The Honeymooners


The Honeymooners is a classic American television sitcom created by and starring Jackie Gleason, based on a recurring comedy sketch of the same name that had been part of his variety show. It followed the lives of New York City bus driver Ralph Kramden, his wife Alice and his best friend Ed Norton, as they get involved with various scenarios and schemes in their day-to-day living. Most episodes revolved around Ralph's poor choices in absurd dilemmas which frequently showed his quick-to-judge attitude in a comedic tone. The show occasionally featured more serious issues such as women's rights and social impressions.
The sketches originally aired on the DuMont network's variety series Cavalcade of Stars, which Gleason hosted, and subsequently on the CBS network's The Jackie Gleason Show which was broadcast live in front of a theater audience. The popularity of the sketches led Gleason to rework The Honeymooners as a filmed half-hour series, which debuted October 1, 1955, on CBS, replacing the variety series. It was initially a ratings success as the No. 2 show in the United States during its first season, facing stiff competition from The Perry Como Show on NBC. The show eventually dropped to No. 19. The production ended after 39 episodes. The final episode of The Honeymooners aired on September 22, 1956, although Gleason sporadically revived the characters until 1978.
Nearly all 1950s sitcoms featured upper middle class families, with the father wearing a suit and tie around their suburban single-family house, and the mother in an attractive dress and pearls. The Honeymooners was one of the first U.S. television shows to portray working-class married couples in a gritty, non-idyllic manner, as the show is mostly set in the Kramdens' kitchen in a neglected Brooklyn apartment building.

Cast and characters

The majority of The Honeymooners episodes focused on its four principal characters, and generally used fixed sets within their Brooklyn apartment building. Although various secondary characters made multiple appearances and occasional exterior shots were incorporated during editing, virtually all action and dialogue was "on stage" inside the normal backdrop.

Ralph Kramden

Played by Jackie Gleason—a bus driver for the fictional Gotham Bus Company based in New York City. He never is seen driving a bus, but sometimes is shown at the bus depot. Ralph is frustrated by his lack of success and often develops get-rich-quick schemes. He is very short-tempered, frequently resorting to bellowing, insults, and making hollow threats. Well-hidden beneath the many layers of bluster, however, is a softhearted man who loves his wife and is devoted to his best pal, Ed Norton. Ralph enjoys—and is proficient at—bowling and playing pool, and is an enthusiastic member of the fictitious Loyal Order of Raccoons. Ralph's mother rarely is mentioned, although she does appear in one episode. Ralph's father is only mentioned in one episode as having given Ralph a cornet he learned to play as a boy, and insists on keeping when Alice suggests it be thrown away.
The Ralph character was given honorary membership in the union for real New York City bus drivers during the run of the show, and a Brooklyn bus depot was named in Gleason's honor after his death. Ralph Kramden was the inspiration for the animated character Fred Flintstone. An eight-foot-tall bronze statue of a jolly Jackie Gleason in the bus driver's uniform was also erected in 1999 in front of Manhattan's midtown Port Authority Bus Terminal. TV Land funded the statue in cooperation with Gleason's estate and the Port Authority.

Alice Kramden

Alice, played in the first nine skits, starting in 1951, and ending in January 1952 by Pert Kelton, and by Audrey Meadows for all remaining episodes, is Ralph's patient but sharp-tongued wife of 14 years. She often finds herself bearing the brunt of Ralph's insults, which she returns with biting sarcasm. She is levelheaded, in contrast to Ralph's pattern of inventing various schemes to enhance his wealth or his pride. In each case, she sees the current one's un-workability, but he becomes angry and ignores her advice. She has grown accustomed to his empty threats—such as "One of these days, POW!!! Right in the kisser!", "BANG, ZOOM!" or "You're going to the Moon!"—to which she usually replies, "Ahhh, shaddap!" Alice studied to be a secretary before her marriage and works briefly in that capacity when Ralph is laid off. Wilma Flintstone is based on Alice Kramden.
Another foil for Ralph is Alice's mother, who is even sharper-tongued than her daughter. She despises Ralph as a bad provider. Alice's father is occasionally mentioned but never seen. Alice's sister, Agnes, appeared in one episode. Ralph and Alice lived with her mother for six years after getting married before they got their own apartment. In a 1967 revival, Ralph refers to Alice as being one of 12 children with her father never working.
The Honeymooners originally appeared as a sketch on the DuMont Network's Cavalcade of Stars, with the role of Alice played by Pert Kelton. When his contract with DuMont expired, Gleason moved to the CBS network where he had The Jackie Gleason Show, and the Alice role went to Audrey Meadows because Kelton had been blacklisted. According to playwright Arthur Miller, a family friend, writing many years later in his autobiography Timebends: A Life, extensive inquiries finally revealed that her blacklisting was due to the fact that her husband Ralph had, many years earlier, marched in a May Day parade. “Ralph, I knew, had absolutely no leftist connections whatever but had simply thrown himself in with a gang of actors protesting whatever it was that year, and Pert had never even voted in her life”.

