"Uptight " is a 1965 hit single recorded by American singer-songwriter Stevie Wonder for the Tamla label. One of his most popular early singles, "Uptight " was the first Stevie Wonder hit single to be co-written by the artist. A notable success, "Uptight " peaked at number 3 on the Billboard Pop Singles chart in early 1966, at the same time reaching the top of the BillboardR&B Singles chart for five weeks. Billboard ranked it as the 59th biggest American hit of 1966. An accompanying album, Up-Tight, was rushed into production to capitalize on the single's success. It also garnered Wonder his first two career Grammy Award nominations for Best R&B Song and Best R&B Performance.
Background
The single was a watershed in Wonder's career for several reasons. Aside from the US number-one "Fingertips", only two of Wonder's singles, "Workout, Stevie, Workout" and "Hey Harmonica Man" had both peaked inside of the top forty of the US BillboardHot 100 chart, peaking at #33 and #29 on that chart respectively. And despite receiving a modicum of chart success, the then 15-year-old Wonder was in danger of being let go. In addition, Wonder's voice had begun to change, and Motown CEO Berry Gordy was worried that he would no longer be a commercially viable artist. As it turned out, however, producer Clarence Paul found it easier to work with Wonder's now-mature tenor voice, and Sylvia Moy and Henry Cosby set about writing a new song for the artist, based upon an instrumental riff Wonder had devised. Nelson George, in Where Did Our Love Go? The Rise and Fall of the Motown Sound, recorded that Wonder had also sought something based on the driving beat of the Rolling Stones's " Satisfaction", after playing several dates with the Stones on tour and being impressed with the British band. As Wonder presented his ideas, finished or not, "he went through everything," remembered Moy. "I asked, 'Are you sure you don't have anything else?' He started singing and playing 'Everything is alright, uptight.' That was as much as he had. I said, 'That's it. Let's work with that.'" The resulting song, "Uptight ", features lyrics which depict a poor young man's appreciation for a rich girl's seeing beyond his poverty to his true worth. On the day of the recording, Moy had completed the lyrics, but didn't have them in Braille for Wonder to read, and so sang the song to him as he was recording it. She sang a line ahead of him, and he simply repeated the lines as he heard them. In 2008, Moy commented that "he never missed a beat" during the recording.
A note-for-note re-recording of Wonder's version was used as the backing track for Bill Cosby's 1967 musical comedy single, "Little Ole Man " which was a US#4 hit. Bill Cosby is not related to the song's co-writer Henry Cosby.
The song was adapted in French by Georges Aber under the name "Les Coups" for the singer Johnny Hallyday on his 1966 EP Cheveux longs et idées courtes.
Australian band Human Nature recorded a version for their 2006 album and released a remixed single version in 2007.
