Von Magnet


Von Magnet is a theatre music band originated from the post-industrial musical current from the 80’s. Founded in 1985 in London, the group gathered around Flore Magnet and Phil Von initiating a style of their own which they named "Electroflamenco". Becoming rapidly well known in the underground because of their new approach to electronic music, firstly by incorporating the bases of flamenco then later adding influences of Middle Eastern music.
This electronic ethnic mix, often referred to as "expressionist" or even tribal music, features also references to contemporary and cinematographic soundscapes,.
Their compositions, either instrumental or vocal melodramas, poetic, lyrical, cabaret crooning are sung or spoken in different languages; English, Spanish, French, and also in Arabic, German, Turkish or Russian.
Since 1985, even before the "Computer music" era, they experimented within the likes of the post-industrial musical movement using intensive sound collage and sampling techniques. This work will give birth to their motto: "Sample us as we have already sampled you".
Although strongly focused around the music component, the peculiarity of Von Magnet is to endeavour the recurrent relationship between theatrical actions, dance as well as visual or performance arts, resulting in the creation of "staged" concerts. These multidisciplinary performances bring together musicians, actors, dancers, sculptors, video artists... destabilizing the codes or the staging conventions, the musicians become acting characters whereas the dancers/actors are bound to participate in live sound creation.

History

London, the "Electroflamenco" initiation. ''El Sexo Sur Realista''. 1985-1990

After a collaboration with Robert Rental with whom they prepared their first demo tapes, Von Magnet, helped by Hugh Griffiths at the Remaximum studios, composed their first auto-produced E.P : "I". The record, firstly confidential, was soon distributed within Europe and featured in the charts of the independent music dance clubs. Coming from the world of theatre, visual arts or music, the different individuals forming the group invented a style of performance which combined all of those disciplines.
In parallel, they were initiated to flamenco rhythms by dancer Nuria Garcia and guitarist Mick Jingle who both contributed to the first showings and tours.
Von Magnet met with music wizard Phil Erb as well as producer Ken Thomas.
This performance, outlined in the London underground club scenes, then presented in diverse theatre festivals went on to tour throughout Europe with the help of the Dutch agency NL Centrum.
The scenography of the performance is set around a saw dust arena surrounded by television screens and two opposite stages. Metal costumes hung from the ceiling, objects made out of wire, physical actions, slide projections, flamenco dance and guitar, saxophone, singing and electronic sequences are fused together to form this first interdisciplinary piece.

"Cybergypsies", the quest for a "total physical theatre" performance. ''Computador'' & ''El Grito''. 1990-1994

Von Magnet left London to lead a new nomadic life following the path of different residencies and tours in Europe. They settled for a while in Barcelona, then Brittany, Paris, Amsterdam and Lille. The Rencontres Transmusicales Festival commissioned them for the creation of major multidisciplinary performance. Computador was born. Partially invented inside an abandoned slaughterhouse in Badalona then created in a church in Rennes, the show was later on modified and re-adapted inside old disused factories or odd alternative spaces.
With that "off" or non stage production, the band became a real collective, close to street theatre or circus companies, sometimes compared to La Fura Dels Baus. With stages on wheels, moving objects and giant sculptures, ingenious MIDI triggering, Pani projections, futuristic characters hanging in the air, acrobatics, contemporary and flamenco dance, water, fire and welding. Computador talked about mutations, human or material, pushing the limits which can define a performance piece, questioning the place, voyeurism and comfort of an audience as well as constantly transforming the space and actions. The troupe expanded with the encounter of Spanish performer & actress Rosa Sanchez, Austrian performer Franz F. Feigl and French musician TNO.
More artists arrived to collaborate on different presentations of this big project.
The album Computador portrayed the soundtrack studio version of the show as a musical drama. It was recorded by Norscq and again produced in London by Ken Thomas for the French record label Danceteria.

Berlin, entrance in the world of Ballet. ''Nuevas Cruzes''. 1995-1997

To access a different network of smaller venues on a broader scale, Flore Magnet, Laurence Abraham, Rosa Sanchez, Stocha, Phil Von & Erik Yaeger, decided to condense their favourite themes. Coming back to a new concert-performance formula, this time more accessible, the show "Flamenco mutants" took place in rock venues, discothèques or art galleries. The guitarist Sigmoon, aka Pierre Vildard, joined the venture. The last chapter of their electroflamenco trilogy, El Grito, produced by Norscq for Danceteria, proposed an opus of maturity which summed up their experience of industrial gypsy life. After paying tribute to Salvador Dalí & Andreï Tarkovski, this time it is Luis Buñuel & Jean Cocteau who are honoured in El Grito. New guest musicians excelled on that record, Simon Lee, Micha S. Zanx and Richard Cuvillier, trumpet player, composer and sound engineer who also played on the record Mezclador and live for De L'Aimant.
Invited by choreographer Jan Linkens to create the ballet Nuevas Cruzes at the Komische Oper Berlin, Von Magnet mutated once again, proposing a different musical approach. More acoustic or even "electro-rock", they brought a specific selection of songs onto the opera stage in the middle of the classical ballet dancers. The percussionist Jérome Soudan aka Mimetic became the first drummer of Von Magnet. Countertenor singer François Testory, whom they met in London for El Sexo Sur-realista, was invited especially for the occasion. Nuevas Cruzes was presented in Berlin for three years, then toured throughout Europe. It is that encounter with the world of German Ballet which led Von Magnet to work for choreographer Mario Schröder in Kiel and the Anhaltisches Theater in Dessau.