Edward Lillywhite "Ed" Norton

Played by Art Carney; a New York City municipal sewer worker and Ralph's best friend. He is considerably more good-natured than Ralph, but nonetheless trades insults with him on a regular basis. Ed often gets mixed up in Ralph's schemes. His carefree and rather dimwitted nature usually results in raising Ralph's ire, while Ralph often showers him with verbal abuse and throws him out of the apartment when Ed irritates him. In most episodes, Ed is shown to be better-read, better-liked, more worldly and more even-tempered than Ralph, despite his unassuming manner and the fact that he usually lets Ralph take the lead in their escapades. Ed and Ralph both are members of the fictional Raccoon Lodge. According to Entertainment Weekly, Norton is one of the "greatest sidekicks." Ed worked for the New York City sewer department and described his job as a "Sub-supervisor in the sub-division of the department of subterranean sanitation, I just keep things moving along." He served in the U. S. Navy, thus a WWII Vet, and used his G.I. Bill money to pay for typing school, but felt he was unable to work in an office because he hated working in confined spaces. The relatively few scenes set in the Norton apartment showed it to have the same layout as the Kramdens' but more nicely furnished. Though Norton makes the same weekly $62 salary as Ralph, their higher standard of living might be explained by Norton's freer use of credit; at one point he admits to having 19 charge accounts. Like Ralph, Ed enjoys and is good at bowling and playing pool. Ed is the inspiration for Barney Rubble in The Flintstones. He is also the inspiration behind Yogi Bear.
In 1999, TV Guide ranked him 20th on its list of the "50 Greatest TV Characters of All Time."

Thelma "Trixie" Norton

Played most famously by Joyce Randolph; Ed's wife and Alice's best friend. She did not appear in every episode and had a less developed character, though she is shown to be somewhat bossy toward her husband. In one episode, she surprisingly is depicted as a pool hustler. On another episode, Ralph insults Trixie by making a reference to Minsky's. There are a few references to Trixie's burlesque background in the lost episodes. Randolph played Trixie as an ordinary, rather prudish, housewife, complaining to her husband on one occasion when a "fresh" young store clerk called her "sweetie pie." In a 1967 special, Trixie resentfully denied Ralph's implications that she "worked in burlesque" to which he replied "If the shoe fits, take it off." Trixie is the inspiration for Betty Rubble in The Flintstones.
Elaine Stritch was the first and original Trixie Norton in a Honeymooners sketch with Jackie Gleason, Art Carney, and Pert Kelton. The ex-dancer character was rewritten and recast after just one episode with the more wholesome looking Randolph playing the character as a housewife.

Others

Some of the actors who appeared multiple times on the show include George O. Petrie and Frank Marth as various characters, Ethel Owen as Alice's mother, Zamah Cunningham as apartment building neighbor Mrs. Manicotti, and Cliff Hall as the Raccoon Lodge president.
Ronnie Burns, son of George Burns and Gracie Allen, made a guest appearance on one episode. On another episode, Ed Norton makes a reference to a co-worker "Nat Birnbaum". George Burns's real name was Nathan Birnbaum.

The apartment house

The Kramdens and Nortons lived in an apartment house at 328 Chauncey Street in Bensonhurst, Brooklyn, New York City, a nod to the fact that Jackie Gleason lived there after his family moved from his birthplace at 364 Chauncey Street. In the 1955 episode "A Woman's Work is Never Done," the address is referred to as 728 Chauncey Street. The landlord of the apartment house is Mr. Johnson. In the Honeymooners episodes taped from 1967 to 1970, the address of the apartment house changed to 358 Chauncey Street, and the number of the Kramden apartment is 3B. The actual 328 Chauncey Street is located in the Stuyvesant Heights section of the borough, approximately eight miles northeast of the show's fictional location.

