Tenpō Tsūhō


The Tenpō Tsūhō was an Edo period coin with a face value of 100 mon, originally cast in the 6th year of the Tenpō era. The obverse of the coin reads "Tenpō" a reference to the era this coin was designed in, and "Tsūhō" which means "circulating treasure" or currency. The Kaō is that of Gotō San'emon, a member of the Kinza mint's Gotō family, descendants of Gotō Shozaburo Mitsutsugu, a metalworker and engraver from Kyoto appointed by shōgun Tokugawa Ieyasu in 1601 to oversee the Edo mint of his shogunate and oversee its coinage. All mother coins were produced in Edo before they were sent to other mints where they would place the individual mint's mark on the edge of the coin. The coin circulated for 35 years, and stopped being produced during the Meiji Restoration after the introduction of the Japanese yen. Today these coins are now sold as "lucky charms" as well as being collected by numismatists.

History

The Tenpō Tsūhō came around a century after the introduction of the Hōei Tsūhō during the 5th year of the Hōei era, which had a face value of 10 mon, but was discontinued shortly after it started circulating as it wasn't accepted for its nominal value.
The Tokugawa government started issuing the 100 mon coin in 1835 as a way to combat its fiscal deficit, but due to the debasement of the copper in the 100 mon denomination which lead to chronic inflation in commodity prices, this has been compared by economic historians to the inflation caused by the introduction of the 100 wén minted by the Qing dynasty due to the Taiping rebellion in 1853, or the 100 mun coin issued by the Kingdom of Joseon in 1866, both of which were also cast to combat government deficits. Unlike the Chinese 100 wén whose production stopped after a single year, and the Korean 100 mun which was only produced for 172 days, the Tenpō Tsūhō continued to be produced for the duration of the Edo period. Despite this the actual market value of the Tenpō Tsūhō was significantly lower than its face value and was estimated only at 80 mon during the end of the Bakumatsu in 1869, while the coin had become the most commonly circulated mon denomination; accounting for 65% of all mons circulating at the time.
Between 1835 and 1870 a total of 484,804,054 Tenpō Tsūhō coins were produced.
From 1862 a similar coin with a nominal value of 100 mon based on the Tenpō Tsūhō was minted by the Satsuma domain under the reign of daimyō Shimazu Nariakira, as with the Tenpō Tsūhō this was done to combat that domain's deficit. This proved successful and the Satsuma coin started to circulate all over Japan as well.

Glico Caramel Box imitation coins

In the 1950s coin collecting had become popular in Japan which lead Ezaki Glico to give away Tenpō Tsūhō coins as prizes to children who had collected points which could be accumulated from purchasing Ezaki Glico caramel boxes. As Ezaki Glico soon ran out of genuine Tenpō Tsūhō coins they started producing near identical fake Tenpō Tsūhō coins to meet the demand, these imitation Tenpō Tsūhō tend to have deeper cut characters on the coin's reverse. These Glico-produced coins are worth more than genuine Tenpō Tsūhō because of their scarcity.

Cultural references

Tenpō Tsūhō coins are a prized coin in the numismatic community, but as over two dozen variants exist the price of each coin is dependent not only on the quality of the individual coin but on various other factors such as mint marks and era, ranging from ¥1,250 to ¥300,000 , though more worn out coins sell for as low as $4.