Toni Iordache


Toni Iordache was a Romani-Romanian lăutar and one of the most famous cimbalom players in the world. He was nicknamed the God of the Cimbalom and Paganini of the cimbalom.

Early life

Toni was born in Bâldana village, near Bucharest, and began learning the instrument from his father when he was four. Some years later his family would move to Bucharest in the Herăstrău neighborhood, where many famous lăutari lived. There, Toni continued to learn from Mitică Ciuciu, who was a famous cimbalom player in his days.

Career

At 12, he was employed at the National Radio Orchestra of Popular Music. Later he became a member of the Ciocârlia National Ensemble, the primary popular ensemble in the country. With the Ciocârlia Ensemble, Toni Iordache toured the world: many European countries, the USA and also Asian countries. In between tours, he would play at weddings, being the most sought after lăutar of his day. Often, after landing at the airport he would drive directly to a wedding where the other musicians were waiting for him.
He won two gold medals: in Vienna and Sofia and appeared as guest soloist on Zoltan Kodaly's 'Hary János Suite' performed by the NHK Symphony Orchestra, in Tokyo, in 1973.
Among others, he played with Romica Puceanu, Gabi Luncă, Ion Onoriu, Ionică Minune and also with the well-known pan flute player Gheorghe Zamfir.

Imprisonment

In the early seventies Toni Iordache was arrested for possession of foreign currency, which was strictly forbidden in communist Romania. He reportedly wanted to buy a fur coat for his wife with it. Despite his high popularity and interventions in his favor he was sentenced to three years in jail. His imprisonment was kept undisclosed to the press, only his friends knew. During his time in jail he lost greatly in weight, but he recovered fast after his release and was able to resume his musical activity. His time in jail was made easier by both his fellow inmates and guards that were very fond of him.

Death

Toni Iordache became seriously ill with diabetes. The doctors recommended to have his leg amputated, but the operation did not save his life. He died in February 1988. His friend and fellow musician Costel Vasilescu took care of the funeral.

Style

Although he played a lot of the "popular" music that was promoted by the communist regime, Toni Iordache remained known among aficionados especially for his work as a lăutar. His solos were very complex, but also clear and beautiful and his improvisations were full of imagination. He was not only a very virtuoso player, but also a very sophisticated one, with a high emphasis on touch, playing the slow pieces with great sensibility. He was able to play two melodic lines simultaneously at high tempos and knew how to use the full capacities of the cimbalom.

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