Apartment residents

Plot

Most of The Honeymooners takes place in Ralph and Alice Kramden's small, sparsely furnished two-room apartment. Other settings used in the show included the Gotham Bus Company depot, the Raccoon Lodge, a neighborhood pool parlor, a park bench where Ralph and Ed occasionally meet for lunch, and on occasion the Nortons' apartment. Many episodes begin with a shot of Alice in the apartment awaiting Ralph's arrival from work. Most episodes focus on Ralph's and Ed's characters, although Alice played a substantial role. Trixie played a smaller role in the series, and did not appear in every episode as did the other three. Each episode presented a self-contained story, which rarely carried over into a subsequent one. The show employed a number of standard sitcom clichés and plots, particularly those of jealousy, get-rich-quick schemes, and comic misunderstanding.
As to the occasional plot continuations, there were two such sequences—one concerning Ralph being sent to a psychiatrist because of "impatient" behavior during work that resulted in several passengers lodging complaints about his professional demeanor, and one that continued for two sequential shows in which Aunt Ethel visited and Ralph hatched a scheme to marry her off to the neighborhood butcher.
The series presents Ralph as an everyman and an underdog who struggles to make a better life for himself and his wife, but who ultimately fails due to his own shortcomings. He, often along with Ed, devises a number of get-rich-quick schemes, none of which succeed. Ralph would be quick to blame others for his misfortune until it was pointed out to him where he had fallen short. Ralph's anger then would be replaced by short-lived remorse, and he would apologize for his actions. Many of these apologies to Alice ended with Ralph saying in a heartfelt manner, "Baby, you're the greatest," followed by a hug and kiss.
In most episodes, Ralph's short temper got the best of him, leading him to yell at others and to threaten comical physical violence, usually against Alice. Ralph's favorite threats to her were "One of these days ... One of these days ... Pow! right in the kisser!" or to knock her "to the Moon, Alice!" On other occasions, Ralph simply told Alice, "Oh, are you gonna get yours." All of this led to criticism, more than 40 years later, that the show displayed an acceptance of domestic violence. But Ralph never carried out his threats, and others have pointed out that Alice knew he never would because of their deep love for each other In retaliation, the targets of Ralph's verbal abuse often responded by simply joking about his weight, a common theme throughout the series. Incidentally, Alice never was seen to back down during any of Ralph's tirades.
For the "Classic 39" episodes of The Honeymooners, there was no continuing story arc. Each episode is self-contained. For example, in the series premiere episode "TV Or Not TV," Ralph and Norton buy a television set with the intent to share it. By the next week's show, the set is gone although in later episodes a set is shown in the Nortons' apartment. In the installment "The Baby Sitter," the Kramdens get a telephone, but in the next episode it is gone. And, in the episode, "A Dog's Life," Alice gets a dog from the pound which Ralph tries to return. But, in the end, Ralph finds himself growing to love the dog and decides to keep it along with a few other dogs. However, in the next episode, the dogs are nowhere to be seen and are never referred to again.
Occasionally, references to earlier episodes were made, including to Ralph's various "crazy harebrained schemes" from the lost episodes. Norton's sleepwalking in "The Sleepwalker" was referenced in "Oh My Aching Back." But, it was not until the 1967 "Trip To Europe" shows that a Honeymooners story arc is finally used.

History

Origins

In July 1950, Jackie Gleason took over as the host of Cavalcade of Stars, a variety show that aired on the struggling DuMont Television Network. After the first year, he and his writers Harry Crane and Joe Bigelow developed a sketch that drew upon familiar domestic situations for its material. Based on the popular radio show The Bickersons, Gleason wanted a realistic portrayal of life for a poor husband and wife living in Brooklyn, his home borough. The couple would continually argue, but ultimately show their love for each other. After rejecting titles such as "The Beast," "The Lovers," and "The Couple Next Door," Gleason and his staff settled on "The Honeymooners." Gleason took the role of Ralph Kramden, a blustery bus driver, and he chose veteran comedy movie actress Pert Kelton for the role of Alice Kramden, Ralph's and long-suffering wife.
"The Honeymooners" made its debut on October 5, 1951, as a six-minute sketch. Ensemble cast member Art Carney made a brief appearance as a police officer who gets hit with flour Ralph had thrown out the window. The tone of these early sketches was much darker than the later series, with Ralph exhibiting extreme bitterness and frustration with his marriage to an equally bitter and argumentative middle-aged woman. The Kramdens' financial struggles mirrored those of Gleason's early life in Brooklyn, and he took great pains to duplicate on set the interior of the apartment where he grew up. The Kramdens—and later the Nortons when those characters were added—are childless, an issue only occasionally explored, but a condition on which Gleason insisted. Ralph and Alice did legally adopt a baby girl whom they named Ralphina. However, the biological mother requested to have her baby returned, and the agency asked whether the Kramdens would be willing to do so even though they were the legal parents. Ralph agreed and stated that they would visit her and she would have a real-life Santa Claus every Christmas. A few later skits had Ralph mistakenly believe for a while that Alice was pregnant.
Early cast additions in later sketches were upstairs neighbors Ed and Trixie Norton. Ed was a sewer worker and Ralph's best friend, although his innocent and guileless nature was the source of many arguments between the two. Trixie, Ed's wife, originally portrayed by Elaine Stritch as a burlesque dancer but was replaced after just one appearance by the more wholesome looking Joyce Randolph. Trixie is a foil to Ed, just as Alice is for Ralph, but derivatively, and almost always off-screen.
Due in part to the colorful array of characters Gleason invented, Cavalcade of Stars became a huge success for DuMont. It increased its audience share from nine to 25 percent. Gleason's contract with DuMont expired in the summer of 1952, and the financially struggling network was unable to re-sign him so he moved on to CBS.

