Starsky & Hutch


Starsky & Hutch is an American action television series, which consisted of a 70-minute pilot movie and 92 episodes of 50 minutes each. The show was created by William Blinn, produced by Spelling-Goldberg Productions, and broadcast from April 1975 to May 1979 on the ABC network. It was distributed by Columbia Pictures Television in the United States and, originally, Metromedia Producers Corporation in Canada and some other parts of the world. Sony Pictures Television is now the worldwide distributor for the series. The series also inspired a theatrical film and a video game.

Overview

The series' protagonists were two Southern California police detectives: David Michael Starsky, the dark-haired, Brooklyn transplant and U.S. Army veteran, with a street-wise manner and intense, sometimes childlike moodiness; and Kenneth Richard "Hutch" Hutchinson, the divorced, blond, Duluth, Minnesota, native with a more reserved and intellectual approach. Under the radio call sign "Zebra Three", they were known for usually tearing around the streets of fictional Bay City, California.
Much of the series was shot on location in the Los Angeles beach community of San Pedro. The building that was used as the Metropolitan Division police headquarters is now San Pedro's City Hall.
The characters and even some plot points were based on real-life New York City detectives, Lou Telano and John Sepe, who gained notoriety and commendations for their unconventional and effective undercover police work. The show's production team spent considerable time with the two detectives during their daily routines. Lou Telano and John Sepe later sued Aaron Spelling's production company and settled out of court for only $10,000 each.

The car

The vehicle of choice was Starsky's two-door Ford Gran Torino, which was bright red, with a large white vector stripe on both sides. Approximately four different cars were used for filming. Earlier shots had red wing mirrors, except the pilot which had silver mirrors, usually for long shots or footage used in later scenes, close ups and later episodes had silver wing mirrors. The Torino was nicknamed the "Striped Tomato" by Hutch in the episode "Snowstorm", and fans subsequently referred to the car by that nickname, too. However, this moniker didn't come from the writers, it came from a real-life comment that Glaser made. In a segment titled Starsky & Hutch: Behind the Badge that was featured on the first season DVD collection, Glaser stated that when he was first shown the Torino by series producer Aaron Spelling, he sarcastically said to Soul, "That thing looks like a striped tomato!" In characteristic contrast, Hutch's vehicle was a battered tan 1973 Ford Galaxie 500. It occasionally appeared when the duo needed separate vehicles, or for undercover work. However, the duo's cover was often blown because Hutch's vehicle had a bad habit; when its driver's side door was opened, the horn would go off, instantly drawing attention. It was also noticeable due to the severely cluttered back seat, so cluttered that there was no room to transport both prisoners and the two detectives simultaneously.

Supporting characters

The detectives' main confidential informant was the street-wise, ethically ambiguous, "jive-talking" Huggy Bear, who often dressed in a flashy manner and operated his own bar. The duo's boss was the gruff, no-nonsense-but-fair Captain Harold C. Dobey. '
Huggy's immense popularity with viewers caused producers Spelling and Goldberg to consider giving actor Fargas his own TV series. The second-season episode "Huggy Bear and the Turkey" was the test pilot for a proposed spin off with Huggy and his friend, former Sheriff "Turkey" Turquet becoming private investigators; however, this premise proved unpopular with viewers, and a spinoff never materialized. In the episode it was revealed that Huggy's last name is Brown. Two series characters were named for people from William Blinn's past: Starsky was the name of a high school friend, and Huggy Bear was a local disc jockey.
Series creator William Blinn first used the name Huggy Bear on-screen for a character, also a confidential informant, in an episode penned by Blinn for the TV series The Rookies, during the 1973 second season, "Prayers Unanswered Prayers Unheard", there played by actor Johnny Brown.

