Troy was repeated the year following its first transmission and has been broadcast on BBC Radio 7 every year from 2004 to 2009 and on its successor channel BBC Radio 4 Extra in 2012. It has also been broadcast in other countries, for example by ABC Classic FM in 1999 and 2000.
Cast
Episodes
Troy consists of three 90-minute plays.
''King Priam and His Sons''
The first episode starts with the events around Paris's birth, the prophecies that he would bring about the destruction of Troy and King Priam's decision to have him exposed on Mount Ida. It continues with his decision to leave his foster-father Anacreon and lover Oenone to go to Troy to plead for the return of a bull that is being taken there for sacrifice and Priam's subsequent recognition and acceptance of him as his son. It concludes with Paris's elopement with Helen from Sparta and Priam's decision to support the two lovers rather than return Helen to her husband Menalaus and his consequent acceptance of the war with the Greeks.
The final episode concerns events after the war. It covers Klytemnestra's revenge on Agamemnon and their children Orestes and Electra's revenge on her and subsequent sentencing. It also portrays the lives of Menalaus and Helen after they are separated by a shipwreck and she is raped, mutilated and sold into slavery by pirates. It ends with their reunion.
has adapted a selection from the trilogy as Men Do Not Go to War Over Women. It features speeches by Helen and Klytemnestra. Landor has performed it at the Battersea Arts Centre in 2000 and at the British Museum in 2004. She has also taken it to the Balkans.
Critical reception
When Troy was first transmitted it received much praise. The Independent's critic Robert Hanks summed up its approach to its subject as follows: "If Troy has a theme, it is accepting what life throws at you, the grace that is left when ambition and possessions and everything else you thought made life enjoyable have been stripped away". He praised the play's "boldly conceived, always searching approach to the story and its infinite meanings" and the strength of the casting, though he had qualms about the score and how the language shifted between the archaic and the modern. Colleague Sue Gaisford had no such reservations stating "Jeremy Mortimer's production of Andrew Rissik's trilogy is probably the greatest radio drama could ever hear". She praises the language as "spare, poetic, beautiful", noting the use sometimes of iambic pentameter and extended imagery. Ken Garner of The Express on Sunday noted that "most of the acting was intimate, understated, with long monologues. Only in the conflict between Achilles and Hektor did language and delivery match the violent action." In contrast to Hanks, he saw the score as a positive element "It still made sense stripped of verbal passion. Nick Russell-Pavier and David Chilton's martial music supplied the tension bled out of the script." In summation, "This was a Trojan War for our time, a tale of intimate, everyday human weakness; they sought 'the life of quietness', while knowing their desire was destroying it."
