The Disaster Artist (film)
The Disaster Artist is a 2017 American biographical comedy-drama film directed by James Franco. It was written by Scott Neustadter and Michael H. Weber, based on Greg Sestero and Tom Bissell's 2013 non-fiction book of the same title. The film chronicles an unlikely friendship between budding actors Tommy Wiseau and Sestero that results in the production of Wiseau's 2003 film The Room, widely considered one of the worst films ever made. The Disaster Artist stars brothers James and Dave Franco as Wiseau and Sestero, respectively, alongside a supporting cast featuring Alison Brie, Ari Graynor, Josh Hutcherson, Jacki Weaver, and Seth Rogen.
Principal photography began on December 8, 2015. A work-in-progress cut of the film premiered at South by Southwest on March 12, 2017; it was later screened at the 2017 Toronto International Film Festival on September 11, and also played at the 2017 San Sebastián International Film Festival, where it became the first American film to win its top prize, the Golden Shell, since A Thousand Years of Good Prayers in 2007.
Distributed by A24 in the United States and Warner Bros. in international markets, The Disaster Artist began a limited release on December 1, 2017, before opening wide on December 8, 2017. It received positive reviews from critics, with the chemistry of the Francos and their portrayals of Wiseau and Sestero, as well as the film's humor and screenplay, receiving praise, and was chosen by the National Board of Review as one of the top ten films of 2017. At the 75th Golden Globe Awards, James Franco won the award for Best Actor – Musical or Comedy; the film was also nominated for Best Motion Picture – Musical or Comedy. Franco also received a nomination for Outstanding Performance by a Male Actor in a Leading Role at the 24th Screen Actors Guild Awards, and the film earned a nomination for Best Adapted Screenplay at the 90th Academy Awards.
Plot
In San Francisco in 1998, 19-year-old Greg Sestero befriends Tommy Wiseau in acting classes with Jean Shelton after Tommy gives a protracted and bizarre performance of a scene from A Streetcar Named Desire. Greg is impressed by his fearlessness, although Tommy exhibits unusual habits and mannerisms; for instance, he insists he is from New Orleans despite having a European accent. On Tommy's suggestion, they move to Los Angeles to pursue acting careers. Greg discovers that Tommy can afford apartments in both San Francisco and Los Angeles, but he will not discuss his personal life or the source of his wealth. Greg signs with talent agent Iris Burton and regularly attends auditions, while Tommy is consistently rejected by agencies, acting teachers, casting directors and producers. Greg begins dating Amber, whom he meets at her job at a nightclub, and Tommy grows jealous, believing that their relationship is sabotaging his with Greg; as he continuously fails to find work, he becomes disheartened. As Greg's auditions also dry up, he shares his frustrations with Tommy, who decides to make a film for them to star in.Tommy writes the screenplay for The Room, a melodrama about a love triangle between banker Johnny, his fiancée Lisa, and his best friend Mark. Greg reluctantly accepts the role of Mark and a line producer credit. They rent out the Burns & Sawyer production house; Tommy insists on buying all the production equipment and shooting the film on 35mm film and HD Digital simultaneously, costly and unnecessary measures. The employees introduce Tommy to Raphael Smadja and Sandy Schklair, who work as his cinematographer and script supervisor, respectively. Actress Juliette Danielle is cast as Lisa. Production starts smoothly, but Tommy is difficult to work with. He forgets his lines, arrives late, acts rude to the staff, and refuses to supply his crew with basic needs such as drinking water and air conditioning. With no one receiving a full script, the cast and crew are baffled by the film's nonsensical plot and Tommy's inexplicable directorial and acting choices. During preparation for a sex scene, Tommy refuses to film on a closed set and humiliates Juliette by pointing out the acne on her shoulder to the entire crew. Having filmed extensive behind-the-scenes footage, Tommy reveals that he knows everybody hates him and believes that nobody, including Greg, supports his vision.
Greg and Amber run into Malcolm in the Middle star Bryan Cranston, who invites Greg to fill in for a small part in a Malcolm episode. The part requires a beard; as Greg is due to shave his beard for The Room, he begs Tommy to postpone shooting, but Tommy refuses. On the last day of shooting, Greg accuses Tommy of selfishness and duplicity throughout their friendship and questions his real age and origins. The two fight before Greg storms off. Eight months pass; by June 2003, Amber and Greg have split up and Greg is working in theatre. Tommy invites Greg to the premiere of The Room; to Greg's surprise, the entire cast and crew attend. The audience reacts with laughter, as Tommy's poor performance, script, and filmmaking techniques become immediately apparent. A devastated Tommy storms out, but Greg comforts him, telling him that they have delighted the audience. With renewed optimism, Tommy returns to the theater as The Room ends and takes credit for his "comedic" film. Inviting Greg onstage to thank him, the pair receive a standing ovation.
In a post-credits scene, Tommy meets Henry, a partygoer who offers to hang out. Tommy refuses, oblivious to the similarities in their accents and mannerisms.
Cast
, Ike Barinholtz, Adam Scott, Kevin Smith, Keegan-Michael Key, Lizzy Caplan, Danny McBride, Zach Braff and J. J. Abrams appear as themselves in a prologue discussing The Room and its reputation. Other roles include John Early as Burton's executive assistant Chris Snyder, Joe Mande as DP Todd Barron, Charlyne Yi as costume designer Safowa Bright-Asare, Kelly Oxford as makeup artist Amy Von Brock, Tom Franco as Karl, Zoey Deutch as Tommy's acting classmate Bobbi, Sugar Lyn Beard as an actress auditioning for Lisa, Brian Huskey as a bank teller, Randall Park as Greg's acting classmate Rob, Jerrod Carmichael as an actor friend of Greg's, Casey Wilson as a casting director, Lauren Ash as the florist in The Rooms "Hi, doggie" sequence, and Angelyne as herself. Bryan Cranston makes an uncredited appearance as himself. Greg Sestero appears as an assistant casting director, while Tommy Wiseau appears in a post-credits scene as a character named Henry.Production
Development
In February 2014, Seth Rogen's production company Point Grey Pictures announced it had acquired the book and film rights to The Disaster Artist. James Franco was set to direct and play Wiseau, and his brother Dave Franco was cast as Sestero. James Franco stated The Disaster Artist was "a combination of Boogie Nights and The Master." According to Franco, Wiseau initially had hoped Johnny Depp would play him. In April 2016, the title was reported to have changed from The Disaster Artist to The Masterpiece, though The Disaster Artist was confirmed as the official title when the film's SXSW premiere was announced.Casting
In June 2014, James Franco's younger brother, Dave Franco, informally announced at a midnight showing of The Room that he had been cast in the co-starring role of Greg Sestero. Wiseau praised the decision in a Q&A session. The film is the first collaboration of James and brother Dave, as the younger Franco has said that he had sought different projects deliberately, specifying in an interview at the Toronto International Film Festival, "I didn't want people to think I was riding his coattails." As New Line Cinema sought to acquire The Disaster Artist in October 2015, one of the film's producers, and frequent Franco collaborator, Seth Rogen, was in negotiations to play The Rooms script supervisor, Sandy Schklair. The remainder of the principal cast were revealed in the days prior to the beginning of filming, in early December 2015: Josh Hutcherson plays Philip Haldiman, Ari Graynor as Juliette Danielle, Jacki Weaver as Carolyn Minnott, Hannibal Buress as Bill Meur, Andrew Santino as Scott Holmes, and Zac Efron as Dan Janjigian. Dave Franco's wife, Alison Brie, joined the cast in the role of Sestero's then-girlfriend, Amber, and Sharon Stone was later announced to have been cast as Hollywood talent agent Iris Burton. Sestero stated in January 2016 that Bryan Cranston had been cast in the film in an undisclosed role. In November 2016, he was revealed to be playing himself during his time working on Malcolm in the Middle.Music
and Dave Porter composed the film's score.Filming
began on December 8, 2015, in Los Angeles, and ended on January 28, 2016. Among the locations used was The Ojai Apartments on Whitley Terrace in Hollywood.Release
The film had its premiere, in a work-in-progress form, at South by Southwest on March 12, 2017. In May 2017, A24 acquired distribution rights to the film, and set the film for a limited release on December 1, 2017, before a wide release on December 8. Warner Bros. Pictures distributes the film internationally, and it received an IMAX release in selected areas as well.Marketing
On October 25, 2017, A24 mounted a billboard on Highland Avenue in Los Angeles that replicated the original The Room billboard that Wiseau kept up from 2003 to 2008.Home media
It was released on Blu-ray, DVD and digital download on March 13, 2018. As of February 20, 2019, its estimated US home media sales were $1,288,213.Reception
Box office
The Disaster Artist grossed $21.1 million in the United States and Canada, and $8.7 million in other territories, for a worldwide total of $29.8 million, against a production budget of $10 million.The film grossed $1.2 million from 19 theaters in its limited opening weekend, finishing 12th at the box office and averaging $64,254 per venue, one of the highest averages of 2017. The film had its wide expansion the following week, alongside the opening of Just Getting Started, and was projected to gross around $5 million from 840 theaters over the weekend. It ended up making $6.4 million, finishing 4th at the box office. The following week, despite being added to 170 additional theaters, the film dropped a more-than-expected 57% to $2.7 million, finishing 8th. In its third weekend of wide release it made $884,576, dropping to 17th.
