The Devil's Rejects
The Devil's Rejects is a 2005 American road neo-Western horror film written, produced and directed by Rob Zombie, and it is the second film in the Firefly film series, a sequel to his 2003 film House of 1000 Corpses. The film is centered on the run of three members of the psychopathic antagonist family from the previous film, now seen as villainous protagonists, with Sid Haig, Bill Moseley, and Zombie's wife Sheri Moon Zombie reprising their roles, and Leslie Easterbrook replacing Karen Black as the matriarch.
The film was released on July 22, 2005, to minor commercial success and mixed but more positive reviews over its predecessor. At the time of release and in the years since, the film has garnered a cult following. This is the final film to feature actor Matthew McGrory before his death the same year. The film's DVD release is dedicated to his "loving memory".
Plot
Seven months later after the Halloween sacrifice, on May 18, 1978, Texas Sheriff John Quincey Wydell and a large posse of state troopers issue a search and destroy mission on the Firefly family for over 75 homicides and disappearances over the past several years. The family arm themselves and fire on the officers. Rufus is killed and Mother Firefly is taken into custody, while Otis and Baby escape. They steal a car and, after killing the driver, they go to Kahiki Palms, a run-down motel.While at the motel, Otis and Baby take a band called Banjo and Sullivan hostage in their room, and Otis shoots the roadie when he returns. Meanwhile, Baby's father, Captain Spaulding, decides to rendezvous with Baby and Otis. En route, his truck runs out of gas, and he frightens a boy and assaults the boy's mother before stealing her car. Back at the motel, Otis rapes Roy's wife Gloria and demands Adam and Roy come with him on an errand.
Otis drives his two prisoners to a place where he buried weapons. While walking to the location, the two prisoners attack Otis, but Otis bludgeons Roy and cuts Adam's face off. Back at the motel, Adam's wife Wendy tries to escape out the bathroom window. When Gloria attempts to rebel, Baby kills her. Wendy runs out of the motel but is caught by Captain Spaulding, who knocks her unconscious. Otis returns, and all three leave the motel together in the band's van.
The motel maid comes to clean the room, and she discovers the murder scene. The maid enters the bathroom, where she sees "The Devil's Rejects" written on the wall in blood; she is startled by Wendy, who is accidentally killed when she runs out to the highway to seek help while she is in shock. Wydell calls a pair of amoral bounty hunters—the "Unholy Two"—Rondo and Billy Ray, to help him find the Fireflys. While investigating, they discover an associate of Spaulding's named Charlie Altamont. Wydell begins to lose his sanity when Mother Firefly reveals that she murdered his brother. After having a dream in which his brother commands him to avenge his death, Wydell stabs Mother Firefly to death. The surviving Fireflys gather at a brothel owned by Charlie, where he offers them shelter from the police.
After he leaves the brothel, Wydell threatens Charlie to give up the Fireflys. With the help of the "Unholy Two", the sheriff takes the family back to the Firefly house where he tortures them, using similar methods they used on their own victims. He nails Otis' hands to his chair and staples crime scene photographs to Otis's and Baby's stomachs; he then beats and shocks Captain Spaulding and Otis with a cattle prod and taunts Baby about the death of her mother.
Wydell sets the house on fire and leaves Otis and Spaulding to burn, but he lets Baby loose outside so he can hunt her for sport. Charlie returns to save the Firefly family, but he is killed by Wydell. Baby gets shot in the calf of her left leg, brutally horse-whipped, and then strangled by Wydell. Tiny suddenly arrives and intervenes, breaking Wydell's neck and saving the Firefly family. Otis, Baby, and Spaulding escape in Charlie's 1972 Cadillac Eldorado, leaving behind Tiny, who walks back into the burning house. The trio drives, badly injured and seemingly humbled by their experience with a clearer understanding of the torment and anguish that they had put their past victims through. As Otis drives down the road with Baby and Spaulding asleep in the back seat he notices a police barricade ahead of them. Realizing that they will not make it out alive, he wakes Baby and Spaulding and hands them each a gun. As a song playing on the radio declares they "can't change", they speed toward the barricade, guns blazing, as the police return fire.
