Willie Best


William Best, sometimes known as Sleep n' Eat, was an American television and film actor.
Best was one of the first black American film actors and comedians to become well known. In the 21st century, his work, like that of Stepin Fetchit, is sometimes reviled because he was often called upon to play stereotypically lazy, illiterate, and/or simple-minded characters in films. Of the 124 films he appeared in, he received screen credit in at least 77, an unusual feat for a black American bit player.

Career as an actor

Stage

A native of Sunflower, Mississippi, Best reached Hollywood as a chauffeur for a vacationing couple. He decided to stay in the region and began his performing career with a traveling show in southern California. He was regularly hired as a character actor in Hollywood films after a talent scout discovered him on stage.

Film

Willie Best appeared in more than one hundred films of the 1930s and 1940s. Although several sources state that for years he was billed only as "Sleep n' Eat", Best received credit under this moniker instead of his real name in only six movies: his first film as a bit player and in Up Pops the Devil, The Monster Walks, Kentucky Kernels and West of the Pecos, and Murder on a Honeymoon. He thereafter usually received credit as "Willie Best" or "William Best".
Best was first loved as a great clown, then later in the 20th century reviled and pitied, before being forgotten in the history of film. Hal Roach called him one of the greatest talents he had ever met. Comedian Bob Hope similarly acclaimed him as "the best actor I know", while the two were working together in 1940 on The Ghost Breakers.
As a supporting actor, Best, like many black actors of his era, was regularly cast in domestic worker or service-oriented roles. He was often seen making a brief comic turn as a hotel, airline or train porter, as well as an elevator operator, custodian, butler, valet, waiter, deliveryman, and once as a launch pilot. Willie Best received screen credit most of the time, which was unusual for "bit players"; most in the 1930s and 1940s were not accorded due credit. This also happened to white actors in small roles, but black actors were not credited even when their roles were larger. In more than 80 of his movies, he was given a proper character name, beginning with his second film.
He also played the character of "Hipp" in three of RKO’s six Scattergood Baines films with Guy Kibbee: Scattergood Baines, Scattergood Survives a Murder, and Cinderella Swings It in 1943. Actor Paul White, who played a young version of Best’s "Hipp" in the first film, went on to play "Hipp" in the next three films; Best returned to the role in the last two.
Mantan Moreland, one of Willie Best's contemporaries, played "Birmingham Brown" the chauffeur in the Charlie Chan films. When Moreland took temporary leave of the series to tour in vaudeville, Willie Best took over Moreland's role in The Red Dragon in 1945 and Dangerous Money in 1946.

Television

After a drug arrest ended his film career, Best worked in television in the 1950s, almost exclusively at the Hal Roach studio. He became known to early TV audiences as Charlie, the elevator operator on CBS's My Little Margie, from 1953 to 1955. He also played Willie, the house servant/handyman and close friend of the title character of ABC’s The Trouble with Father, for its entire run from 1950 to 1955. He also played Billy Slocum in the syndicated drama Waterfront. He played a surprising straight role, without comedy or dialect, in a Christmas-themed episode of Racket Squad.

Death

Best died on February 27, 1962, at the Motion Picture Country Home in Woodland Hills, California, of cancer at age 45. He was buried on March 5, 1962, at Valhalla Memorial Park Cemetery.

Legacy

Best's "Sleep n' Eat" moniker surfaced again in the 2000 motion picture satire Bamboozled, directed by Spike Lee. In the film a "twenty-first-century minstrel show" is televised starring two black American performers, one of whom plays a character named "Sleep n' Eat". In a nod to one of Best's most respected contemporaries, his on-stage counterpart is named "Mantan".

Filmography