The temple is constructed from sandstone and measures from the front stone gate to its rear as well as from its lowest to its highest point. A cult terrace overlooks the Nile. From the gate, two flanking walls ran around the temple and isolated the structure from the cult terrace and the Nile river. The temple is partly decorated with reliefs: the temple base is decorated with carvings of papyrus and lotus plants growing out of the water of the Nile, which is symbolized by depictions of the god Hapy. Over the temple gate as well as over the entrance to the temple proper, depictions of the Winged sun disk of the sky godHorus represent the sky. This motif is repeated by the vultures depicted on the ceiling of the entrance porch. On the outer walls, Emperor Augustus is depicted as a pharaoh making offerings to the deities Isis, Osiris, and their son Horus. The subject is repeated in the first room of the temple, where Augustus is shown praying and making offerings. Augustus is identified as "Caesar". He is also called "Autotrator", an alteration of autokrator, or autocrat, the Greek equivalent of imperator, one of the emperor's titles. This misspelling seems to be deliberate, in order to achieve more symmetry in the hieroglyphs. In some other parts of the temple, however, the emperor is simply called "Pharaoh". The middle room, which was used for offerings, and the sanctuary of Isis at the rear of the temple are undecorated but for reliefs on the door frame and backwall of the sanctuary. The latter shows Pihor and Pedesi as young gods worshiping Isis and Osiris respectively. The temple house is modest but well executed in design with two front columns, an offering hall and a sanctuary with a statue niche. A crypt was also built into the rear wall while a rock chamber in the nearby cliffs may have represented the tombs of Pediese and Pihor who were said to have drowned in the Nile river. In the 19th century, graffiti were left on the temple walls by visitors from Europe. One of the most prominent pieces of graffiti was left by the British naval officer and later Rear AdmiralArmar Lowry Corry. Another inscription was left by the Italian egyptologist Girolamo Segato.
Relocation
The temple was dismantled and removed from its original location — modern name: Dendur, ancient name: Tuzis, about south of the town of Aswan — in 1963. This was accomplished as part of a wider UNESCO project, in order to save significant sites from being submerged by Lake Nasser, following construction of the Aswan High Dam. In recognition of the American assistance in saving various other monuments threatened by the dam's construction, Egypt presented the temple and its gate as a gift to the United States of America, represented by Jacqueline Kennedy among others, in 1965. The stone blocks of the temple weighed more than 800 tons in total with the largest pieces weighing more than 6.5 tons. They were packed in 661 crates and transported to the United States by the freighter m/v Concordia Star. In the United States, several institutions made bids for housing the temple, in a competition that was nicknamed the "Dendur Derby" by the press. Alternative plans proposed re-erecting the temple on the banks of the Potomac River in Washington, D.C. or on the Charles River in Boston. However, these suggestions were dismissed because it was feared that the temple's sandstone would suffer from the outdoor conditions. On April 27, 1967, the temple was awarded to The Metropolitan Museum of Art, where it was installed in the Sackler Wing in 1978. Inside the Sackler Wing, designed by the architects Kevin Roche, John Dinkeloo, and associates, a reflecting pool in front of the temple and a sloping wall behind it represent the Nile and the cliffs of the original location. The glass on the ceiling and north wall of the Sackler is stippled in order to diffuse the light and mimic the lighting in Nubia.
