The body of the Italian unknown soldier was chosen on 28 October 1921, in the Basilica of Aquileia by Maria Bergamas, the mother of Antonio Bergamas an Italian irredentist volunteer in the Royal Italian Army whose body was not recovered. Maria Bergamas chose the body from among 11 unidentified bodies of members of the Italian Armed Forces whose remains had been retrieved from various areas of the front. Maria Bergamas, after passing in front of the first coffins, failed to continue the route and screaming the son's name slumped to the ground in front of the tenth coffin: this was the chosen body. The other ten bodies remaining in Aquileia were buried in the military cemetery. The chosen body made a journey from Aquileia to Rome by train passing through Udine, Treviso, Venice, Padua, Rovigo, Ferrara, Bologna, Pistoia, Prato, Florence, Arezzo, Chiusi and Orvieto, at a moderate speed, in each station the population could honor the Unknown Soldier.
Burial
The body was buried on November 4, 1921 at the Altare della Patria in Rome under the statue of the goddess Roma with a solemn ceremony, at which King Victor Emmanuel III was present as well as many veterans and war widows. The body was initially transported by some soldiers to the Basilica of St. Mary of the Angels and the Martyrs before being transferred, through a procession, to the Altare della Patria. The epigraph on the tomb at the Altare della Patria shows "" and dates "" and "", or the beginning and end of Italian participation in the First World War. The burial ceremony of the Unknown Soldier, which took place on November 4, 1921, was the most important and participatory patriotic demonstration of united Italy, given that a million people participated. On November 1, on the initiative of deputy Giovanni Giuriati, to the Unknown Soldier was awarded Gold Medal of Military Valour, the highest Italian military decoration, with a motivation that was later also reported on the side of his sacellum which located inside the Altare della Patria, in the homonymous crypt: On the front door of the internal crypt is present this epitaph, which was written by King Victor Emmanuel III:
The tomb
Parts of the crypt and the sepulcher were made with stone materials from the mountains that were the scene of the battles of the First World War: the marble floor is from the Karst Plateau while the small altar was made of a single block of stone from Monte Grappa. The tomb of the Unknown Soldier is always guarded by soldiers. The guard is provided with military personnel of the various weapons of the Italian Armed Forces, which alternate every ten years. In 2011, from 29 October to 2 November, on the occasion of the celebrations for the 150th Anniversary of the Unification of Italy and of the 19th anniversary of the transfer of the body from Aquileia to Rome, there was the historical re-enactment of the journey by train of the Unknown Soldier. It is the scene of official ceremonies that take place annually on the occasion of the Italian Liberation Day, the Italian Republic Day and the National Unity and Armed Forces Day, during which the President of the Italian Republic and the highest offices of the State pay homage to the shrine of the Unknown Soldier with the deposition of a laurel wreath in memory of the fallen and missing Italians in the wars. , between the Corazzieri and the guard of honour, pays tribute to the Unknown Soldier The reason for his strong symbolism lies in the metaphorical transition from the figure of the soldier to that of the people and finally to that of the nation: this transition between increasingly broader and generic concepts is due to the indistinct traits of the non-identification of the soldier. His tomb is a symbolic shrine that represents all the fallen and missing in the war. The side of the tomb of the Unknown Soldier that gives outward at the Altare della Patria is always guarded by a guard of honor and two flames that burn perpetually in braziers. The guard is provided with military personnel of the various weapons of the Italian Armed Forces, which alternate every ten years. The allegorical meaning of the perpetually burning flames is linked to their symbolism, which is centuries old, since it has its origins in classical antiquity, especially in the cult of the dead. A fire that burns eternally symbolizes the memory, in this case of the sacrifice of the Unknown Soldier moved by patriotic love, and his everlasting memory of the Italians, even in those who are far from their country: not by chance on the two perennial braziers next to the Tomb of the Unknown Soldier is placed a plaque whose text reads "Italians Abroad to the Motherland" in memory of donations made by Italian emigrants between the end of the 19th century and the beginning of the 20th century for the construction of the Vittoriano.
