Suspicious Minds


"Suspicious Minds" is a 1968 song written and first recorded by American songwriter Mark James. After this recording failed commercially, it was cut by Elvis Presley with producer Chips Moman, becoming a No.1 song in 1969, and one of the most notable hits of Presley's career.
"Suspicious Minds" was one of the singles that revived Presley's chart success in the U.S., following his '68 Comeback Special. It was his eighteenth and last No.1 single in the United States. Rolling Stone ranked it No. 91 on their list of the 500 Greatest Songs of All Time. Session guitarist Reggie Young played on both the James and Presley versions.

The song

The song is about a mistrusting and dysfunctional relationship, and the need of the characters to overcome their issues in order to maintain it. Written in 1968 by Mark James, who was also co-writer of "Always on My Mind", the song was first recorded and released by James on Scepter Records in 1968. Chips Moman had asked James to come to Memphis to write songs for American Sound Studio. At the time, James was residing in Houston. He had written three songs that became No.1 hits in the Southern United States. American Sound Studio was gaining a reputation in the industry, as the Box Tops had just recorded "The Letter" there, so James relocated to Memphis.
James said that late one night, he was fooling around on his Fender guitar and using his Hammond organ pedals for a bass line and came up with what he thought was a catchy melody. At the time, he was married to his first wife but still had feelings for his childhood sweetheart, who was married back in Houston. James's wife had suspicions about his feelings. He felt it was a confusing time for him and that all three were "caught in this trap that they could not walk out of". At the recording session, James sang the lead vocals, and the studio band backed him; Moman produced. The horns, strings, and vocals of the Holladay Sisters were later overdubbed. After the tape was mixed, James and Moman flew to New York, where James's manager had contacts with Scepter Records. The label loved the song and put it out, but Scepter did not have the money to promote new artists, and the song did not make the charts.
Later that year, Don Crews, Moman's partner, told James that Presley had booked their studio to record what would become the From Elvis in Memphis album. Crews kept asking James if he had any songs that would be right for Presley. James felt Presley needed a mature rock 'n' roll song to bring him back, as Tom Jones was a hot artist at the time. Crews and James thought of "Suspicious Minds" and James began urging others to get Presley to hear it. Even though James's recording had not been commercially successful, upon reviewing the song, Presley decided he could turn it into a hit.

Elvis' recording

Background

Presley's 1969 recordings at American Sound Studio were a direct consequence of the '68 Comeback Special, that interested Chips Moman in producing recordings in Presley's new style; he was making his comeback to the Memphis musical scene by recording rock, gospel, country, rhythm & blues, and soul. Marty Lacker, a close friend of Elvis, suggested he record at the studio. These sessions produced the album From Elvis in Memphis.

American Sound Studio session

"Suspicious Minds" was a product of a January 23, 1969 session, that took place between 4 am and 7 am. It was recorded in eight takes, with harmony vocal tracks and trumpets overdubbed by Presley himself in the same session. James was in Memphis, but he was not at the recording session. A few days earlier, he had walked into the recording studio during a session and sensed that Elvis was uncomfortable with his presence. James did not want to jinx the song so he stayed away. When he heard the track the day after it was recorded, he initially thought it sounded too slow. When he later heard the embellished version, he said he was blown away. In later years, whenever Elvis saw James he would cross the room to say hello.
Production of the song was nearly scuttled over a copyright dispute. Elvis's business people said they wanted half of Moman's publishing rights. Moman accused them of stealing and threatened to halt the recording session. Harry Jenkins of RCA agreed with Moman because he sensed that "the song would be a big hit and there would be plenty to go around".
The songs "I'll Hold You In My Heart ", "Without Love ", and "I'll Be There" were recorded in the same session. On August 7, "Suspicious Minds" was again overdubbed to stereo and mono in Las Vegas, where the final master was produced. The song is noted for its change of time signature in the bridge section, from 4/4 to a slower 6/8 and back again to the faster 4/4 rhythm. The instrumental arrangement uses an electric guitar, bass guitar, organ, strings, trumpets, trombones, and drums.
RCA staff producer Felton Jarvis made the unusual decision to add a fade-out to the song starting at 3:36 and lasting for nearly 15 seconds before fading back into the song. The first verse then continues repeatedly until the song completely fades out. In a 2012 interview with Marc Myers of The Wall Street Journal, Moman disclosed that Jarvis was never happy with Elvis recording at American Sound Studio, saying "it was a control thing". Moman added, "So when Jarvis took the tape of 'Suspicious Minds,' he added this crazy 15-second fade toward the end, like the song was ending, and brought it back by overdubbing to extend it. I have no idea why he did that, but he messed it up. It was like a scar in the song - a scar not too well-liked. Not that it mattered, though - soon after the song was released, Elvis was back on top of the charts."
Future Grateful Dead vocalist Donna Jean Godchaux sang backing vocals on the track.
The song was later included on the legacy edition of From Elvis in Memphis and the follow that dream reissue of Back In Memphis.

Personnel

Overdubbed:
Presley first performed the song at the Las Vegas International Hotel on July 31, 1969, and the 45 rpm single was released 26 days later. It reached No.1 in the United States in the week of November 1 and stayed there for that week. It would be Presley's final No.1 single in the U.S., on the Billboard Hot 100, before his death.