Seasons 1 and 2

In contrast to police characters on U.S. TV in prior years, Starsky and Hutch were open with physical gestures of friendly/brotherly affection toward one another, often declaring that they trusted only each other. While likely "normal" by American social standards since the 1990s, such body language conflicted with 1970s norms of masculinity. In a show documentary tape made during the show's run that can be found on YouTube, the narrator intones that some Hollywood industry types referred to the characters as "French kissing prime-time homos". Soul verified this statement in a 1999 cast reunion interview in the United Kingdom.
Many fans were attracted not just by the characters, but the quality of writing during the first two seasons. The second-season episode "Long Walk Down a Short Dirt Road", featured country star Lynn Anderson as a singer being stalked by a deranged person; it was based upon a real-life incident involving country music legend Dolly Parton. The part was written with Parton in mind, but Anderson wound up playing the role.
Season 1: Starsky & Hutch aired on Wednesday nights at 10 p.m. and aired against Kate McShane on CBS and the second season law drama Petrocelli on NBC. Starsky & Hutch had no trouble beating its competition and finished #16 with a 22.5 share in the A.C. Nielsen Ratings.
Season 2: Starsky & Hutch was moved to Saturday night for the second season and was up against tough competition on CBS with the Mary Tyler Moore Show followed by The Bob Newhart Show. NBC had the NBC Saturday Night at the Movies. Although the show lost some of their viewers from the move from the Wednesday night time slot from the previous season, Starsky & Hutch held its own, finishing #34 with a 19.6 rating in the Nielsens.

Season 3

In 1977, a rising concern in America about violence on TV, along with Glaser's own concerns about the level of violence in the series, forced the writers to reduce the violent "action" scenes, with more romantically and socially themed storylines, and play-up the "buddy-buddy" aspect of the show's leads even more. At the same time, the lead actors—Glaser in particular—became jaded with the general theme; these and other factors contributed to the fading popularity of the series.
Glaser indicated several times that he wanted to get out of his contract and quit the series; he even sued the producers to force a release from his contract before the start of the third season. It seemed that he would not be returning for filming, so to fill the presumed void, the character "Officer Linda Baylor" was created, and a number of alternative scripts featuring her instead of Starsky were written. After being granted more creative control over scripts, opportunities to direct episodes, and a per-episode pay raise, Glaser returned to the show. Ultimately, Officer Baylor only appeared in one episode : the Play Misty for Me–inspired episode, "Fatal Charm".
Despite this major change in the tone of the show, with a lot of the violence ejected and more of a focus on the friendship of the two leads, viewership remained steady during the season. From September to December 1977, the show stayed in its Saturday night time slot, now up against The Jeffersons and The Tony Randall Show on CBS and the NBC Saturday Night at the Movies. In January 1978, the show moved back to it original Wednesday night time slot of 10 p.m. The ratings dropped a little bit, however Starsky & Hutch finished #33 with a 19.2 Nielsen rating.

Season 4

Glaser again voiced his desires to leave during the fourth and final season. This time, Starsky's wayward younger brother Nick was introduced, in the episode Starsky's Brother. It was intended that if Glaser was to quit, that the reformed Nick would take David's place on the police force. However, the disgruntled Glaser decided to return yet again, to finish out the season. Although a fifth season was planned, increasing production costs, Glaser's persistent desire to move on, and declining ratings, brought an end to the series.
The final episode, "Sweet Revenge", originally had its co-lead dying in the early drafts. However, the producers decided to have the character survive, as it was felt that a dead Starsky would disrupt the continuity of reruns/syndication, and preclude the option of the producers' reviving the series in the near future. Starsky & Hutch finished #36 in the Nielsen Ratings in their final season.

Syndication

After its prime-time run, Starsky & Hutch was sold into syndication, and has been shown on several local channels and cable networks. In 2015-2016, the series aired on cable's El Rey Network on weekday mornings. Several episodes from the first two seasons can be viewed for free in Minisode and in regular format on Crackle. The show has also been broadcast on Cozi TV.

List of episodes

Home media

has released 4 Seasons on DVD in Regions 1 and 2 between 2004 and 2006.
On August 27, 2013, it was announced that Mill Creek Entertainment had acquired the rights to various television series from the Sony Pictures library including Starsky & Hutch. On March 4, 2014, they re-released the first season on DVD.
On November 11, 2014, Mill Creek released Starsky and Hutch - The Complete Series on DVD in Region 1.

