Panofka studied classical philology at Berlin University from 1819. In 1823 he travelled to Rome and a year later – along with the painter Otto Magnus von Stackelberg, the art writer and collector August Kestner and the classical art historian Eduard Gerhard – founded the "Hyperboreans", a group of northern European scholars who studied classical ruins in Rome. In Rome, Panofka's intelligence drew attention and patronage from the Duc de Blacas, the French ambassador to the Papal States, and a collector of antiquities, with whom Panofka remained upon the duke's 1828 return to Paris. When in 1829 the "Hyperboreans" metamorphosed into the Instituto di Corrispondenza Archaeologica, Panofka was named the new organisation's secretary for its members in Paris. Panofka travelled to southern Italy, where he became involved in the antiquities collection of the Museo Nazionale in Naples, in particular cataloguing its vases of the museum. On his subsequent return to Paris, Panofka published these researches on Greek pottery as Recherches sur les véritables noms des vases grecs. However, by 1836, he had moved to work at the Royal Museum in Berlin, where his knowledge of classical vases eventually led to his being appointed curator of the vase collection. Despite his growing deafness, and his becoming less and less able to support himself on the museum's wages, Panofka managed to publish Terracotten des königlichen Museums zu Berlin in 1842, and a philological study of the figure of the African in the cult of Delphi in 1849. The latter was ahead of its time, in that nobody had yet realised the relation of Delphi with Egypt. He had become Professor of Archaeology at Berlin University in 1844 and in 1856, two years before his death, became Conservator of the Museum's vases collection . He died in Berlin at 58.
Posts
1826–34 Personal tutor of the Duke of Blacas, and foreign secretary of the French section of the Archeological Institute in Rome.
1836 Assistant at the Royal Museum in Berlin
1844 Professor of archaeology at Berlin University
1856 Conservator of the Royal Museum's vases collection in Berlin
Reception
Later scholars have demonstrated that Panofka was overly subjective on his judgment of vases and made numerous errors. However, in spite of this criticism, his support for intellectual societies, in particular the early Instituto di Corrispondenza Archaeologica in Rome, was important preliminaries the inception of the present German Archaeological Institute in 1871, which lasts to this day as the intellectual organization for German classical research.
Works
Recherches sur les véritables noms des vases grecs et sur leurs différens usages, d'après les auteurs et les monumens anciens. Paris: Leipsick, Debure frères M. Weigel, 1829.
Antiques du Cabinet du Comte de Pourtals-Gorgier. Paris, 1834
Terracotten des königlichen Museums zu Berlin. Berlin : G. Reimer, 1842
Bilder Antiken Lebens, 1843
Asklepios u. die Asklepiades, Abhemdl. Der Berliner Acad., 1845.
Die griechischen Eigennamen mit Kalos im Zusammenhang mit dem Bilderschmuck auf bemalten Gefässen. Berlin: Gedruckt in der Druckerei der König. Akademie der Wissenschaften, 1850
His letters are included in Raumer, Friedrich von, editor. Antiquarische Briefe. Leipzig: F. A. Brockhaus, 1851