Move to CBS

president William S. Paley in July 1952 made sure the cast of the former DuMont ensemble that was becoming The Jackie Gleason Show embarked on a highly successful five-week promotional tour across the United States, performing a variety of musical numbers and sketches. However, actress Pert Kelton who played Alice Kramden and other roles, was blacklisted at the time and was replaced on the tour by Beulah actress Ginger Jones, who subsequently also was blacklisted by CBS. All this political maneuvering meant yet another new Alice was needed.
Jones's replacement was Audrey Meadows, known for her work in the 1951 Broadway musical Top Banana and on the Bob and Ray television show. However, before being cast for CBS, Meadows had to overcome Gleason's reservations about her being too attractive to make a credible Alice. To accomplish this, she hired a photographer to come to her apartment early in the morning and take pictures of her wearing no make-up, clad in a torn housecoat, and with her hair undone. When the pictures were delivered to Gleason, he looked at them and said, "That's our Alice." When it was explained who it was, Gleason reportedly said, "Any dame who has a sense of humor like that deserves the job." With the addition of Meadows the now-iconic "Honeymooners" lineup of Gleason, Carney, Meadows, and Randolph was in place.
The rising popularity of The Honeymooners was reflected in its increasing prominence of the sketches as part of The Jackie Gleason Show variety lineup. During the first season, it appeared on a regular basis as a series of short sketches ranging in length from seven to thirteen minutes. For the 1953–54 season, the shorter sketches were outnumbered by ones that ran for a half-hour or longer. Playing off its growing popularity, during the 1954–55 season most episodes of The Jackie Gleason Show consisted entirely of The Honeymooners. Fan response became overwhelming. Meadows received hundreds of curtains and aprons in the mail from fans who wanted to help Alice lead a fancier life. By January 1955, The Jackie Gleason Show was competing with—and sometimes beating—I Love Lucy as the most-watched TV show in the United States. Audience members lined up around the block hours in advance to attend the show.

The "Classic 39" episodes

The "Classic 39" episodes of The Honeymooners are the ones that originally aired as a weekly half-hour sitcom on CBS from October 1955 to September 1956.
Before Gleason's initial three-year contract with CBS expired, he was offered a much larger one by CBS and General Motors' Buick division. The three-year contract, reportedly valued at $11 million, was at the time one of the largest in show business history. It called for Gleason to produce 78 filmed episodes of The Honeymooners over two seasons, with an option for a third season of 39 more. He was scheduled to receive $65,000 for each episode, but had to pay all production costs out of that amount. Art Carney received $3,500 per week, Audrey Meadows $2,000, and Joyce Randolph $500 per week. Production for The Honeymooners was handled by Jackie Gleason Enterprises Inc., which also produced the show's lead-in, Stage Show, which starred The Dorsey Brothers. Reportedly, only Audrey Meadows, who later became a banker, received residuals when the "Classic 39" episodes were rebroadcast in syndicated reruns. Her brother Edward, a lawyer, had inserted language to that effect into her contract. However, Joyce Randolph, who played Trixie Norton, did receive royalty payments when the "lost" Honeymooners episodes from the variety shows were released.
The first episode of the new half-hour series aired on Saturday, October 1, 1955, at 8.30 pm Eastern Time, opposite Ozark Jubilee on ABC and The Perry Como Show on NBC. Because it was sponsored by Buick, the opening credits originally ended with a sponsor identification by announcer Jack Lescoulie, and the show concluded with a brief Gleason sales pitch for the company, all common practices at the time. However, all references to the carmaker were removed when the show entered syndication in 1957, although "And, away we go!" was a phrase Gleason frequently used in various shows and is inscribed at his gravesite as his memorial catchphrase.
The initial critical reaction to the half-hour sitcom Honeymooners was mixed. The New York Times and Broadcasting & Telecasting Magazine wrote that it was "labored" and lacked the spontaneity of the live sketches. But TV Guide praised it as "rollicking," "slapsticky" and "fast-paced." In February 1956, the show was moved to the 8 p.m. timeslot, but already had begun losing viewers to the hugely popular Perry Como Show. Gleason's writers also had begun to feel confined by the restrictive half-hour format—in previous seasons, Honeymooners sketches typically ran 35 minutes or more—and Gleason felt they were beginning to run out of original ideas. So, after just one season, Gleason and CBS agreed to cancel The Honeymooners, which aired its 39th and last original episode on September 22, 1956. In explaining his decision to end the show with $7 million remaining on his contract Gleason said, "The excellence of the material could not be maintained, and I had too much fondness for the show to cheapen it.” Gleason subsequently sold the films of the "Classic 39" episodes of the show to CBS for $1.5 million.