International broadcasts

Stunt cars, camera cars, tow cars, dolly cars, and cars used for "beauty" shots varied in model year from 1974 to 1976 Ford Torinos, since the body style of the Gran Torino was unchanged.
Originally, Blinn was to have Starsky drive a Chevrolet Camaro convertible because he fondly remembered a green and white one that he owned. However, when production started on the pilot episode, Ford Motor Company's Studio-TV Car Loan Program was the lease supplier for Spelling-Goldberg. They looked at lease stock and chose two 1975 351 Windsor V8-powered "Bright Red" 2-door Gran Torinos. Both cars had a role in the pilot movie, one being "Starsky's" car, and the other being a similar car which is mistaken for Starsky's car by the film's villains. They each had body-side mouldings along with a black interior with vinyl bench seats. One of the pilot cars had the luxury remote-control chrome mirrors installed, while the other pilot car had the cheaper, entry-level manual chrome mirrors installed; in editing the film, Starsky and Hutch are shown to be driving around in each of the two cars at different times during the film.
The cars were also custom painted with the distinctive white "vector" stripe designed by Spelling-Goldberg's transportation coordinator George Grenier. The rear ends were lifted by air shocks, and had Ansen Sprint 5-slot mag wheels added with larger rear tires. While the tires were mounted so that only the black wall side would show, thus hiding any unauthorized brand-name display, in one first-season episode, a close-up shot of the villain cutting the rear brake lines shows the letters on the inside-facing side of the tires to say Firestone.
It is reported that the original 2.75:1 ratio rear axle gearing was replaced with numerically higher ratio gears for better acceleration during stunt driving scenes; in the 1999 interview, Glaser said that "We finally had to get a new rear end put in it so that at zero to sixty it had some pop." At least one of the second-season cars was known to have a Dymo label prominently attached to the dashboard which read "DO NOT EXCEED 50 MPH"; this was probably due to the fact that the revised gearing would cause the engine RPM to go to a higher level, possibly leading to engine damage.
In the "Behind The Badge" interviews, Glaser said that during the early stages of production of the pilot, Spelling took him outside to introduce him to the red & white-striped, mag-wheeled Torino. Glaser took an immediate and long-lasting dislike to the car, which has not changed to this day. According to Glaser in several early interviews, there were three main reasons why he instantly hated the car: First, in his opinion, it was big, ugly and childish-looking. Secondly, the idea that two undercover cops would drive around in a car with such an outlandish appearance seemed ludicrous, and lastly, he does not like Ford products. At the first viewing of the car with David Soul, Glaser remarked that the car looked like a "striped tomato." That nickname stuck, and very soon the show's writers had worked it into the show as Hutch's derogatory name for Starsky's beloved Torino.
Glaser remarked to Soul that he hated the car and that he was "going to destroy that car...burn it down every chance I get", and repeated the story in the 1999 "reunion" interview. Several scenes of Glaser driving the car show him smashing the front wheels into curbs as he slides the car around corners and such, but that may also be attributable to the fact that he is primarily an actor, not a trained stunt-driver. Over the years, with the Starsky & Hutch Torino gaining in popularity and becoming a much-loved icon of the show and of the Seventies in general, Glaser has not so much grown to appreciate the car as he has learned to simply accept its popularity as a necessary component of the fans' appreciation of the show. In fact, during filming of the 2004 Starsky & Hutch movie, Glaser had several opportunities to sit in the newest iteration of "his" car, and even drive them, but he refused. He just was not interested; however, in 2004, during the last day of filming a movie in Canada, the crew wanted a group picture of Glaser with a Starsky and Hutch Torino, so he agreed to sit in the driver's seat of a Limited Edition replica with the crew surrounding the car. In the summer of 2012 during the introduction to the "Las Vegas Car Stars 2012" charity event, Glaser drove up in a S&H Torino replica; after being introduced by the master of ceremonies, he got out of the Torino and was cheered by the crowd.
High performance engine sounds were dubbed over scenes during the show because California law forbade mechanically modifying the engines of new cars. When the pilot was successful, Spelling-Goldberg ordered two new 1975 red Gran Torinos for the first season. These cars were powered by 400 V8s because extra power was going to be needed for additional stunt driving scenes. These new cars for the first-season were factory ordered in the bright red color, which was a regular production color for 1975 Torinos.
Unlike the pilot-movie cars, the first-season Torinos had no body-side mouldings, but did have body-colored sport mirrors, and brocade cloth split-bench seats. With the acquisition of the new cars, the producers took the opportunity to improve the design of the white stripe painted on the cars. The original pilot-movie cars had the bottom horizontal edge of the stripe about an inch or so above the mid-body character line that ran along the car, which was apparently done so that the section of the stripe that passes above the front wheel opening would not be cut off by the wheel opening, but for the first-season cars, the bottom horizontal edge of the stripe was lowered until directly on the crease, which gave a more cohesive look to the design of the stripe. The section of stripe that runs across the front wheel opening was gradually curved up and around the opening. The stripe was also thicker on the roof section and whereas the front pointed section ended well behind the amber marker light on the pilot cars, the newer design had the point ending far ahead of it, on the front fascia piece. These new cars also featured the complete bumper protection group option, which included horizontal black rub-strips on both bumpers that were not included on the pilot cars.
