The Aeronauts (film)
The Aeronauts is a 2019 semi-biographical adventure film directed by Tom Harper and written by Jack Thorne, from a story co-written by Thorne and Harper. The film is based on the 2013 book Falling Upwards: How We Took to the Air by Richard Holmes. Produced by Todd Lieberman, David Hoberman, and Harper, the film stars Eddie Redmayne, Felicity Jones, Himesh Patel and Tom Courtenay.
The film had its world premiere at the Telluride Film Festival on 30 August 2019, followed by a showing at the 2019 Toronto International Film Festival. It was released in the United Kingdom on 4 November 2019, and in the United States on 6 December 2019. The film was praised by critics for its action, visual effects, and cast, while some criticized its plot and lack of historical accuracy.
Plot
In 1862 London, scientist James Glaisher and pilot Amelia arrive for the balloon launch. Despite being haunted by a vision of her late husband Pierre, Amelia keeps up the brave front and the balloon launches. In a flashback, James appears before the Royal Society and explains his theory that the weather can be predicted but he is laughed out of the building. Returning home, he talks to his parents, who try to persuade him to pursue another avenue of science. On the balloon, James and Amelia start rising through the cloud layer. They soon run into a violent storm which sends the balloon spinning. In a flashback, Antonia persuades her sister, Amelia, to attend a society function. There, Amelia is approached by James and he asks if she would be willing to be his pilot while he attempts to prove his theories to which she agrees.After a close brush with death, with James suffering a head injury, they make it through the storm and continue rising. James releases the first of five pigeons carrying messages stating the current altitude along with other scientific readings in case they don't survive. They discover an air current which is home to a group of butterflies, confirming one of the theories of James' friend John Trew, a theory that James had always disputed. In a flashback, as James practices for the flight, Amelia approaches and tells him she's changed her mind. At this, John goes to see Amelia to convince her. Amelia goes to Pierre's grave to reflect. When it begins to snow, as James had predicted, she decides to go with him after all. Eventually, the balloon exceeds, beating the record for the highest altitude. Amelia finds out James didn't bring any clothes suitable for the rapidly decreasing temperature and decides to start descending. James refuses, and the two argue. Amelia agrees to keep rising, but makes it clear to James that they'll have to start descending soon.
James starts experiencing hypoxia from the altitude as they ascend and insists they continue. The two get into a scuffle. When Amelia tells him the story of how Pierre sacrificed himself to save her during a balloon flight, James agrees to descend. Amelia discovers the gas release valve on top of the balloon is frozen. As James falls unconscious, she has no choice but to climb up the outside of the balloon and open the valve from the top. With frostbite setting in on her hands, she struggles to wedge her boot in the valve, causing a slow release of the gas. Amelia loses consciousness and topples over the side but is saved by her rope tether.
When she awakens, Amelia manages to swing back to the balloon and rouse James. As they continue to descend, snow begins to hover around them, and they realize the balloon is collapsing from the loss of too much gas. They manage to close the gas release but it is not enough to slow their descent, so they throw everything they can over the side. When this doesn't work, they climb into the framework and release the basket. Amelia then prepares to sacrifice herself to save James, but James convinces her that they can use the balloon as a parachute, which slows their descent. They crash through trees and hit the ground hard, with Amelia being dragged along behind the balloon. She wakes and calls for James, who staggers towards her. Both are injured, but euphoric that they managed to survive, setting a new human flight altitude record of. James's findings eventually paved the way for the first weather forecasts. James and Amelia go on another balloon flight together.
Cast
Production
In December 2016, Amazon Studios purchased the film rights to Jack Thorne's spec script. In mid-2018, Felicity Jones and Eddie Redmayne were confirmed to star in the film. They were reunited after 2014's The Theory of Everything, directed by James Marsh, as their past work and real-life friendship would help them in this new collaboration. Filming commenced in early August, in West London Film Studios.Filming locations in England included the Royal Naval College, Greenwich, Regent's Park, London, Claydon House, Buckinghamshire, the Bodleian Library in Oxford, Wrotham Park, London and The Historic Dockyard Chatham in Kent.
Key action sequences in The Aeronauts were designed for IMAX and feature an expanded aspect ratio for both IMAX and select Premium Large Format cinemas.
