musical education as a foundational influence for his art. The punk rock music of Nara's youth has also influenced his work. Nara’s upbringing in post-World War II Japan profoundly affected his mindset and, subsequently, his artwork as well. He grew up in a time when Japan was experiencing an inundation of Western pop culture; comic books, Warner Bros and Walt Disney animation, and Western rock music are just a few examples. Additionally, Nara was raised in the isolated countryside as a latchkey child of working-class parents, so he was often left alone with little to do but explore his young imagination. The fiercely independent subjects that populate so much of his artwork may be a reaction to Nara's own largely independent childhood.
Recent work
Nara exhibited work in New York at the Pace Gallery in May–April 2017. It was his first exhibition in New York since 2013. Entitled Thinker, the pieces exhibited represent a shift towards a more meditative body of work. Of this shift, Nara said, "In the past I would have an image that I wanted to create, and I would just do it. I would just get it finished. Now I take my time and work slowly and build up all these layers to find the best way. Just like you cook so that you know it’s going to be the most delicious, you find a way to make your art the best it can be." In July 2017, The Toyota Municipal Museum of Art held a career retrospective of the artist's work, called for better or worse. A retrospective of his work, including 100 pieces from 36 years, is being exhibited at the Los Angeles County Museum of Art in 2020.
Selected exhibitions
Nara has been represented internationally by Blum & Poe since 1995, and Pace Gallery since 2011. Previously, he was represented by the Marianne Boesky gallery in New York, and the Tomio Koyama gallery in Tokyo.
2018 - "Yoshitomo Nara: Ceramic Works and..." - Pace, Hong Kong
2018 - "Drawings: 1988-2018 Last 30 Years" - Kaikai Kiki, Tokyo
2017 - "for better or worse" - Toyota Municipal Museum of Art, Aichi
2016 - "Yoshitomo Nara: New Works" - Stephen Friedman Gallery, London