The Mediterranean/oriental mix. ''Mezclador'' / ''El Planeta''. 1997-2002

After the completion of the arrangements on the album Mezclador, Stocha left Von Magnet to dedicate himself to his work with Konic Theatre. With this record, Phil Von, inspired by film director Tony Gatlif and his film Latcho Drom took Von Magnet away from its flamenco influences and approached more diverse horizons. This time the music wanders towards Oriental, Mediterranean or even Eastern European sound atmospheres.
The concert-performance Mezclador experimented again with some daring ideas of scenic destabilisation, this time using three stage areas, lighting sculptures and objects, television screens, vinyl scratch and choreographed physical actions in the midst of the audience.
Stalker Project, a performance especially designed for 3 old factories was set around four cardinal stages encircling the public and featuring a special collaboration with contemporary dancer Myriam Gourfink.
The next stage production El Planeta gathered Mimetic, Sigmoon, Flore Magnet and Phil Von, a strong quartet for a frontal concert accompanied by video projections showing the graphic cybernetic visual creations of artist Servovalve.
After Phil Von’s solo album in Morocco with the Gnawa musicians of Fès, Von Magnet delved into different interpretations on the thematics of rituals or trance which somehow marked the live experience of the band. Still opening up to a wider range of musical landscapes, but this time with a slight Sufi flavour, the record El Planeta, mainly programmed by Mimetic & Phil Von, held a more electronic feel. The acoustic components remained with the multi-instrumental virtuosity of Sigmoon and the Balkan style of violin player Frank Dematteïs.

Back to the roots of Flamenco. ''De L'Aimant''. 2003-2007

With the direction of two singular “made to measure“ big scale projects, 1+1+1+ =1 a piece written for twelve young Turkish artists at the International Theatre Festival of Izmit, and Deadline Now created in Portugal with the company Persona for the festival Imaginarius, Von Magnet approached the world of street theatre.
In 2005, Flore and Phil decided to go back to their vision of modern flamenco. De L’Aimant revisited the obsessive rhythms and patterns which kept haunting the band. The discovery of young talent Sabine Van Den Oever in Den Haag allowed each song to be coloured by a touch of feminine flamenco guitar. In De L’Aimant the essence of musical theatricality, poetical lyrics and cinema references remained. The performance, although more traditionally flamenco, was atypical. Placed on a cross shaped stage structure in the center of a venue, each branch held one of the performer/singer/guitarist/dancer, directly aimed towards the public who was invited to move around the 360° scenic installation. Yana Maizel, flamenco dancer and cajon player completed the line-up. Circular images projections were created by film maker Xavier Ameller. The last production occurred in the Musée des Beaux Arts of Lille during a Francisco de Goya exhibition.
The same year, Holeg Spies, electronic musician and composer, achieved Spies under Von Magnet Influence, an album made out of his own versions of classic Von Magnet songs.

Staging Magnetism. ''Neither Predator Nor Prey'' & ''Polarized''. 2008-2013

In its own intimate poetic way Ni Prédateur Ni Proie or Neither Predator Nor Prey broached the delicate subject of the Israeli-Palestinian conflict and the complex situation in the Middle East. The album was more instrumental but resolutely industrial, tribal and dark. Def, who had been sound engineering and shaping the live sound of the band, became co-composer of the project and joined Flore Magnet & Phil Von on stage. The performance created from this CD was co-produced with the help of T.O.T.E.M Materia Prima in Nancy & Emmetrop in Bourges. The piece was a metaphor of the “wall“ which stands between two human beings and two close worlds. It radically cut up the theatre hall in two halves splitting the public in two groups. Two characters lived back to back in two rooms, separated by a white wall/screen but linked to each other by a video surveillance system.
With its latest performance Polarized, Von Magnet returned to the conquest of classic theatre stages and pushed the idea of the confrontation between opposite poles, neighbour territories and conflicting characters.
The arrival of new members : Tit’o, electric guitar player with the groups Picore, Uzul Prod. and Oddateee, Hugues Villette half of the electronic duet 2Kilos & More, and Lisa May, complete the distribution of the concert/performance created in the Theatre of Vanves & in Le Fil St Etienne.
With the release of the album Archipielagos, Von Magnet opens a new page of their career.

Phil Von

Phil Von parallel to his work with Von Magnet is composing as well as performing for different dance and street theatre companies. After the collaboration with Norscq on Atlas Project, he wrote the piece Compass for Art Zoyd and the Musiques Nouvelles Ensemble of Jean Paul Dessy. With Mimetic he created Groundspace for the GRM and the Radio France festival. He was musician & performer with Russian/German company Do Theatre, French performance company Materia Prima, Street Theatre companies Entre Terre et Ciel, Underclouds & U-Structure Nouvelle which they toured in Great Britain. He worked with butoh choreographer Sakurako in Paris for her company Re-United Now-Here and currently in Lithuania co-directing her new Baltic butoh dance-theatre company Okarukas. Under his own name, he has released four albums: L'Autre Nuit with the Gnawa musicians of Fès, Deadline Now soundtrack of performance for the Portuguese company Persona and in 2015 the more intimate Blind Ballet on Ant-Zen Records. A selection of his best soundtracks written for the street theatre company Underclouds, entitled Made Underclouds, was released in February 2019 on Zona Music and Ant-Zen. In 2016. together with Somekilos from 2kilos &More, he created the tribal electro project META MEAT, which album "Metameat" was released on two labels — Ant-Zen and Audiotrauma — and toured Europe with great success. In 2019, he created in Lithuania his first solo dance-music performance Human, Lost and Found which was performed in Mo Museum Vilnius, Post Gallery Kaunas and Menu Spaustuvè Vilnius.

Stage productions

double DVD digipack with video archives / bonus audio & remixes