Critical response
The Disaster Artist received a standing ovation at its initial screening at South by Southwest. On review aggregation website Rotten Tomatoes, the film has an approval rating of 91% based on 336 reviews and an average rating of 7.79/10. The website's critical consensus reads, "Oh, hai Mark. The Disaster Artist is a surprisingly poignant and charming movie-about-a-movie that explores the creative process with unexpected delicacy." Metacritic assigned the film a weighted average score of 76 out of 100 based on 44 critics, indicating "generally favorable reviews". Audiences polled by PostTrak gave the film an 81% overall positive score and a 66% "definite recommend".Erik Childress of The Playlist dubbed James Franco's performance his "best... since his Oscar-nominated turn in 127 Hours." Further, he wrote that "as a director it is nice to finally see him embrace the comfort zone of comedy with enough cameos to rival Robert Altman's The Player." Peter Debruge of Variety said it had a "genuine capacity to delight, whether or not the audiences in question have seen The Room."
Writing for Rolling Stone, Peter Travers gave the film 3.5 out of 4 stars, saying: "As a director, Franco succeeds beautifully at bringing coherence to chaos, a word that accurately describes the making of this modern midnight-movie phenomenon. Do you need to see The Room to appreciate The Disaster Artist? Not really." Justin Chang of the Los Angeles Times called the film "a hilarious, heartening celebration of failure".
Manohla Dargis of The New York Times wrote that it is "a divertingly funny movie, but its breeziness can also feel overstated, at times glib and a bit of a dodge". Peter Bradshaw of The Guardian gave the film three out of five stars, writing that the film brings up unanswered questions, and that it "has room for improvement". Ignatiy Vishnevetsky of The A.V. Club gave the film a rating of "C", calling it a "lousy tribute" and asking, "will anyone who hasn't seen The Room actually be able to piece together a sense of this Z-grade sensation from watching The Disaster Artist?"
Accolades
Award | Date of ceremony | Category | Recipient and nominee | Result | |
Academy Awards | March 4, 2018 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber | ||
Austin Film Critics Association | January 8, 2018 | Best Actor | James Franco | ||
Austin Film Critics Association | January 8, 2018 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber | ||
Casting Society of America | January 18, 2018 | Studio or Independent – Comedy | Rich Delia | ||
Chicago Film Critics Association | December 12, 2017 | Best Actor | James Franco | ||
Chicago Film Critics Association | December 12, 2017 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber | ||
Critics' Choice Movie Awards | January 11, 2018 | Best Actor | James Franco | ||
Critics' Choice Movie Awards | January 11, 2018 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber | ||
Critics' Choice Movie Awards | January 11, 2018 | Best Comedy | The Disaster Artist | ||
Critics' Choice Movie Awards | January 11, 2018 | Best Actor in a Comedy | James Franco | ||
Dallas–Fort Worth Film Critics Association | December 13, 2017 | Best Actor | James Franco | ||
Detroit Film Critics Society | December 7, 2017 | Best Film | The Disaster Artist | ||
Detroit Film Critics Society | December 7, 2017 | Best Actor | James Franco | ||
Dorian Awards | February 24, 2018 | Best Performance of the Year – Actor | James Franco | ||
Dorian Awards | February 24, 2018 | Campy Film of the Year | The Disaster Artist | ||
Empire Awards | March 18, 2018 | Best Comedy | The Disaster Artist | ||
Florida Film Critics Circle | December 23, 2017 | Best Actor | James Franco | ||
Florida Film Critics Circle | December 23, 2017 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber | ||
Georgia Film Critics Association | January 12, 2018 | Best Picture | The Disaster Artist | ||
Georgia Film Critics Association | January 12, 2018 | Best Actor | James Franco | ||
Georgia Film Critics Association | January 12, 2018 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber | ||
