Stanley Tretick


Aaron Stanley Tretick was an American photojournalist who worked for UPI, Look, and People magazines. He covered every president from Harry S. Truman through George H. W. Bush. Tretick also did stills for many films, including All the President's Men. He is best known today for the photographs he took of John F. Kennedy’s 1960 campaign and presidency. In the final issue of Look, in 1971, Tretick was called "President Kennedy's photographic Boswell."

Early life

Tretick was born in Baltimore and raised in Washington, D.C., graduating from Central High School in 1940. Following a stint as a copy boy for The Washington Post, he joined the Marines in 1942. Trained as a photographer, he served in the Pacific during World War II and then covered D.C. as a tough-talking news cameraman. Tretick joined Acme Newspictures and photographed combat during the Korean War.
In 1951, Tretick's were among the Korean War photos in the exhibit "Korea—The Impact of War" at the Museum of Modern Art in New York. His photo of a soldier crumpled with despair and holding his muddy face in his hands was selected by Military Times as one of the one hundred most-enduring images captured in combat.

UPI

Tretick moved to United Press, which acquired Acme in 1952. He covered Capitol Hill, the White House and the presidential campaigns of the fifties. In 1952, the television audience saw the intrepid photographer punched by a delegate at the Republican National Convention. A photo of Tretick in 1957 being hit by gangster Johnny Dio outside the Senate Caucus Room appeared around the country. Tretick complained, "The worst part of being hit while on assignment is that some other photographer scoops you with a sensational shot of you getting belted."
The agency, which became United Press International, assigned Tretick to travel with Senator John F. Kennedy in 1960. Tretick logged more miles with Kennedy during the presidential campaign than any other photographer. The photographer and candidate became friends and Tretick took many important pictures during this time.

''Look'' magazine

In 1961, when Kennedy took office, UPI refused to assign Tretick exclusively to the White House. Kennedy told Tretick to get a job with any publication that would, promising him extensive access. On this basis, Look hired Tretick. Tretick is noted for the photographs he took of President Kennedy with his children.
Though his wife Jacqueline fought to shield young Caroline and John, Jr., Kennedy knew the public relations value of images that showed him with his young family. As Laura Bergquist of Look wrote about a battle over Tretick's photos of Caroline, Kennedy "was a reasonable man, open to persuasion, especially in matters of self-interest.". According to Philip Brookman of the Corcoran Gallery of Art,
photographs of published in Look from 1961 to 1964, helped define the American family of the early sixties and lent Kennedy an endearing credibility that greatly contributed to his popularity. A 1962 Look cover of Kennedy driving his nieces and nephews in a golf cart, taken at the family compound in Hyannis Port, is akin to the patriotic, illustrative paintings of Norman Rockwell that still graced the covers of the Saturday Evening Post. Tretick's uncanny understanding of the symbolic value of such imagery allowed him to focus on small humanistic moments within the power and politics of Washington.

. in desk
In October 1963, Tretick took his most famous photograph for an article about the President and his son. While Jacqueline Kennedy was out of the country, Tretick was allowed to join the father and son, walking the halls of the White House and playing together in the Oval Office. Tretick's photo of the moment John, Jr., popped out from under the President's desk, with Kennedy seated behind, encapsulates the myth of Camelot. When Kennedy was assassinated on November 22, 1963, these pictures were already on the newsstands and helped create lasting memories of John F. Kennedy the man.
Tretick also covered Robert F. Kennedy's 1968 presidential campaign. His last picture of Bobby Kennedy was taken as Kennedy was going down to speak to his jubilant supporters after his victory in the California primary. Kennedy was assassinated after making that speech. One of Tretick's photos of Robert F. Kennedy was used for a commemorative stamp released in 1979.

''People'' magazine

In later years, Tretick began to spend more time covering the movie industry. In addition to his news work, Tretick did special still photography for movies, becoming friends with Robert Redford, Warren Beatty, Dustin Hoffman and others. His first major Look cover for a movie was of the "dames" of Valley of the Dolls in 1967. In 1996, Washingtonian magazine said that "his career has been a kind of metaphor for the Washington-Hollywood connection."
When Look magazine folded in 1971, Tretick became a founding photographer of People magazine where he retired in 1995 as a contributing photographer. He covered major stories such as Watergate, Iran-Contra and the Clarence Thomas hearings.
He turned down a chance to be President Jimmy Carter's personal photographer. "I didn't feel he wanted an intimate, personal photographer around him," Tretick said.

Death

Tretick died in July 1999 at the age of 77, just days after John F. Kennedy, Jr.'s plane crashed off the coast of Martha's Vineyard.
Tretick had said of his picture of John F. Kennedy Jr. in his father's desk, "When I shove off I'll probably be remembered for the snap of John-John." His obituaries bore this out, invariably mentioning the photo; some newspapers printed it. But Dick Stolley of Time, who had known Tretick at Look and at People, recognized the breadth of Tretick's work: "He was that most unusual of photographers, a man who could do anything—soft subjects like the Kennedy children and very tough things, too."

Awards

Tretick's work is held in the following public collections: