Virgil Donati


Virgil Donati is an Australian drummer, frequent drum clinician and a producer. He is currently playing with Icefish and his own various bands among other projects. Virgil is perhaps most well known for his fast, highly technical drumming skills. He holds the drum sticks in the traditional style and is also proficient at the keyboard. Donati also performed with Jack Jones in a Van Halen tribute band in Melbourne known as Hans Valen prior to the bands The State and Southern Sons.

Early life and career

Virgil Donati was born in Melbourne, Victoria of Italian descent. He got his first drumset at age 2. He started playing soon after with his father's showband, and kept on doing these shows until he was around 6 years old. At age 6 he started taking piano lessons. He joined his first major rock band and signed with his first major record label at the age of 15. The band was first called Cloud Nine, but was later renamed Taste, with whom he recorded 3 albums. Soon after at age 16, Donati left school focusing mainly on the drums, but also piano. At age 19 Donati travelled to the U.S. to study with Philly Joe Jones, and at Dick Groves School in Los Angeles. He also took lessons from snare drum specialist Murray Spivack and Rob Carson.

Success and bands

Donati returned to Australia at the age of 21. He then performed jazz with Allan Zavod and Brian Brown, and rocked with Peter Cupples' band.

Influences

With his father's choice of records, including Louie Bellson and Buddy Rich albums, Donati quickly became a fan of those great jazz drummers, trying to emulate their solos. The first rock drummer to make a big impact on him was Ian Paice of Deep Purple. Donati said, "I was blown away with his playing, his clarity. Back in the early ‘70s he seemed to be an articulate drummer with a lot of soul in his playing. I loved his power and strength and the way he articulated his phrasing. I loved his approach." In an interview with Modern Drummer magazine, the issue of which came out in 1999, Donati prefers playing with traditional grip. He said, "I decided that it's just how I wanted to play... There are times when, believe it or not, traditional grip feels better on my left hand than on my right... Traditional grip doesn't limit me in any way. That said, I would not necessarily recommend traditional grip. It is a far more difficult grip to get used to and to develop power with. Any student serious about learning this instrument would be better off focusing on matched. Still, because it's not used very much today, traditional grip seems to be more hip."

Discography

Solo

Blo

With Southern Sons

*
*
*
*