Use in film soundtracks

Weekly charts

Year-end charts

Certifications

Fine Young Cannibals version

In 1986, the band Fine Young Cannibals' cover version, which features backing vocals by Jimmy Somerville, reached No. 8 on the UK Singles chart. Singer Roland Gift said that Elvis had come to him in a dream and told him he would record the greatest version of Suspicious Minds ever.
The Fine Young Cannibals' music video for the song was filmed in black & white and, for most it, remains that way. However, the video is noted for its innovative use of colorization, following the bridge section of the song. The video pays homage to Elvis, both in its use of the monochrome filming and the shiny spangled suits that the band wear in the second half of the video.

Charts

In popular culture

The Fine Young Cannibals' cover was used in two cult films directed by Albert Pyun—first in his 1986 action/thriller film Dangerously Close and then in his 1987 thriller film Down Twisted. It was also used in the 1987 film Someone to Watch Over Me.

Dwight Yoakam version

In 1992, country singer Dwight Yoakam recorded his version, for the soundtrack of the film Honeymoon in Vegas; he also did a video. The track was later released on his compilation album The Very Best of Dwight Yoakam.

Chart performance

Gareth Gates version

, a runner up of in the first series of the ITV talent show Pop Idol, released a cover version on BMG on September 23, 2002. The single was a double-A side record containing "The Long and Winding Road"/"Suspicious Minds" with the Beatles song performed by Will Young, the winner of the same Pop Idol series, and Gates, with Gates performing the Elvis song on his own.
The music video features Gates changing color, alternating between black and white in a white background, while clips from Lilo & Stitch are shown.

Charts

The single reached the top of the UK Singles Chart where it stayed for two consecutive weeks, following two other No. 1 songs of Gareth Gates which were also covers.
Chart Peak
position

Other cover versions

, Dionne's sister, covered "Suspicious Minds" while Elvis Presley's version was still on the charts. Warwick's version was a minor U.S. pop hit, peaking at No. 80 in 1970. It reached No.24 on the Billboard R&B chart for May 8, 1971.
B. J. Thomas recorded the song for his 1969 album Raindrops Keep Fallin' on My Head.
Waylon Jennings and Jessi Colter recorded the song for RCA in 1970. Their version reached No. 25 on the Billboard country chart in November of that year. The Jennings-Colter version was re-released by RCA in 1976, topping out at No. 2, and was included on the ground-breaking album Wanted! The Outlaws that same year. Their version was nominated for a Grammy Award for Best Country Performance by a Duo or Group with Vocal.
Jamaican rocksteady and reggae vocal trio The Heptones released a version of the song in 1971.
Singer Judy Cheeks recorded a version for her 1978 album Mellow Lovin.
Singer Ronnie McDowell sang the song for the 1979 film of the soundtrack ELVIS.
Candi Staton had a No. 31 UK hit with her revival in 1982.
Bobby Orlando released a Hi-NRG version of the song in 1988.
Phish covered the song live numerous times during 1995 and 1996, notably available on the album Vegas 96.
In 1996, Bowling for Soup included a cover version on their album Cell Mates.
In 1997–98, U2 frequently performed the song as a karaoke version sung by The Edge during the Popmart Tour. At roughly the same time Elvis impersonator James Brown started his career thanks to singing the song at a karaoke bar in his native Belfast.
In 2002, No Doubt covered the song on NBC's special "Elvis Lives".
In 2004, Pete Yorn released a live recording of the song on his two-disc album Live from New Jersey.
In 2006, punk group Avail added a cover version of this song on their re-released 1998 CD Over the James.
In 2007, Greek singer Sakis Rouvas recorded "Suspicious Minds" on his live album "This is My Live", however having previously also recording it for the Greek movie Alter Ego.
In March 2009, Miss Kittin and The Hacker covered "Suspicious Minds" for their album Two, for which they filmed a promotional music video directed by Régis Brochier of 7th floor Productions. Their cover of "Suspicious Minds" was later featured on the downloadable for free mixtape Skull of Dreams by Little Boots.
In 2009, Rusted Root covered this on their studio album Stereo Rodeo.
In 2009, South African singer Steve Hofmeyr recorded a version of the song on his album Tribute, while another South African singer, Ray Dylan, released a version on his album Goeie Ou Country Vol. 2.
The Bourbon Cowboys, a Blizzard Entertainment in house band, recorded a cover of the song for inclusion in '. The song is one of the few licensed songs that can be heard on the jukebox that appears between missions. Blizzard released the song on the album .
Rock band Glasvegas featured Florence Welch of Florence and the Machine in a live cover at NME Awards in 2009.
Clay Aiken recorded the song on his 2010 album Tried and True.
Amanda Lear covered the song on her 2014 Elvis Presley tribute album My Happiness. An over 5-minute track was edited down to 3:52 for the single release.
Martina McBride covered the song on her 2014 album, Everlasting.

Non-English-language versions

"Suspicious Minds" has also been translated into a number of languages. It was performed in Dutch as "Door achterdocht verdoofd" by Guido Belcanto on the album Elvis Belgisch released in August 1992. In 1997, an Italian language version was done by Luciano Ligabue with the title "Ultimo tango a Memphis" and is found on the album Su e giù da un palco.
Italian singer Gianni Morandi had a version called Che Cosa Dirò that translates as 'What Shall I Say'.
In 2008 the Italian band Elio e le Storie Tese recorded the single ":it:Ignudi fra i nudisti|Ignudi fra i nudisti" starting by a reverse playback of Suspicious Mind