Historical accuracy
The film is based on an amalgam of the flights detailed in Richard Holmes' 2013 book Falling Upwards: How We Took to the Air. The most significant balloon flight depicted in The Aeronauts is based on the 5 September 1862, flight of British aeronauts James Glaisher and Henry Coxwell whose coal gas filled balloon broke the world flight altitude record, reaching. However, while Glaisher appears in the film, Coxwell has been replaced by Amelia, a fictional character.A report in the Daily Telegraph quotes Keith Moore, Head of Library at the Royal Society, as saying, "It's a great shame that Henry isn't portrayed because he performed very well and saved the life of a leading scientist". Moore then criticised the film's fictional female protagonist, stating “There were so many deserving female scientists of that period who haven't had films made about them. Why not do that instead?" In an interview with The List, Harper explained that whilst the film was inspired by a number of historical flights, the intention was never to make a documentary and he wanted the film to be reflective of a contemporary audience. He also commented on a gender bias in science, stating "There were female scientists around at the time, but not in the Royal Society... to this day, only eight percent of the Royal Society is female."
Other critics of the film have praised Amelia as an important, aspirational female character. Sasha Stone of Awards Daily wrote that The Aeronauts "inspires young girls and nudges the perspectives of young boys... that women can be just as excited about taking a hero's journey as any man can."
In addition to Coxwell, actual individuals who compose Amelia's character include:
- Sophie Blanchard, the first woman to work as a professional balloonist, who became a celebrated aeronaut following her husband's death. Felicity Jones has stated that Blanchard was the inspiration for her character.
- Margaret Graham, a British aeronaut and entertainer.
Release
The film had its world premiere at the Telluride Film Festival on 30 August 2019. It also screened at the 2019 Toronto International Film Festival on 8 September 2019. Entertainment One gave the film a full theatrical release in the United Kingdom on 4 November, including screenings in 4DX and IMAX. Amazon Studios released the film in the United States on 6 December for a limited theatrical run, before debuting it on Amazon Prime Video outside of the United Kingdom on 20 December 2019.In October 2019, it was announced that The Aeronauts would screen at the IMAX TCL Chinese Theatre as part of AFI Fest.
Streaming
Although Amazon does not release exact streaming figures, Jennifer Salke, Head of Amazon Studios said in an interview with Deadline Hollywood that as of January 2020 The Aeronauts was the most viewed movie of all time on Amazon Prime.Reception
Box office
The Aeronauts has grossed an estimated $340,000 in North America and $2.91 million in other territories, for a worldwide total of $3.3 million, against a production budget of $40 million.As with its other fall release The Report, Amazon did not publicly release box office results for the film. However, 48 of the 186 theatres that did screen it in its opening weekend reported a combined gross of around $30,000. IndieWire estimated the film made a total of $185,000 in its opening weekend, an average of $1,000 per-venue. It then made an estimated $100,000 from 85 theatres in its second weekend, before its 20 December streaming debut on Amazon Prime.
Critical response
On Rotten Tomatoes, the film has an approval rating of 72% based on 181 reviews, with an average rating of 6.42/10. The website's critics consensus states, "Thrilling visuals and the substantial chemistry of its well-matched leads make The Aeronauts an adventure well worth taking." On Metacritic, the film has a weighted average score of 60 out of 100, based on reviews from 37 critics, indicating "mixed or average reviews."Todd McCarthy of The Hollywood Reporter wrote: "The Aeronauts achieves impressive elevation as a bracing and sympathetic account of two early and very different aviators who together reached literal new heights in a perilous field of endeavor." Fionnuala Halligan of Screen International wrote about the chemistry of the lead actors and the great craft on display in the film: "With the widest of wide-screens, the most vertiginous of vistas, this hot air balloon takes to the skies and soars." Tomris Laffly of Variety praised the visuals and the lead performers: "The duo hand-in-hand elevates The Aeronauts...from a flimsy action-adventure to something worth watching on the biggest possible screen, even if it operates on a handful of clichés with little character-based substance to speak of."
Many critics also applauded the film's special effects and visuals. Peter Bradshaw of The Guardian noted the film's "terrific special effects" and "high-anxiety suspense". Eric Kohn of IndieWire wrote: "When so many supersized blockbusters take the potential of CGI action for granted, The Aeronauts finds a fresh use for it by turning the exhilaration of discovery into a real visual treat." In a generally positive review, critic Bob Mondello showed special enthusiasm for the airborne scenes, writing: "I cannot say strongly enough that if you can see it in IMAX, you should see it in IMAX, where if you're even a little bit afraid of heights, it will likely scare you shoutless."
Accolades
| Award | Category | Recipients | Result | |
| 25th Critics' Choice Awards | Best Visual Effects | The Aeronauts | ||
| 18th Visual Effects Society Awards | Outstanding Supporting Visual Effects in a Photoreal Feature | Louis Morin, Annie Godin, Christian Kaestner, Ara Khanikian, Mike Dawson |