Wu Style Tai Chi Fast Form


The different slow motion solo form training sequences of t'ai chi ch'uan are the best known manifestation of t'ai chi for the general public. In English, they are usually called the hand form or just the form; in Mandarin it is usually called ch'uan.
They are performed slowly by beginners and are said to promote concentration, condition the body and acquaint students with the inventory of motion techniques for more advanced styles of martial arts training. There are also solo weapons forms, as well as much shorter and repetitive sequences to train power generation leverages as a form of qigong. The various forms of Wu-style pushing hands have two person drill routines as well, which fulfil some of the same functions as the power generation drills.
In 1914 Xi Yui-seng established the Athletic Research Institute in Beijing and Invited Yang Shao-hou, Yang Chengfu and Wu Chien-ch'uan to teach. From then on T'ai Chi was taught to the public changing the ancient closed door policy where T'ai Chi was only taught privately to very close and well known people within a limited circle known as the tutor disciple relationship.
Grand Master Wu Chien-ch'uan revised and enriched the art of t'ai chi ch'uan handed down from his father Wu Ch'uan-yu. His development of the slow set led to the creation of the style of t'ai chi today known as Wu-style t'ai chi ch'uan.
He omitted some of the repetitions, Fa-jing, stamping and jumping movements to make the form smoother, more structured with continuous steady movements. This form promoted the health aspects of Tai Chi and was more suitable for general practitioners though it still contained all the martial applications and training.
Yang Chengfu of Yang-style t'ai chi ch'uan also modified his own Yang style in a similar way at the same time. His brother, Yang Shou-hao's form had a high frame with lively steps alternating between fast and slow movements with hard and crisp Fa-jing. Chen Pan-ling, who was a student of Yang Shao-hao and Wu Chien-chuan describes T'ai Chi form practice beginning with slow movement changing to fast and returning to slow movement. He also points out learning to exercise rapid movement in the form and training from soft to hard and hard to soft movements.
The Shanghai Wu-style Fast Form kept the original Fa-jing 發勁, jumping, attacking and stamping movements to be studied by those eager to advance their T'ai Chi practice. This advanced form was not yet taught openly.
In December 1982 there was a martial arts meeting held in Beijing to foster the traditional martial arts of China. Wu Ying-hua and Ma Yueh-liang of The Shanghai Jianquan Taijiquan Association contributed to this effort by disclosing the original Wu-style Fast Set for the first time to the public. In 1983 their adopted daughter Shi Mei Lin demonstrated the Wu-style T'ai Chi Fast Form at the All China Traditional Martial Arts competition in Nanchang where she received the Award of Excellence.

Other Wu-style fast forms

The Wu family's Hong Kong branch also teaches a somewhat different .

Shanghai Wu-style fast form list

The following list is an English translation from Chinese of the empty hand or fist form list published in Ma Yueliang's, Wu Yinghua's and Shi Mei Lin's ''Wu-style T'ai chi Fast Form'.
The 95 postures of the Wu fast form style of t'ai chi ch'uan are listed below.
1. The Preparation
2. The Beginning Form
3. Grasp the birds tail
4. Single whip
5. Raise hand and step up
6. White crane flaps its wings
7. Brush knee, twist step
8. Brush knee, twist step
9. Brush knee, twist step
10. Brush knee, twist step
11. Hand strums the lute
12. Step up, diverting and blocking fist
13. As if closing up
14. Tiger and leopard spring to the mountain
15. The cross hands
16. Oblique brush knee, twist step
17. Turn body, oblique brush knee, twist step
18. Grasping the bird's tail
19. Oblique Single Whip
20. Fist under the elbow
21. Step back and repulse the monkey
22. Flying oblique
23. Raise hands and step up.
24. White crane flaps its wings
25. Brush knee and twist step
26. Needle at the sea bottom
27. Fan through the back
28. Turn body, parry and punch
29. Remove step diverting and blocking punch
30. Step up, grasping the bird's tail
31. Cloud hands
32. Cloud hands
33. High pat on horse
34. Open body and kick
35. Open body and kick
36. Turn body, pedaling foot
37. Step up, planting punch
38. Turn body, parry and punch
39. Turn body, double kicking
40. Retreat step, beat the tiger
41. Right parting leg
42. Strike the ears with both fists
43. Open body, kick
44. Turn body, pedaling foot
45. Step up, diverting and blocking fist
46. As if closing up
47. Tiger and leopard spring to the mountain
48. The cross hands
49. Oblique brush knee, twist step
50. Turn body, oblique brush knee, twist step
51. Grasping the birds tail
52. Oblique single whip
53. Parting wild horse's mane
54. Parting wild horse's mane
55. Parting wild horse's mane
56. Jade girl works the shuttles
57. Jade girl works the shuttles
58. Parting the wild horse's mane
59. Jade girl works the shuttles
60. Jade girl works the shuttles
61. Grasping the bird's tail
62. Cloud hands
63. Cloud hands
64. Downward posture
65. Golden cockerel stands on one leg
66. Golden cockerel stands on one leg
67. Step back, repulse the monkey
68. Flying oblique
69. Raise hand and step up
70. White crane flaps its wings
71. Brush knee and twist step
72. Needle at the bottom of the sea
73. Fan through the back
74. Turn body, parry and punch
75. Step up, diverting and blocking punch
76. Grasping the birds tail
77. Cloud hands
78. High pat the horse
79. Palm goes to meet the face
80. Turn body, cross swing lotus
81. Brush knee, twist step
82. Planting punch to groin
83. Grasping the bird's tail
84. Downward posture
85. Step Up to form seven stars
86. Retreat step, ride the tiger
87. Turn body, palm meets face
88. Turn body, double lotus swing
89. Curve bow, shoot the tiger
90. Step up and pound down
91. Palm goes to meet the face
92. Turn body, parry and punch
93. Step up, grasping the bird's tail
94. Like single whip
95. Closing T'ai Chi