Golden Globe Awards | January 7, 2018 | Best Motion Picture – Musical or Comedy | The Disaster Artist | ||
Golden Globe Awards | January 7, 2018 | Best Actor – Motion Picture Musical or Comedy | James Franco | ||
Golden Tomato Awards | January 3, 2018 | Best Comedy Movie 2017 | The Disaster Artist | ||
Gotham Awards | November 27, 2017 | Best Actor | James Franco | ||
Hollywood Film Awards | November 5, 2017 | Hollywood Screenwriter Award | Scott Neustadter and Michael H. Weber | ||
Houston Film Critics Society | January 6, 2018 | Best Actor | James Franco | ||
IGN Awards | December 19, 2017 | Best Comedy Movie | The Disaster Artist | ||
IGN Awards | December 19, 2017 | Best Lead Performer in a Movie | James Franco | ||
IGN Awards | December 19, 2017 | Best Director | James Franco | ||
Independent Spirit Awards | March 3, 2018 | Best Male Lead | James Franco | ||
IndieWire Critics Poll | December 19, 2017 | Best Actor | James Franco | ||
London Film Critics Circle | January 28, 2018 | Actor of the Year | James Franco | ||
Los Angeles Film Critics Association | January 12, 2018 | Best Actor | James Franco | ||
National Board of Review | January 9, 2018 | The Disaster Artist | |||
National Board of Review | January 9, 2018 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber | ||
Online Film Critics Society | December 28, 2017 | Best Actor | James Franco | ||
Online Film Critics Society | December 28, 2017 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber | ||
San Diego Film Critics Society | December 11, 2017 | Best Actor | James Franco | ||
San Diego Film Critics Society | December 11, 2017 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber | ||
San Diego Film Critics Society | December 11, 2017 | Best Comedic Performance | James Franco | ||
San Francisco Film Critics Circle | December 10, 2017 | Best Actor | James Franco | ||
San Francisco Film Critics Circle | December 10, 2017 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber | ||
San Sebastián International Film Festival | September 30, 2017 | Golden Shell | The Disaster Artist | ||
San Sebastián International Film Festival | September 30, 2017 | Feroz Zinemaldia Prize | The Disaster Artist | ||
Satellite Awards | February 10, 2018 | Best Actor | James Franco | ||
Satellite Awards | February 10, 2018 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber | ||
Screen Actors Guild Awards | January 21, 2018 | Outstanding Performance by a Male Actor in a Leading Role | James Franco | ||
Seattle Film Critics Society | December 18, 2017 | Best Picture | The Disaster Artist | ||
Seattle Film Critics Society | December 18, 2017 | Best Actor | James Franco | ||
Seattle Film Critics Society | December 18, 2017 | Best Screenplay | Scott Neustadter and Michael H. Weber | ||
St. Louis Film Critics Association | December 17, 2017 | Best Actor | James Franco | ||
St. Louis Film Critics Association | December 17, 2017 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber | ||
St. Louis Film Critics Association | December 17, 2017 | Best Scene | Sixty-seven takes of "I did not hit her" | ||
Toronto International Film Festival | September 17, 2017 | The Disaster Artist | |||
USC Scripter Awards | February 10, 2018 | Best Screenplay | Scott Neustadter, Michael H. Weber, Greg Sestero and Tom Bissell | ||
Washington D.C. Area Film Critics Association | December 8, 2017 | Best Actor | James Franco | ||
Washington D.C. Area Film Critics Association | December 8, 2017 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber | ||
Writers Guild of America Awards | February 11, 2018 | Best Adapted Screenplay | Scott Neustadter and Michael H. Weber |
Historical accuracy
Although based on a true story, the film dramatizes and omits several events:- In the film, Tommy gets the inspiration to write The Room simply after Greg comments "I wish we could just make our own movie", during a conversation on the rooftop about Hollywood rejecting them. In real life, Tommy was inspired to write it after seeing The Talented Mr. Ripley in theaters. The only connection to The Talented Mr. Ripley portrayed in the film is that Tommy names Mark after Matt Damon.