Production

In 1955, many television shows were performed live and recorded using kinescope technology, though sitcoms already largely were recorded on film, e.g., Amos 'n' Andy, The Adventures of Ozzie and Harriet, My Little Margie, and I Married Joan. I Love Lucy, which was recorded directly onto 35mm film, had influenced television production companies to produce directly on film. For The Honeymooners, Gleason utilized the Electronicam TV-film system, developed by DuMont in the early 1950s, which allowed for a live performance to be directly captured on film. As a result of the superior picture and sound quality afforded by the system, episodes of The Honeymooners were much more suitable for rebroadcast than were most other "live" shows of the era.
All 39 episodes of The Honeymooners were filmed at the DuMont Television Network's Adelphi Theatre at 152 West 54th Street in Manhattan, in front of an audience of 1,000. Episodes were never fully rehearsed because Gleason felt rehearsals would rob the show of its spontaneity. A result was that, while the cast was able to bring a fresh approach to the material, mistakes often were made. Lines either were recited incorrectly or altogether forgotten, and actors did not always follow the scripted action directions. To compensate, the cast developed visual cues for each other. For example, Gleason patted his stomach when he forgot a line, while Meadows would glance at the icebox when someone else was supposed to retrieve something from it.
In contrast to other popular comedies of the era, which depicted their characters in comfortable, middle class suburban environments, Richard Rychtarik's set design for The Honeymooners reflected the blue collar existence of its characters. The Kramdens lived in a small, painfully sparsely furnished two-room apartment in a tenement building at least four stories high, badly aired and with insufficient lighting. They used the single main room as the kitchen, dining and living room. It consisted of a functional table and chairs, a plain chest of drawers, a curtainless window with a view of a fire escape, a noisy sink, and an outdated icebox. The Kramdens' bedroom never was seen, although in the episode about Ed Norton's sleepwalking the Nortons' bedroom is. One of the few other sitcoms about a blue-collar family was The Life of Riley, whose first season had featured Jackie Gleason in the lead role, although veteran movie actor William Bendix, who had originated the role of Chester A. Riley on the radio show, thereafter took over the role on television.
The instrumental theme song for The Honeymooners, called "You're My Greatest Love," was composed by Gleason and performed by an orchestra led by Ray Bloch—who previously had been the orchestra leader on Gleason's variety show, as well as The Ed Sullivan Show. Although lyrics were composed, they were never sung. Sammy Spear, who later became Gleason's musical director, provided the arrangement. The music heard in the episodes was not performed during the show, so to enhance the feeling of a live performance for the studio audience an orchestra performed before filming and during breaks. The show's original announcer was Jack Lescoulie, who also was a spokesman for the sponsor, Buick. For the non-sponsored syndicated version, the introduction was voiced by CBS staff announcer Gaylord Avery.

