She made her European debut with an invitation from Maestro Daniel Barenboim to the Staatsoper Berlin, where she sang Senta and Helmwige. Ms. Owen has sung major roles in guest engagements at the Deutsche Oper Berlin, Semper Oper Dresden, Deutsche Oper am Rhein and Opéra de Nancy et de Lorraine, France. Her interpretation of the title role of Elektra by Richard Strauss was hailed in the press as the “Singer-Discovery of the year 2000", a role she performed at Staatstheater Darmstadt, Aalto Theater Essen, Antikenfestspiele in Trier,Theater Münster and Staatsoper Hannover. At Staatstheater Darmstadt she was a full-time ensemble member from 1999 – 2002 where she performed the roles of Isolde, Barak's Frau, Emily Marty The Makropoulos Case and Ortrud Lohengrin. Ms. Owen sang Brünnhilde Der Ring des Nibelungen with great critical acclaim at Staatstheater Kassel. Complete live recordings of Die Walküre, Siegfried and Götterdämmerung were successfully released on CD by Ars Production, Germany.
International career
As Brünnhilde she was a guest in numerous opera houses including Oper Bonn, l'Opéra Royal de Wallonie, Teatro Giuseppe Verdi in Trieste and Theatre Kiel, as well as concert performances in Taipei and Tokyo. As a full-time ensemble member of Staatstheater Kassel Ms. Owen performed Senta, Marie Wozzeck, Santuzza Cavalleria Rusticana, Leonora La Forza del Destino, Giorgetta Il Tabarro and the title role of Jenufa. Her career includes many engagements in the USA, for instance with the Palm Beach Opera she performed both Elisabeth and Venus in Wagner’s Tannhäuser conducted by Anton Guadagno. With the Austin Lyric Opera she performed the roles of Aida, Tosca and Elisabeth and with the Opera Orchestra of New York she sang Irene conducted by Eve Queler. Other major Italian roles include Amelia Un Ballo in Maschera, Maddalena Andrea Chénier, Leonora Il Trovatore and Lady Macbeth. Highlights of her performances on the concert stage include Gustav Mahler's 8th Symphony at the Beethoven Festival in Bonn and Cologne, La Terre for soprano, piano and orchestra by Zygmunt Krauze for Radio France in Paris, Arnold Schoenberg’s Gurrelieder in Darmstadt and Bratislava, Richard Wagner’s Wesendonck Lieder as well as the Vier letzte Lieder by Richard Strauss.
Teaching and Editing
Associate Professor of Voice and Head of the Vocal Arts Division at the University of Memphis / Rudi E. Scheidt School of Music Susan Owen-Leinert founded the Memphis Opera & Song Academy, a summer academy for opera singerson the verge of international careers. She is the General Manager of which since 2007 has successfully produced contemporary opera productions such as The Medium by Sir Peter Maxwell Davies which was invited to Germany for guest performances. In 2009 Susan Owen-Leinert was the recipient of the CCFA Dean’s Creative Achievement Award. She has been a guest lecturer, recitalist and given master classes in the United States, Germany and Cyprus. As the President of , Ms. Owen-Leinert is the editor of the first critical edition of the complete Lieder by Louis Spohr in 12 volumes with the German Publisher Dohr in Cologne.