- While the turmoil on set is depicted in the film, the real life production had a much higher turnover rate, going through three different sets of crew.
- The film suggests that Greg's girlfriend broke up with him because of Greg's relationship with Tommy. In real life, Greg's small successes in the industry before The Room were what caused their breakup. Neither Tommy nor The Room had anything to do with it.
- Greg never met Bryan Cranston in real life, and wasn't forced to choose between the film and shooting an episode of Malcolm in the Middle. In real life, Greg was planning on shaving his beard after filming wrapped so that no one would recognize him, but the beard-shaving scene ruined his plans. However, Tommy did mess with a different cast member's schedule in real life, though this was removed from the film. Kyle Vogt had to leave for a different commitment, and he warned Tommy about this in plenty of time. However, Tommy still failed to shoot all of his scenes in time.
- Greg getting his role as young Andre Toulon in Retro Puppet Master is never brought up in the film, and Tommy's jealousy of this is redirected toward Greg's relationship with Amber. However, Greg did join The Room out of desperation after parts dried up as depicted in the film. Furthermore, Tommy only began his attempts at modelling after seeing Greg earn his SAG-AFTRA status from his Retro Puppet Master.
- Greg was already slightly jaded and didn't smile much at the time he first met Tommy, and most of his and naivete were already covered before he even attended Jean Shelton's class.
- The film presents Tommy's condo as being much cleaner and much more organized than when Greg first went there in real life. According to the book, there was dust-heavy and disused car with the Zodiac Killer sign drawn in it next to Tommy's car space, the elevator was creaky, and the condo was covered in red with ruined floors, zebra-skin rugs, dozens of Disney toys and Dalmatian figures, and a mangled mannequin in the corner.
- In the film, Tommy and Greg move to Los Angeles on a random whim, where they share Tommy's apartment. In real life, Greg was already thinking about moving there, so Tommy offered his apartment in the area for free. At first, Tommy stayed behind in San Francisco, but after a while, he moved back in full time.
- The film depicts The Room as being planned as a movie from the beginning. Tommy actually originally wrote it as a possible stage play.
- According to the book, Greg's car was a 1991 Chevy Lumina. The film also displays Greg driving a Lumina, but it is a 1996 model instead.
- The film combines script supervisor Sandy Schklair with Byron, a stagehand who Greg nicknamed "the director of yelling", and who took over for Sandy after he quit. In the film, Sandy is shown working and commenting on the sex scenes. According to the book, Sandy was not present for the filming of those scenes, because he was worried that Tommy's behavior would make it a nightmare to film. He deliberately scheduled the sex scenes to be a few of the last scenes that were filmed, and he quit the day before they were filmed. In the film, Sandy is also at the premiere, though the book states that he wasn't invited.
- The film merges Kyle Vogt with his replacement, Greg Ellery. In the film, Kyle is present throughout production and is even invited to the premiere. In real life, he had left before the birthday party scene was filmed, and Ellery replaced him. According the book, Kyle also wasn't invited to the premiere, because Tommy believed that by leaving production, Kyle "betrayed" him.
- In a similar way, the film merges director of photography Raphael Smadja with his replacement, Graham Futerfas, who himself was replaced by the film's only credited DP, Todd Baron. According to the book, Graham was the only one who ever directly called Tommy out on his wrongdoings, specifically, lying about installing a generator. The film replaces this with Raphael calling Tommy out on his treatment of the cast and crew, and while Graham quit after this in real life, the film replaces this with Raphael only threatening to quit, but deciding against it.
- According to the book, Tommy and Greg's road trip to James Dean's death site happened after they spent a few weeks getting to know each other. In the film, it happens after they only do one practice session together.