Cast
- Sid Haig as Captain Spaulding / "Cutter"
- Bill Moseley as Otis Driftwood
- Sheri Moon Zombie as Vera-Ellen "Baby" Firefly
- William Forsythe as Sheriff John Quincey Wydell
- Ken Foree as Charlie Altamont
- Matthew McGrory as Tiny Firefly
- Leslie Easterbrook as Mother Firefly
- Dave Sheridan as Officer Ray Dobson
- E. G. Daily as Candy
- Geoffrey Lewis as Roy Sullivan
- Priscilla Barnes as Gloria Sullivan
- Kate Norby as Wendy Banjo
- Lew Temple as Adam Banjo
- Danny Trejo as Rondo
- Diamond Dallas Page as Billy Ray Snapper
- Brian Posehn as Jimmy
- Ginger Lynn Allen as Fanny
- Tom Towles as George Wydell
- Michael Berryman as Clevon
- P. J. Soles as Susan
- Deborah Van Valkenburgh as Casey
- Jossara Jinaro as Maria
- Chris Ellis as Coggs
- Mary Woronov as Abbie
- Daniel Roebuck as Morris Green
- Duane Whitaker as Dr. Bankhead
- Tyler Mane as Rufus "RJ" Firefly, Jr.
- Jordan Orr as Jamie
- Robert Trebor as Marty Walker
- Kane Hodder as Gasmask Officer
Production
Zombie hired Phil Parmet, who had shot the documentary Harlan County, USA, because he wanted to adopt a hand-held camera/documentary look. Principal photography was emotionally draining for some of the actors. Sheri Moon Zombie remembers a scene she had to do with Forsythe that required her to cry. The scene took two to three hours to film and affected her so much that she did not come into work for two days afterward.
Rejects went through the MPAA eight times earning an NC-17 rating every time until the last one. According to Zombie, the censors had a problem with the overall tone of the film. Specifically, censors did not like the motel scene between Bill Moseley and Priscilla Barnes, forcing Zombie to cut two minutes of it for the theatrical release. However, this footage was restored in the DVD version.
Soundtrack
Rob Zombie, who is a musician, decided to go with more southern rock to create the mood of the film. The soundtrack itself was notable as being one of the first to be released on DualDisc, with the DVD side featuring a making-of featurette for the film and a photo gallery.Reception
Box office
The Devil's Rejects was released on July 22, 2005, in 1,757 theaters and grossed USD$7.1 million on its opening weekend, recouping its roughly $7 million budget. It grossed $17 million in North America and $2.3 million internationally for a total of $19.4 million.Critical response
The film received mixed reviews. On Rotten Tomatoes the film has an approval rating of 54% rating based on 138 reviews, with an average rating of 5.43/10. The site's consensus reads: "Zombie has improved as a filmmaker since House of 1000 Corpses and will please fans of the genre, but beware—the horror is nasty, relentless and sadistic". On Metacritic the film has a weighted average score of 53 out of 100 based on reviews from 32 critics, indicating "Mixed or average reviews".Critic Roger Ebert enjoyed the film and gave it three out of four stars. He wrote, "There is actually some good writing and acting going on here, if you can step back from the material enough to see it". Later, in his review for The Hills Have Eyes, Ebert referenced The Devil's Rejects, writing, "I received some appalled feedback when I praised Rob Zombie's The Devil's Rejects, but I admired two things about it : It desired to entertain and not merely to sicken, and its depraved killers were individuals with personalities, histories and motives". In his review for Rolling Stone, Peter Travers gave The Devil's Rejects three out of four stars and wrote, "Let's hear it for the Southern-fried soundtrack, from Buck Owens' 'Satan's Got to Get Along Without Me' to Lynyrd Skynyrd's 'Free Bird', playing over the blood-soaked finale, which manages to wed The Wild Bunch to Thelma & Louise". Richard Roeper gave the film "thumbs up" for being successful at its goal to be the "sickest, the most twisted, the most deranged movie" at that point of the year.
In her review for The New York Times, Dana Stevens wrote that the film "is a trompe-l'œil experiment in deliberately retro film-making. It looks sensational, but there is a curious emptiness at its core". Entertainment Weekly gave the film a "C+" rating and wrote, "Zombie's characters are, to put it mildly, undeveloped". Robert K. Elder, of the Chicago Tribune, disliked the film, writing "espite decades of soaking in bloody classics such as the original Texas Chainsaw Massacre and I Spit on Your Grave, Zombie didn't absorb any of the underlying social tension or heart in those films. He's no collage artist of influences, like Quentin Tarantino, crafting his movie from childhood influences. Rejects plays more like a junkyard of homages, strewn together and lost among inept cops, gaping plot holes and buzzard-ready dialog".
Horror author Stephen King rated The Devil's Rejects the 9th best film of 2005 and wrote, "No redeeming social merit, perfect '70s C-grade picture cheesy glow; this must be what Quentin Tarantino meant when he did those silly Kill Bill pictures".