Revivals

On September 29, 1956, one week after The Honeymooners ended, The Jackie Gleason Show returned. The "Honeymooners" sketches soon were brought back as part of the revived variety show.
In 1959, TV Guide magazine mentioned Gleason's interest in producing new Honeymooners shows. This did not happen for several years, but he did team up with Art Carney to revive an old Honeymooners scene for an October 1960 CBS special called The Big Sell, poking fun at US salespeople.
After the spectacular failure of Gleason's 1961 game show You're in the Picture, and the relative success of the eight-episode talk show that Gleason used to fill its time slot, Gleason's variety show returned in 1962 under the title Jackie Gleason and His American Scene Magazine. The "Honeymooners" sketches returned as part of that show whenever Carney was available. However, Audrey Meadows and Joyce Randolph were replaced as Alice and Trixie by Sue Ane Langdon and Patricia Wilson, respectively, for two sketches.
In January 1966, Meadows again returned as Alice for a musical special, The Honeymooners: The Adoption, a re-enactment of a 1955 sketch of the same name. When The Jackie Gleason Show, by then based in Gleason's home town, Miami Beach, Florida, returned in 1966, the "Honeymooners" sketches, in color for the first time, incredibly returned as a series of elaborate musicals that, in effect, were the equivalent of a new Broadway musical each time. The sketches, which covered 10 of the first season's thirty-two shows, followed a story arc that had the Kramdens and Nortons traveling across Europe after Ralph won a contest. "The Color Honeymooners," as it has since become known, featured Sheila MacRae and Jane Kean in, respectively, the roles of Alice and Trixie, because Audrey Meadows and Joyce Randolph declined to relocate to Miami. Gleason raised no objections to that recasting but was adamant that the Ed Norton role never be played by anyone other than Art Carney. One notable 1967 segment featured the return of Pert Kelton, but this time she played Alice's mother, Mrs. Gibson.
The Honeymooners ended again when The Jackie Gleason Show was canceled in 1970, the result of a disagreement in direction between Gleason and the network. Gleason wanted to continue interspersing "The Honeymooners" within the confines of his regular variety show, while CBS wanted a full-hour "Honeymooners" every week. On October 11, 1973, Gleason, Carney, MacRae and Kean reunited for a "Honeymooners" skit called "Women's Lib" as part of a Gleason special on CBS. In a major move as far as affiliations go, the Kramdens and Nortons were brought back for four final one-hour specials on ABC, which aired from 1976–1978. Alongside Gleason and Carney, Audrey Meadows returned as Alice. Meanwhile, Jane Kean continued to play Trixie. These four specials came at a time when Gleason and Carney each achieved new-found expanded fame, with Gleason's prominent role in the box office smash Smokey and the Bandit and Carney winning an Academy Award for his leading role in Harry and Tonto, which actually brought some more attention to these series of specials. These were the final original "Honeymooners" productions.

Awards

Art Carney won five Emmy Awards for his portrayal of Ed Norton—two for the original Jackie Gleason Show, one for The Honeymooners, and two for the final version of The Jackie Gleason Show. He was nominated for another two but lost. Gleason and Meadows both were nominated in 1956 for their work on The Honeymooners. Gleason was nominated for Best Actor–Continuing Performance, but lost to Phil Silvers, while Meadows was nominated for Best Actress-Supporting Role but lost to Nanette Fabray. Meadows also was nominated for Emmys for her portrayal of Alice Kramden in 1954 and 1957.
The following table summarizes award wins by cast members, both for The Honeymooners and The Jackie Gleason Show.
ActorAwards wonShow
Art CarneyEmmy, Best Series Supporting Actor The Jackie Gleason Show
Art CarneyEmmy, Best Supporting Actor in a Regular Series The Jackie Gleason Show
Art CarneyEmmy, Best Actor in a Supporting Role The Honeymooners
Art CarneyEmmy, Special Classifications of Individual Achievement The Jackie Gleason Show
Art CarneyEmmy, Special Classification of Individual Achievements The Jackie Gleason Show
Audrey MeadowsEmmy, Best Supporting Actress in a Regular Series The Jackie Gleason Show

Broadcast history

Episodes ("Classic 39")