For the start of the second season, these were replaced by two 1976 Gran Torinos that had vinyl split-bench seats like the pilot episode cars. The new cars were ordered under Ford's fleet program, which is what was required to get them painted in the previous year's Bright Red, as Ford used a different shade of red for new standard-order Torinos by this point.
These newer cars can be identified by their silver sight shields which Ford used on specially painted fleet-ordered cars. They also had the luxury chrome mirrors like one of the pilot cars. Even though the body-colored sport mirrors were still a Torino option in 1976, they could not be installed on a fleet-ordered specialty-painted car, as Ford had no provision for producing those mirrors in anything other than the regular production colors listed for that year; since the 2B bright red was a special fleet-ordered color for the '76 model year, the cars came equipped with the chrome mirrors. The body-side mouldings were installed on these cars and the stripe was, unlike the pilot cars, integrated with the mouldings.
They were powered by 460 Lima V8s, and Spelling-Goldberg kept these Torinos until production ceased. While these were the biggest, most powerful engines available from Ford at the time, even with dual exhaust, they were still somewhat underpowered at 202 net horsepower. A third car, owned by 20th Century Fox and 351 Windsor powered, was used as the first backup to the Ford lease cars.
Over time, an unforeseen problem was discovered with the Torinos when they were used during stunt driving scenes. In sharp right-hand turns, Soul would sometimes slide accidentally across the vinyl bench into Glaser. Although a potential safety hazard at the time, the problem was solved by replacing the front bench of the number two Torino with bucket seats at Glaser and Soul's request; Glaser said in 1999, "It took us a year to get them to put bucket seats in it so David wouldn't slide all over the place whenever I took a corner."
The aggressive stunt driving required of the show resulted in many accidents and fender-benders for the Torinos. The time demands of a weekly production mandated quick body and paint repairs so the cars could get back to work as soon as possible, and many of the quick and often sloppy repairs are quite evident to eagle-eyed viewers of the show. The front fenders seemed to have taken a lot of abuse, and the Gran Torino nameplates on the front fenders are missing in several episodes, as are the chrome wheelhouse moldings.
Towards the end of the four seasons of production, the Torinos were noticeably worse-for-wear, and close watchers of the later episodes will spot many dents and other damage on the cars as they appear in various episodes. In particular, the driver's side quarter panel and tail-light area were seen to be smashed up in 4th-season episodes, and at least one of the cars was shown to have a dented and twisted front bumper along with some visible damage to the grille behind. The very last appearance of the Torino on the series seems to show that the driver's door and window will not even close correctly, possibly due to the rigours and effects of the spirited stunt driving the car suffered over the years.
Glaser deliberately mistreated the cars during close-up stunt scenes when he drove and would often stop the car by hitting the front wheels against curbs, as well as coming into driveways at high speed and bumping into garbage dumpsters.
Due to the success of S&H, in 1976 Ford released a limited edition Starsky and Hutch replica Gran Torino. Manufactured at the Chicago plant, one of these code "PS 122" units was leased by Spelling-Goldberg from the middle of season two until the series' end as a second backup for the main cars and was known simply as "Unit 129". It was originally equipped with a 351 Modified ; however, during filming, one of the stuntmen damaged the engine beyond repair, and it was replaced overnight with a 429 Lima V8.
During the last season of Starsky and Hutch, The Dukes of Hazzard premiered on CBS, and one of the factory replicas was used in the first episode, "One Armed Bandits", seen to be driven by regular character Cooter Davenport. This was the only appearance of the Torino in the series, and many fans have speculated over its strange one-off appearance. One theory is that it was merely an in-joke, with the Torino's former iconic car status now being taken over by the Dukes' Dodge Charger car "The General Lee".
After Starsky and Hutch was cancelled, the cars were returned to Ford's Studio-TV Car Lease Program and sold at a Ford Motor Company auction to A.E. Barber Ford of Ventura, California. The first retail sale of Torino #1 was to a resident of Ojai, California; he owned it for one year, then sold it in a private sale to an Air Force officer that owned it for 17 years. In 1988, Torino #1 was purchased by an Ohio resident; however, he sold it in 2012 to Cars Of The Stars Motor Museum in the United Kingdom. A few years later, Torino #1 was sold to Dezer Car Collection in Miami, Florida. Dezer sold Torino #1 in a private auction in January 2015 to a Texas collector; at the time, it was mostly unrestored and somewhat battered due to wear and tear from TV show filming and subsequent ownership. It still had its original 460 V8, interior, and paint; however, Mickey Thompson valve covers and a chrome air cleaner were added by the first owner after he purchased it from Barber Ford. The Texas collector has since done a "sympathetic" frame-off restoration.
Torino #2 is owned by a New Jersey man who supplied the main close-up Torino for 2004's big-screen Starsky & Hutch movie.
During its life after Starsky and Hutch, #2 was wrecked and sold as salvage. It was repaired, although it was repainted the wrong shade of red and the iconic stripe was improperly painted. Although still equipped with bucket seats, #2 no longer has its original 460 engine, which was replaced at some point with a 2.8 litre Ford V-6. The car underwent a full restoration in a Pennsylvania Shop and is back on the road. Finally, the 20th Century Fox Torino was purchased in 2009 by the owner of #2, sold to an Oklahoma couple in 2010, and restored. "Unit 129" was owned by a collector in New Hampshire; as of May 2018, it is for sale by a Florida collector vehicle dealer.
In addition, the Torino has many fans and sparked a collectors market in the United Kingdom, as evidenced by the large number of UK-owned replicas. The red Torino's fame also led to a number of people customising their own red vehicles with the distinctive white vector stripe, and with varying levels of success.

