Yanka Kupala – was the pen name of Iván Daminíkavich Lutsévich, a Belarusian poet and writer. He is considered one of the greatest Belarusian-language writers of the 20th century.
Biography
Early life
Kupala was born on July 7, 1882 in Viazynka, a folwark settlement near Maladzyechna. His family was noble, although both of his parents were employed as tenant farmers at the folwark. KupalaHe was thus essentially born into a landless peasant classHela received a traditional Belarusian education, completing his studies in 1898. Following the death of his father in 1902, Kupala worked a variety of short-term jobs, including as a tutor, a shop assistant, and a record keeper. Kupala's first serious literary attempt was Ziarno, a Polish-language sentimental poem which he completed around 1903–1904 under the pseudonym "K-a." His first Belarusian-language work was dated July 15, 1904. Kupala's first published poem, "Мужык", was published approximately a year later, appearing in Belarusian in the Russophone Belarusian newspaper Severo-Zapadnyi Krai on May 11, 1905. A number of subsequent poems by Kupala appeared in the Belarusian-language newspaper Nasha Niva from 1906 to 1907.
Personal life
The names of two women are still remembered when it comes to Yanka Kupala’s personal life: Vladislava Stankevich and Paulina Miadzelka. The lead character of the play Paulinka was named after Paulina Miadzelka. At the age of 16, she went to Vilnya in search of a better life. She met Yanka Kupala in 1909 at her friends’ house. From her memoir Сцежкамі жыцця : "Kupala was making jokes, asking if there are many beautiful girls in Vilnya. I frowned and kept silent, unhappy with the playful nature of the conversation." The encounter with Paulina Miadzelka sank so deep into Kupala’s mind that in four years he named his new play Paulinka and even invited Paulina Miadzelka to play a lead role in the similarly-named amateur play. The aspiring actress accepted the offer and kept communicating with the author, even though during one of the meetings she pushed him back with words “Are you coming here to teach me how to kiss? I can manage without your lessons.” Yanka Kupala married Vladislava Stankevich in 1916 in St. Peter’s and Paul’s Cathedral in Moscow. There is a comment in Paulina Miadzelka’s memoir that she learned about the marriage of Yanka Kupala and her friend only in a year after the ceremony. The marriage of Yanka Kupala and Vladislava Lutsevich lasted for over 25 years. When the poet died in 1942, his always energetic wife took it very heavily. She decided to devote her life to preserving the memory of the great poet. It was Vladislava Lutsevich who created and became the director of the Museum of Yanka Kupala in Minsk.
Kupala moved to Vilnius in 1908, where he continued with his career as a poet. The same year the first published collection of his poems, Жалейка brought on the ire of the czarist government, which ordered the book confiscated as an anti-government publication. The order for Kupala's arrest was revoked in 1909, but a second printing was again confiscated, this time by the local authorities in Vilnius. He ceased working for the Nasha Niva in order to avoid ruining the reputation of the newspaper. Kupala left for Saint Petersburg in 1909. The subsequent year saw the publication of several works, including the poem Адвечная песьня, which appeared as a book in St. Petersburg in July 1910. Сон на кургане – completed in August 1910 –symbolised the poor state of Kupala's Belarusian homeland. He left St. Petersburg and returned to Vilnius in 1913. Among those influencing Kupala in the 1910s was Maxim Gorky.
Kupala's writing changed to an optimistic tone following the Great October Revolution of 1917. Among Kupala's numerous translations into the Belarusian language were the internationalist-Marxist anthem The Internationale and an ancient epic poem The Tale of Igor's Campaign. Nevertheless, Kupala maintained his connections with the anti-Soviet oriented nationalist emigres of the Belarusian People's Republic, who exhorted that he join them in exile in Czechoslovakia during a trip abroad in 1927. At home, the newly established authorities considered him with some distrust–at times, criticism of Kupala in the press mounted insofar as his activities were regarded as too oriented around nationalism. This period stopped once he printed a public letter of apology in the 1930s. Kupala was awarded the Order of Lenin in 1941 for the poetry collection Ад сэрца. With the Occupation of Belarus by Nazi Germany in 1941, because of being very ill he moved to Moscow and then to Tatarstan. Even from there he wrote poems supporting the Belarusian partisans fighting against Nazi Germany. He died in Moscow in 1942, aged 59, having fallen down the stairwell in Hotel Moskva.
Legacy
Kupala became recognised as a symbol of culture of Belarus during the Soviet era. A museum, organised in Minsk through the efforts of his widow in 1945, is the leading literary museum in Belarus. Hrodna State University was named after Yanka Kupala. There is also a park named after him with a monument to the poet, a theatre and a metro station in Minsk. At the Arrow Park in Monroe, New York there is a monument of Yanka Kupala that was created by Belarusian sculptor Anatoly Anikeichik and architect Sergey Botkovsky. Since 1973 it is presented to the American Side. A monument to Kupala is placed on a square in the city ofAshdod in Israel.