Syndication and home media releases

The Honeymooners gained its greatest fame in syndication, where it has aired continually since its original cancellation. WPIX in New York City has aired the series for more than five decades, with occasional brief breaks. It regularly airs on WPIX with a marathon that begins on the final hour of New Year's Eve and runs well into New Year's Day. In the United Kingdom it originally aired on ITV between 1958–1963. BBC Two aired 38 of the original 39 episodes beginning in 1989 and ending in 1991. The show also has aired in Australia, Iran, Nigeria, Saudi Arabia, Ireland, and Suriname. It previously was seen on WGN America from June 2008 to September 2009 and on Me-TV from December 2010 to September 2011. In April 2012, the show returned to Me-TV. The show currently airs on the network on Sunday nights.
In 1984, the Museum of Television and Radio announced the "discovery" of four original Honeymooners sketches from the original series The Jackie Gleason Show. Later, when they held a public viewing for three of them the response was overwhelmingly positive. In January 1985, Gleason announced the release of an additional group of "lost" episodes from his private vault. As with the previously released sketches, these "lost episodes" actually were kinescopes of sketches from the 1952–55, 1956–57 run of The Jackie Gleason Show. Because the prints had not been stored under ideal conditions, parts of the soundtracks of three episodes were unusable, and the voices had to be redubbed. Gleason personally approved the soundalike actors, with noted voice actor Joe Alaskey providing Kramden's lines.
Gleason sold the broadcast rights to the so-called "lost" episodes to Viacom, and they first were aired from 1985–1986 as a series of sixty-eight 22-minute episodes on the Showtime cable network. They since have joined the original 39 episodes in syndication, and also have been released on VHS and DVD. In September 2004, another "lost" episode reportedly was discovered at the Peabody Award archives in Georgia. This episode, titled "Love Letter," originally aired on The Jackie Gleason Show on October 16, 1954. It aired for the first time since then on October 16, 2004, its 50th anniversary, on TVLand. CBS Television Distribution, via CBS Broadcasting, owns the "Classic 39" series outright, while the Gleason estate owns the "lost episodes".
Paramount Home Entertainment/CBS DVD released the six-disc DVD box set The Honeymooners "Classic 39" Episodes in November 2003. The set contains all 39 episodes from the series' original 1955–56 broadcast run. Also included in the set is an edited version of a 1990 anniversary special hosted by Audrey Meadows, as well as original show openings and closings sponsored by Buick that were removed when the show went into syndication.
MPI Home Video released 80 of the "lost episodes" in Region 1 DVD format during 2001–02, spread out on 24 single-disc volumes. MPI subsequently re-packaged the 24 volumes into six 4-disc box sets. Both the 24 individual volumes and the six 4-disc box sets went out of print during the course of 2008. However, MPI has since renewed its deal with Jackie Gleason Enterprises LLC and has continued to release new editions of the "lost episodes" and other Honeymooners material not currently owned by CBS. On July 28, 2011, MPI Home Video announced the release of a completely restored set of all existing Honeymooners Lost Episodes from 1951 to 1957. The 50-hour, 15 DVD set would contain 107 Honeymooners sketches, included the home video debut of the nine existing original DuMont Network sketches, six other sketches never before released on home video and the eight musical Honeymooners episodes from 1957, which are collectively known as the "Trip To Europe" shows that have been long sought after by Honeymooners fans. The new restored set of Lost Episodes was released on October 4, 2011, sixty years after the first Honeymooners sketch aired.
DVD nameEpisode No.Release date
The Honeymooners – Lost Episodes Collection 113October 30, 2001
The Honeymooners – Lost Episodes Collection 213October 30, 2001
The Honeymooners – Lost Episodes Collection 315January 29, 2002
The Honeymooners – Lost Episodes Collection 415March 26, 2002
The Honeymooners – Lost Episodes Collection 512June 25, 2002
The Honeymooners – Lost Episodes Collection 612August 27, 2002
The Honeymooners – Lost Episodes: The Complete Restored Series107October 4, 2011

In June 2006, MPI Home Video released The Color Honeymooners – Collection 1, which collects the "Trip to Europe" story arc presented on The Jackie Gleason Show in 1966. It has since released an additional three volumes featuring additional episodes from this story arc. AmericanLife TV Network has also aired The Color Honeymooners shows under license from Gleason Enterprises and Paul Brownstein Television.
DVD nameEpisode No.Release date
The Color Honeymooners – Collection 19June 27, 2006
The Color Honeymooners – Collection 28February 26, 2008
The Color Honeymooners – Collection 312May 27, 2008
The Color Honeymooners – Collection 412August 26, 2008

Paramount and CBS Home Entertainment released the 39 episodes on Blu-ray Disc in March 2014.
In Australia, Shock Entertainment release "The Honeymooners - Classic 39 Episodes" 5-Disc Set in NTSC format on November 13, 2009, and a re-release on August 5, 2020.

Impact

Steven Sheehan explains the popularity of The Honeymooners as the embodiment of working-class masculinity in the character of Ralph Kramden, and postwar ideals in American society regarding work, housing, consumerism, and consumer satisfaction. The series visually demonstrated the burdens of material obligations and participation in consumer culture, as well as the common use of threats—even though The Honeymooners never showed or even hinted at actual violence—of domestic violence in working class households.
Due to its enduring popularity, The Honeymooners has been referenced numerous times in American pop culture, and has served as the inspiration for other television shows, most notably The Flintstones. The show also introduced memorable catchphrases into American culture, such as "Bang, zoom, straight to the Moon!", "One of these days ... one of these days ...," "Homina, homina, homina," and "Baby, you're the greatest".

