List of artists who participated in all the Stable Annuals 1953–57
Olga Albizu
William Baziotes
James Brooks
Varujan Boghosian
Louise Bourgeois
Fritz Bultman
Nicolas Carone
Giorgio Cavallon
Herman Cherry
Elaine de Kooning
Willem de Kooning
Enrico Donati
Friedel Dzubas
Fred Farr
John Ferren
Perle Fine
Helen Frankenthaler
Michael Goldberg
Robert Goodnough
Grace Hartigan
Raymond Hendler
Hans Hofmann
Angelo Ippolito
Earl Kerkam
Franz Kline
Albert Kotin
Lee Krasner
Ibram Lassaw
Landes Lewitin
Linda Lindeberg
Conrad Marca-Relli
Marcia Marcus
Nicholas Marsicano
Joan Mitchell
Robert Motherwell
Ray Parker
Felix Pasilis
Richard Pousette-Dart
Milton Resnick
James Rosati
Ludwig Sander
Louis Schanker
David Slivka
David Smith
Raymond P. Spillenger
Hedda Sterne
Yvonne Thomas
Esteban Vicente
Manoucher Yektai
Wilfrid Zogbaum
However, the first and second generationAbstract Expressionist artists began to go in their own directions, and new art movements in 1960s including Pop art would become more currently fashionable. In light of those developments Ward expanded the gallery beyond having only a permanent stable of artists, and began bringing forth artists of various movements to exhibit, including: Joseph Cornell, Varujan Boghosian, Edward Dugmore, Robert Engman, Marisol Escobar, John Ferren, Ian Hornak, Will Insley, Alex Katz, Conrad Marca-Relli, Joan Mitchell, Lowell Nesbitt, Isamu Noguchi, Larry Rivers, Leon Polk Smith, Richard Stankiewicz, Cy Twombly, Jack Tworkov, and Wilfred Zogbaum. The Stable Gallery organized Andy Warhol’s first one-man show in November 1962, after Leo Castelli turned him down; the exhibition included eight of the 12 single images of Marilyn Monroe that came to be known as the “Flavor Marilyns,” because each had a colored background. By doing this Eleanor Ward established a reputation for the Stable Gallery as a meeting place for both great emerging and established artists of the time. By 1960, the Stable Gallery had moved to 33 East 74th Street in New York, a location that possessed enough space for the gallery exhibition area. The building was also large enough to contain living quarters for Ward on the ground floor, opening to the garden at the rear. 1970 would mark the closure of the Stable Gallery, which came about very quickly and unexpectedly after Eleanor Ward stated that: due to the evolving commercialization of Fine Art and her personal loss of interest in what was becoming contemporary in the art world, that she would prefer to act as a private art consultant rather than operate a gallery, which she considered to have evolved into simply a business and no longer a passion.