The Woodsman is a 2012 American stage play, written by James Ortiz with music composed by Edward W. Hardy and lyrics by Jennifer Loring. It focuses on the story of the Tin Woodman character from L. Frank Baum's series of books set in the fictional Land of Oz, notably Baum's 1918 book The Tin Woodman of Oz. The production employs live performers, puppets, music, and very few spoken words. Conceived by James Ortiz, Edward W. Hardy and Strangemen Theatre Company, originally created by James Ortiz & Diana Stahl and produced by Steven Laing & Jason Ralph, the show debuted in 2012 at Standard ToyKraft in Brooklyn, followed by a 2013 run at the Ars Nova ANT Fest. It has been produced Off-Broadway at 59E59 Theaters in 2014 and 2015, and at New World Stages in 2016. The play has received critical praise, and won a 2016 Obie Award for Ortiz's puppet design. On September 2, 2016, a filmed performance of the work was broadcast by PBS stations, as part of the Theater Close-Up series produced by WNET in association with BroadwayHD.
Plot
The play focuses on the story of Nick Chopper, a mortal woodsman who falls in love with a young woman whose guardian is the Wicked Witch of the East. The witch curses his axe and he begins to lose pieces of himself. As he falls apart, he is replaced piece by piece with metal, while trying to hold on to his love and identity.
Original Off-Broadway cast
Ben Bass
Devin Dunne Cannon
Will Gallacher
Edward W. Hardy
Amanda Lederer
Aaron McDaniel
James Ortiz
Eliza Simpson
Meghan St. Thomas
Carol Uraneck
Cast recording
The Woodsman, an album featuring the music composed and performed by Edward W. Hardy, was released digitally on May 29, 2016. The album received positive mention in Broadway World. Hardy said the music was intended to "reflect the period in history and to pay homage to L. Frank Baum’s touching story", using different musical genres.
Track listing
Reception
New York Times critic Laura Collins-Hughes praised the 2015 production, especially for Hardy's music and for Ortiz's puppet design, while noting that the visual, nonverbal storytelling of the hour-long production was not always clear to the audience. Collins-Hughes found the 2016 production to be less rushed and "more assured", with an increased "visual lushness", but felt that "mechanics get in the way of fantasy" during part of the show. Variety's Marilyn Stasio cited the production's "haunting beauty", while Frank Scheck of The Hollywood Reporter described the "charming and disturbing", minimalist production as the antithesis of Wicked, the massively successful big-budget Oz-based musical playing a block away.
