Tales to Astonish


Tales to Astonish is the name of two American comic book series and a one-shot comic published by Marvel Comics.
The primary title bearing that name was published from January 1959 to March 1968. It began as a science-fiction anthology that served as a showcase for such artists as Jack Kirby and Steve Ditko, then featured superheroes during the period fans and historians call the Silver Age of Comic Books. It became The Incredible Hulk with issue No. 102. Its sister title was Tales of Suspense.
A second Marvel comic bearing the name, reprinting stories of the undersea ruler the Sub-Mariner, ran 14 issues from December 1979 to January 1981. A superhero one-shot followed in 1994.
YearCirculation
1960163,156
1961184,895
1962139,167
1963189,390
1964207,365
1965224,346
1966256,145
1967269,132

Publication history

Science-fiction anthology

Tales to Astonish and its sister publication Tales of Suspense were both launched with a January 1959 cover date.
The early run of the first volume of Tales to Astonish ran from issues #1–34, initially under Atlas Comics, the 1950s forerunner of Marvel; it fell under the Marvel banner with issue No. 21, the first with a cover sporting the early "MC" box. It contained science-fiction mystery/suspense stories written primarily by editor-in-chief Stan Lee and his brother, Larry Lieber, with artists including Jack Kirby, Steve Ditko, Dick Ayers, Don Heck and Paul Reinman. One such story, "The Man in the Ant Hill", in No. 27, introduced the character Henry Pym, who would be repurposed eight issues later as the superhero Ant-Man. Anthological stories continued to appear as backups until Tales to Astonish became a superhero "split book" in 1964, when it began featuring one story each of Giant-Man and the Hulk.

Ant-Man and Giant-Man

Following his one-shot anthological story in No. 27, scientist Henry Pym returned donning a cybernetic helmet and red costume, and using size-changing technology to debut as the insect-sized hero Ant-Man in No. 35. The series was plotted by Lee and scripted by Lieber, with penciling first by Kirby and later by Heck and others. The Wasp was introduced as Ant-Man's costar in issue No. 44. Ant-Man and Pym's subsequent iteration, Giant-Man, introduced in No. 49, starred in 10- to 13-page and later 18-page adventures, with the rest of Tales to Astonish devoted to the anthological science fiction and fantasy stories the comic normally ran. Aside from Lee and Lieber, occasional writers included Ernie Hart, under the pseudonym H. E. Huntley, Leon Lazarus and Al Hartley. Artists of the latter part of the run included Ditko, Ayers, and two veterans of the period fans and historians call the Golden Age of comic books, Carl Burgos and Bob Powell.
The backup feature "Tales of the Wasp" used the superheroine as a framing device for anthological science-fiction stories, having her relate tales to hospitalized servicemen and the like. The Wasp also starred in two subsequent solo backup stories. All were scripted and penciled by Lieber.

Hulk and Sub-Mariner

The Hulk, whose original series The Incredible Hulk had been canceled after a six-issue run in 1962–63, returned to star in his own feature when Tales to Astonish became a split book at issue No. 60, after having guest-starred as Giant-Man's antagonist in a full-length story the previous issue. The Hulk had proven a popular guest-star in three issues of Fantastic Four and an issue of The Amazing Spider-Man. His new stories here were initially scripted by Lee and illustrated by the seldom-seen team of penciler Steve Ditko and inker George Roussos. This early part of the Hulk's run introduced the Leader, who would become the Hulk's nemesis, and this run additionally made the Hulk's identity known, initially only to the military and then later publicly. The Abomination first appeared in Tales to Astonish No. 90, and is introduced as a KGB agent and spy. Stan Lee chose the name "the Abomination," which he realized belonged to no other character, before conceiving the character's background and appearance. Lee recalled that he simply told artist Gil Kane to "make him bigger and stronger than the Hulk and we'll have a lot of fun with him."
Namor the Sub-Mariner received his first feature in a decade beginning with No. 70. The Golden Age character Byrrah was reintroduced in issue No. 90. After the final issue of Tales to Astonish, the Sub-Mariner co-starred in the split-book one-shot Iron Man and Sub-Mariner No. 1 before going on to his own 72-issue series.

Revivals

A second volume of Tales to Astonish, using the cover logo Tales to Astonish starring the Sub-Mariner, ran 14 issues, reprinting edited versions of Sub-Mariner #1–14. All but the last issue ran 18-page versions of the originally 20-page stories, with panels and text reworked to condense the plot. That last issue also included three Sub-Mariner pinups, one by character creator Bill Everett, reprinted from Marvel Mystery Comics No. 9 ; one by penciler Jack Kirby and inker Sol Brodsky, reprinted from Fantastic Four No. 33 ; and a new one by artist Alan Weiss. Covers repurposed the original art, with the premiere issue's image flipped 180 degrees.
Tales to Astonish vol. 3 No. 1 was a 72-page one-shot special starring the Hulk, the Sub-Mariner, Ant-Man, and the Wasp in the story "Loki's Dream" by writer Peter David, with painted art by John Estes.

Collected editions

In the 2015 film Ant-Man, after showing archival footage of Hank Pym/Ant-Man in action, Darren Cross jokes that the whole idea sounds like "tales to astonish."