Xenia (Greek)


Xenia is the ancient Greek sacred rule of hospitality, the generosity and courtesy shown to those who are far from home and/or associates of the person bestowing guest-friendship. The rituals of hospitality created and expressed a reciprocal relationship between guest and host expressed in both material benefits as well as non-material ones.
The Greek god Zeus is sometimes called Zeus Xenios in his role as a protector of xenia. He thus embodied the religious obligation to be hospitable to travelers. Theoxeny or theoxenia is a theme in Greek mythology in which human beings demonstrate their virtue or piety by extending hospitality to a humble stranger ', who turns out to be a disguised deity ' with the capacity to bestow rewards. These stories caution mortals that any guest should be treated as if potentially a disguised divinity and help establish the idea of xenia as a fundamental Greek custom. The term theoxenia also covered entertaining among the gods themselves, a popular subject in classical art, which was revived at the Renaissance in works depicting a Feast of the Gods.

Overview

Xenia consists of two basic rules:
  1. The respect from hosts to guests. Hosts must be hospitable to guests and provide them with a bath, food, drink, gifts, and safe escort to their next destination. It is considered rude to ask guests questions, or even to ask who they are, before they have finished the meal provided to them.
  2. The respect from guests to hosts. Guests must be courteous to their hosts and not be a threat or burden. Guests are expected to provide stories and news from the outside world. Most importantly, guests are expected to reciprocate if their hosts ever call upon them in their homes.
Xenia was considered to be particularly important in ancient times when people thought that gods mingled among them. If one had poorly played host to a stranger, there was the risk of incurring the wrath of a god disguised as the stranger. It is thought that the Greek practice of theoxenia may have been the antecedent of the Roman rite of Lectisternium, or the draping of couches.
While these practices of guest-friendship are centered on the divine, they would become common among the Greeks in incorporating xenia into their customs and manners. Indeed, while originating from mythical traditions, xenia would become a standard practice throughout all of Greece as a historical custom in the affairs of humans interacting with humans as well as humans interacting with the gods.

In the ''Iliad''

Xenia is an important theme in Homer's Odyssey.
The Argonautica, written by Apollonius of Rhodes, takes place before the Iliad and the Odyssey. Since the story takes place during Greek times, the theme of xenia is shown throughout the story.
Historian Gabriel Herman lays out the use of xenia in political alliances in the Near East.
Solemn pronouncements were often used to establish a ritualised personal relationship, such as when "Xerxes, having been offered lavish hospitality and most valuable gifts by Pythios the Lydian, declared "...in return for this I give you these privileges : I make you my Xenos." The same set of words could be applied in non-face-to-face situations, when a ruler wished to contract an alliance through the intermediary of messengers. Herman points out that this is correspondent to pacts made by African tribal societies studied by Harry Tegnaeus where "the partners proclaim themselves in the course of the blood ceremony each other's 'brothers', 'foster-brothers', 'cousins'. The surviving treaties of 'fraternity' 'paternity' and 'love and friendship' between the petty rulers of the ancient Near East in the second half of the second millennium B.C. incorporate what are probably written versions of such declarations."
Herman goes on to point out that "no less important an element in forging the alliance was the exchange of highly specialized category of gifts, designated in our sources as xénia or dora. It was as important to give such gifts as to receive, and refusal to reciprocate as tantamount to a declaration of hostility. Mutual acceptance of the gifts, on the other hand, was a clear mark of the beginning of friendship." Herman points to the account of Odysseus giving Iphitos a sword and spear after having been given a formidable bow while saying they were "the first token of loving guest-friendship". Herman also shows that Herodotus holds "the conclusion of an alliance and the exchange of gifts appeared as two inseparable acts: Polykrates, having seized the government in Samos, "concluded a pact of xenia with Amasis king of Egypt, sending and receiving from him gifts ". Within the ritual it was important that the return gift be offered immediately after receiving a gift with each commensurate rather than attempting to surpass each other in value. The initial gifts in such an exchange would fall somewhere between being symbolic but useless, and of high use-value but without any special symbolic significance. The initial gifts would serve as both object and symbol. Herman points out that these goods were not viewed as trade or barter, "for the exchange was not an end in itself, but a means to another end." While trade ends with the exchange, the ritual exchange "was meant to symbolize the establishment of obligations which, ideally, would last for ever."

In architecture

uses the word "xenia" once, near the end of Book 6 of De Architectura, in a note about the decorative paintings, typically of food, located in guest apartments:
"when the Greeks became more luxurious, and their circumstances more opulent, they began to provide dining rooms, chambers, and storerooms of provisions for their guests from abroad, and on the first day they would invite them to dinner, sending them on the next chickens, eggs, vegetables, fruits, and other country produce. This is why artists called pictures representing the things which were sent to guests ‘xenia.’"
Architectural theorist Simon Weir explained how Vitruvius refers to xenia at the beginning of Book 6 of De Architectura, in the anecdote of Aristippus shipwrecked and receiving hospitality from the Rhodians. Also how xenia was pervasive in the work of the earliest ancient Greek architects, whose work was always concerned with public buildings and the hosting of guests rather than the design of private residences. Architectural Historian, Lisa Landrum has also revealed the presence of Xenia in Greek theatre onstage and offstage.