- In the film, Jean Shelton's comments are given to the teachers at the second acting school Tommy attends, and one noted as a shoddy "tourist trap" in the book.
- Todd Barron, who was the director of photography for the third act of The Room's production, and the only one who was credited for this position, only appears very briefly in the film as a second-unit photographer. As mentioned above, this is because in the film, Raphael Smadja stays on board until principal photography wraps, instead of quitting a mere third of the way through.
- In real life, Tommy's reaction to the audience's mockery at the premiere was anybody's guess, because according to the book, Greg lost sight of Tommy when the lights went down. In the film, however, his increasing reactions of confusion, panic, humiliation and despair are given great focus. Likewise, the whole scene afterwards, in which he flees the theater and reconciles with Greg through a heartfelt retrospective on their amusingly awful movie was not described in the book.
- The film very mildly exaggerates Dan Janjigian and his method acting from the book's description.
- Tommy's dark and troubled background, which explains most of his strange behavior and why he wanted to make The Room, is removed from the film. In the book, Greg suggests that this was because for Tommy, America and Hollywood symbolized success and freedom from a Third World communized country, where he was almost killed several times, as well as no longer being mistreated for being an immigrant.
- Greg's French heritage, which Greg took much pride in, is completely removed from the film, and his mother shows no sign of being a French immigrant. Also, Marcus, who Tommy hired to spy on the production under the guise of a making-of documentary, is never explicitly revealed to be a Czech.
- The film portrays Tommy as being kinder than in the book, by removing, altering and downplaying several of his crueler real-life actions, such as recording all of Greg's phone calls and the calls of everyone else to and from his home, emotionally and monetarily manipulating Greg, infiltrating and snooping through Greg's mail, lying to director of photography Graham Futerfas about installing a generator, and making Juliette Danielle cry by verbally abusing her at one point.
- The film depicts Greg's mother as merely an understandably concerned parent. According to the book, in real life, she raised many of the same concerns, but in a less supportive way, by implying that he lacks talent, and at one point, she even severed Greg's big-time acting agent's business ties with Greg. Her first encounter with Tommy in the film is also much more pleasant than it was described in the book, in which she reportedly told him, "Don't rape my son", before they left.
- The film depicts Greg joining The Room in a more positive light by depicting him as wanting to help Tommy fulfill his dream. According to the book, however, in real life, Greg had formed a more negative impression of Tommy already, and he only joined The Room to net more money, because his own acting prospects had fizzled out. Also, in a real-life incident that was removed from the film, Tommy conspired to give Greg the role as Mark, instead of Don, the actor he had already hired, Greg was complicit of the ridiculous lies that Tommy used to string Don along.
- The film closes with the remark that to the present day, no one knows how old Tommy really is, or where he is really from. This is untrue, as in real life, Greg did find out how old Tommy is, but simply did not add it in the book.
- Though Greg was frustrated with Tommy's behavior, he never lashed out at him over it during filming, let alone during the filming of the football scene, as shown in the film. In fact, Tommy was the one who got angry while filming that scene, because he kept dropping the ball no matter how gently Greg threw it to him, and because Greg said, "Catch this." in French during one take. However, Greg did snap at Tommy once, which is where the strangely well-acted "Leave your stupid comments in your pocket!" line comes from.
- Mark's mention of Guerrero Street was not written into the script as shown in the film. In real life, Greg ad-libbed it to rib the highly secretive Tommy, who was furious at this, but was forced to keep it anyway as it was the only take that had usable audio.
- The film exaggerates Tommy's character traits from real life. For instance, Tommy's broken English is exaggerated, making him seem much harder to understand than he actually is, and his lack of common sense is exaggerated as well, such as having Johnny writhe around with Lisa's red dress after shooting himself.
- In the film, Carolyn Minnott faints from dehydration on-set as a result of Tommy's refusal to install an air conditioner or even purchase bottled water for the cast and crew, and Tommy dismissively accuses her of napping on the job. In real life, the fainting incident did occur, but Tommy was very quick to get Carolyn to the hospital. However, Greg believes that Tommy did this to avoid being sued, not to be kind.
- While the film depicts the premiere of The Room being met with laughter and applause, the real initial screening wasn't as warm, and many audience members walked out in the first five minutes; it took time for its cult status to develop.