Thomas Christoph Heyde
Thomas Christoph Heyde is a German composer, media artist and curator. He is chairman of the Forum Zeitgenössischer Musik Leipzig.
Life
Heyde was born in Leipzig in 1973 as the son of a pastor. From the age of seven he was trained on the piano and later received private composition lessons from Lorenz Stolzenbach. Without passing his Abitur he first completed a pharmaceutical education and worked as a nurse in a Leipzig hospital. Via a special test he studied musical composition with Peter Herrmann and electroacoustic music with Eckhard Rödger at the University of Music and Theatre Leipzig from 1994 on. Thanks to two scholarships he studied from 1997 to 1999 as for composition with Friedrich Schenker at the Academy of Arts, Berlin and with Thomas Kesseler at the of the City of Basel Music Academy.From 1998 to 2006 he taught the new media art at the Hochschule für Grafik und Buchkunst Leipzig and was head of the electronic studio there. From 2001 to 2002 he was organizer of the concert series Sendemusik of the Mitteldeutscher Rundfunk.. He was curator of several projects, including Interferences of, Düsseldorf, the Spinnerei-Festival for contemporary music, Leipzig/Dresden, the Musik-Zeit-Herbstfestival, Leipzig, the Matrix-Herbstfestival for sound art, Leipzig, the Grenzregionen-Festival for Eastern European music, Leipzig, the project ost. etc, Leipzig and the art festival electric renaissance, Halle. Since 2003 he is artistic director of the Forum Zeitgenössischer Musik Leipzig. FZML. He organized among others the international art and music project Cage100 and the transmediale project ABENDMAHL - "diminishing horror | increasing love". In WS 2012/13 he was a lecturer on John Cage and in WS 2016/17 on musical concepts after 1945 at the Institute of Musicology of the University of Leipzig.
He writes mainly orchestral and chamber music. His compositions have been broadcast by Deutschlandradio, Deutschlandfunk, MDR, Bayerischer Rundfunk, Westdeutscher Rundfunk and Swiss Radio. His special interests are live electronics and video art. Thus he worked together with Ulrich Polster. The resulting art videos have been shown in museums in France and Great Britain.
With the professor of linguistics he has two children. He is married to the psychologist and therapist Ina Habt.
Heyde is chairman of the board of Mosaik Leipzig e.V. The institution operates a migration consultancy service among others and a psychosocial centre for refugees.
Sound language
The music journalist Dirk Wieschollek described Heyde as: "equally socialized with " classical music ", " new music " and " techno "". In the radio feuilleton of Deutschlandradio Kultur it was said: "He wants to inspire people for New Music who have little contact with high culture. Therefore he also has concerts played in very unusual places."Awards
- Scholarships of: Academy of Arts Berlin, German National Academic Foundation, Alfried Krupp von Bohlen und Halbach Foundation,
- 2001:
Work
Withour electronics
- Apparitionen I for trumpet solo
- Streichquartett Nr. 3 – 1. Version – 2. Version
- Charakteristische Studien für Klavier
- Drei „Lieder“ for baritone and piano
- Streichquartett Nr. 4
- Rhythmica Moblié for four pianists at two pianos
- Appartments II. Chamber music for 9 players
- Lamento ?. Requiem for 3 instruments, 2 speakers and voice. Premiere Weimar 1997
- NO NAME. A potpourri of awakening for ensemble. Premiere Berlin 1997
- mein fremdes Land for flute solo
- ENSEMBLE for prepared piano. Premiere Leipzig 1998
- vor mir entlang for four recorder players
- Apparitions V for solo violin
- Schwebung for two-manual harpsichord
- für S.. Arie für Bariton und Kammerensemble. Premiere Leipzig 1999
- rufen? nein, wollen! for Ensemble
- Ansichtennetz for English horn, bassoon, guitar and viola. First performance Leipzig 2001
- Schwarzfahrer-Marsch I/II for accordion, triolas and percussion
- Bälle und Felle for accordion and 3 percussionists
With electronics
- Apparitionen III for solo violin, 4-channel playback tapes and live electronics. UA Leipzig 1996
- KULTUS for mezzo-soprano, chamber orchestra, chamber choir, live electronics and tape. First performance Leipzig 2000
- Appartments IV. Audio pictures for oboe, 4-channel tape and live electronics. First performance Leipzig 1998
- ARENA for orchestra
- Umgang-Aufstieg-Abgang for flute, oboe, trumpet, percussion, live electronics and 4-channel tape
- Gewässer des Lichts for mezzo-soprano, small ensemble and tape
- Piano-Chat for MIDI piano, computer and live electronics. first performance Leipzig
- Fernen for 3 recorders, 8-channel tape and live electronics. first performance Berlin
- Ich-ein Fremder for voice, chamber orchestra, 7.1 surround tape and live electronics. Premiere Dresden
- Confetti Parade mit Hardcore-Romantik for flute, electric guitar, video and electronics
- Apparitionen VI for bassoon, 2-channel tape and subwoofer
- Apparitionen VI for recorder, 2-channel tape recorder and subwoofer
- High-Culture-Motherfuckers for 4 percussionists and tape
- 3xkurz 3xlang for ensemble, live-electronics and tape
- 3xkurz 3xlang II for ensemble, live electronics and tape
- CH-GS1978 for 3 recorders, mobile video monitors and tape
- Frost for violoncello, electronics and video screens
- memory-faded for viola, piano and live electronics
- Fieldz for piano, 4 percussionists and electronics
- Death Is Not the End for organ, viola and electronics
Writings
- '. In Neue Musikzeitung 51 2.
- Neue Musik ohne Festivals? In ' 52,.
- FreiZeitArbeit. In Positionen 76,.
- B-A-C-H | C-A-G-E. Zwei Weltenordner, Leipzig und CAGE100. In Positionen 93.
Literature
Anthologies
- Heyde, Thomas Christoph. In : Komponisten der Gegenwart in Deutschen Komponistenverband: Ein Handbuch. 5th edition, ConBrio Verlags-Gesellschaft, Regensburg 2000,,.
- Heyde, Thomas Christoph. In Axel Schniederjürgen : Kürschners Musiker-Handbuch.'' 5th edition, Saur Verlag, Munich 2006,,.
Interviews and conversations
- Ronny Arnold: '. Deutschlandradio Kultur, 11 March 2013.
- Thomas Buchholz: '. In the Neue Musikzeitung 51 2.
- Stefan Reisner: . In Neue Musikzeitung 61 11.