''The Flintstones''

In 1960, the Hanna-Barbera-produced animated sitcom The Flintstones debuted on ABC. Many critics and viewers noted the close resemblance of that show's premise and characters to that of The Honeymooners. In various interviews over the years, co-creators William Hanna and Joseph Barbera each stated that The Honeymooners was used as a basis for the concept of The Flintstones. Mel Blanc, the voice of Barney Rubble, was asked to model Barney's voice after the voice of Ed Norton, but he reportedly refused. Gleason later said that he considered suing, but decided that becoming known as "the guy who yanked Fred Flintstone off the air" was not worth the negative publicity.

Spoofs, parodies and importation

The success of The Honeymooners in countries outside the United States has led to the production of new shows based entirely on it.

International remakes

Two series, 26 episodes in all were made for R.C.T.I. in 1996. It was the first sitcom of that style ever attempted in Indonesia. It was entitled Detak Detik and starred Mat Sola as the Jackie Gleason character. Art Carney rang the cast prior to production to give them his best wishes. It was decided to make Mat Sola a Silver Bird taxi driver, as they had a bit more prestige in Indonesia. They left Nurbuat, who mirrored Ed Norton, as a sewerage worker. The chemistry worked well. The series had to remove any references to alcohol, as Indonesia is a country with a Muslim majority population.
French Canada was entertained for years in the 1960s and '70s by a sitcom titled Cré Basile, with Olivier Guimond, Béatrice Picard, Denis Drouin and Amulette Garneau, which was an uncredited Quebecois version of The Honeymooners. It could, by contemporary standards, qualify as plagiarism.
In 1994, the Dutch broadcasting network KRO produced a version of The Honeymooners titled Toen Was Geluk Heel Gewoon, using translated scripts of the original series but changing its setting to 1950s Rotterdam. After the original 39 scripts were exhausted, the series' lead actors, Gerard Cox and Sjoerd Pleijsier, took over writing, adding many new characters and references to Dutch history and popular culture. The series was a hit in the Netherlands and it finished its run after 16 years and 229 episodes in June 2009. The actors reprised their characters five years later in a feature-length movie.
In 1994, the Swedish network TV4 produced a version of The Honeymooners titled Rena Rama Rolf, but changing its setting to modern-day Gothenburg, where Rolf is working as a streetcar driver. The show ran until 1998.
In 1998, the Polish network Polsat produced a version of The Honeymooners titled Miodowe lata which translates to "Honeymoon years", using both translated scripts of the original series and new ones, but changing its setting to modern-day Warsaw. The original series ran until 2003 and was continued in 2004 as Całkiem nowe lata miodowe.

Comics

Vince Musacchia created a comic book series based on The Honeymooners for Hypergraphics between 1987 and 1989.

Film

On June 10, 2005, a feature film remake of The Honeymooners was released, featuring a predominantly African American cast. The roles of Ralph, Alice, Ed, and Trixie were played by Cedric the Entertainer, Gabrielle Union, Mike Epps, and Regina Hall, respectively. The movie was a critical and commercial failure, earning slightly more than US$13 million worldwide. The film was released by Paramount Pictures.

Video game

In 1988, First Row Software released a Honeymooners computer game for the Commodore 64 and DOS systems. The game involves the Kramdens and Nortons trying to earn $223 for train fare to Miami Beach, where Ralph wants to host the annual Raccoon Lodge convention, by playing a variety of mini-games related to the series. Additionally, players have the option of trying to double their money after each round by answering a Honeymooners-related question in a bonus round based on "The $99,000 Answer" episode.

Reboot

In December 2016, a CBS reboot of The Honeymooners with Bob Kushell writing and executive producing the series was announced but it never came to fruition. Producers Sarah Timberman, Carl Beverly, Eric & Kim Tannenbaum, and Jeff Greenstein were also announced as part of the development deal.

Musical

In September 2017, Paper Mill Playhouse produced the world-premiere of a musical adaptation of The Honeymooners, starring Michael McGrath as Ralph, Michael Mastro as Ed, Leslie Kritzer as Alice, and Laura Bell Bundy as Trixie. The musical had a book by Dusty Kay and Bill Nuss, with music by Stephen Weiner and lyrics by Peter Mills. It was directed by John Rando and choreographed by Joshua Bergasse.