Theme music

The first season of the show had a dark and ominous theme written by Lalo Schifrin that seemed to fit the hard action and violence of the season; the main title version was edited down from the chase climax cue of his score for the pilot episode. The end credits featured a similar piece of ominous music.
The first season theme was replaced for the second season by a Tom Scott written theme entitled "Gotcha". "Gotcha" is the best known of the show's themes, and has been covered by several musicians, including the James Taylor Quartet and The Ventures. It also appears on the title screen of the Nintendo Entertainment System game Treasure Master, covered by Tim Follin. A version of "Gotcha" was featured on Scott's 1977 album Blow It Out and is also on the album Best Of Tom Scott. For the third season, a more dramatic theme was used that highlighted the show's move to more socially conscious and light-hearted stories. It was written by Mark Snow and released on an LP around 1979.
A reworked "Gotcha", similar in style to the version on Blow It Out, returned for the fourth and last season. The revamped version was the most easy-going of the different themes for the series, reflecting the last season's increased "buddy cop" feel.
Schifrin, Scott and Snow also scored several episodes; Alan Silvestri also worked on the series, scoring three episodes.

Reception

has a rating of 7 out of 10 on IMDb and score of 8.8 out of 10 on TV.com.

Other media

Film

A theatrical film produced by Weed Road Pictures and Red Hour Productions and distributed by Warner Bros. Pictures and Dimension Films was released in theatres on March 5, 2004. The film stars Ben Stiller as Starsky, Owen Wilson as Hutch and Snoop Dogg as Huggy Bear, as they attempt to stop a drug kingpin played by Vince Vaughn. The film grossed $170,268,750 worldwide against a $60 million production budget.

Video game

A video game based on the series was developed by Mind's Eye Productions and published by Empire Interactive for PlayStation 2, Xbox, Nintendo GameCube, Windows and Game Boy Advance in 2003. The game combines driving and shooting gameplay and features the original voice of Huggy Bear, Antonio Fargas.