Tiburtine Sibyl


The Tiburtine Sibyl or Albunea was a Roman sibyl, whose seat was the ancient Etruscan town of Tibur.
The mythic meeting of Cæsar Augustus with the Sibyl, of whom he inquired whether he should be worshiped as a god, was a favored of Christian artists. Whether the sibyl in question was the Etruscan Sibyl of Tibur or the Greek Sibyl of Cumæ is not always clear. The Christian author Lactantius identified the sibyl in question as the Tiburtine sibyl. He gave a circumstantial account of the pagan sibyls that is useful mostly as a guide to their identifications, as seen by 4th-century Christians:

The prophecy of the Tiburtine Sibyl

An apocalyptic pseudo-prophecy exists among the Sibylline Oracles, which was attributed to the Tiburtine Sibyl. Its earliest version may date from the fourth century, but in the form that it survives today it was written in the early eleventh century, and has been influenced by the Apocalypse of Pseudo-Methodius. Its first version in Latin dates from the tenth century and may have come from Lombardy, though it was quickly picked up by the Salian dynasty and the Hohenstaufens. It proved a useful rhetorical tool, valuable for many a ruler; the lists it contained of emperors and kings were revised to fit the circumstances, and hundreds of versions remain from the Middle Ages.
Its conclusion purports to prophesy the advent in the world's ninth age of a final Emperor vanquishing the foes of Christianity:
This Emperor's reign is characterized by great wealth, victory over the foes of Christianity, an end of paganism and the conversion of the Jews. The Emperor having vanquished Gog and Magog,
In doing so, he will give way to the Antichrist:
The prophecy relates that Antichrist would be opposed by the Two Witnesses from the Book of Revelation, identified with Elijah and Enoch; after having killed the witnesses and started a final persecution of the Christians,

Frescoes at the Villa d'Este

rebuilt the Villa d'Este at Tibur, the modern Tivoli, from 1550 onward, and commissioned elaborate fresco murals in the Villa that celebrate the Tiburtine Sibyl, as prophesying the birth of Christ to the classical world.

Gallery